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Weeknight Wrap Up: Beau Turrentine, Joshua Bright, bandazian, B. Hamilton, You Monster!, twentylove, Grace Harriet, Jane’s Party, Laugal, and Greta Pasqua

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Welcome to the Weeknight Wrap Up on bsideguys.com, your essential digest of the latest gems from the independent music scene. Here, we sift through the vast expanse of fresh releases and introduce you to the tracks that stand out from the crowd. Whether it’s a pulsing dance track to kick-start your evening, a soothing ballad to unwind to, or a gritty rock number that resonates with your mood, we’ve got you covered. This is your chance to tune into undiscovered talent, unique sounds, and stories waiting to be told. So grab your headphones, turn up the volume, and let’s delve into the sonic treasure trove that is this week’s Weeknight Wrap Up on bsideguys.com. Let’s discover your next favorite artist!

Beau Turrentine – “Gotta Setta Limit”


Stepping right off the tour bus and into the studio, Beau Turrentine has poured his road-tempered swagger into “Gotta Setta Limit,” the first single from his self-titled debut album. Turrentine’s narrative of wrestling with personal demons infuses the track with an edgy authenticity, providing a new perspective on the classic country and rock n’ roll amalgam. There’s a sultry aggression within the composition, which is further heightened by Beau’s yearning lyrics, his Oklahoma roots seeping through in each fervently delivered line. “Leave me alone for just one sec / I’m just tryna keep myself in check,” he implores, and the urgency of setting boundaries is palpable, making this song an anthem of self-control in the face of inner turmoil.

The collaboration with Beau Bedford has certainly paid dividends, as “Gotta Setta Limit” delivers a polished, radio-ready sound that maintains its raw intensity. Bedford’s experience with the likes of The Band Perry and Paul Cauthen comes through, but this is undeniably Turrentine’s track; his unique voice shines through every word, every beat. The song’s insistent refrain, “Gotta setta limit, gotta setta limit, gotta setta limit on tonight,” drills into the listener’s psyche, serving as both a catchy hook and a testament to the singer’s struggle. All in all, Turrentine’s “Gotta Setta Limit” is a rock & roll rumination on self-restraint, a potent reminder that reckoning with our vices can fuel some of the most compelling music.

Joshua Bright – “TRIGGER FIGURE”

Joshua Bright brings a deeply personal and chilling experience to life in his latest release, “TRIGGER FIGURE.” His raw recounting of being held hostage at gunpoint radiates with an eerie blend of fear and resilience, turning an intensely traumatic event into a haunting sonic tapestry. With a distinctive fusion of psychedelic folk and gritty synth lines courtesy of a therevox, Bright presents a vivid account of this harrowing event in a way that’s truly unsettling. As he sings “It wasn’t the scenery / It was the gun pointed at my head,” the listener is pulled into the stark reality he was once confronted with, making the song not just a musical composition, but a poignant testimony.

Delving into the lyrics, it’s clear that Bright’s gift for storytelling plays an essential role in the song’s potency. As he observes, “I wasn’t as magical as I thought I’d been / I felt the other side but I still held my grin,” the listener is exposed to Bright’s gritty resilience in the face of stark terror. The layered synth sounds heighten the song’s eeriness, creating an unsettling sonic landscape that mirrors the disconcerting events being described. The words “Pretending they’re something / But still believe in hell” close the song with a cynical and somber reflection on the duality of human nature. With “TRIGGER FIGURE,” Joshua Bright showcases a stunning ability to create vivid musical narratives out of the darkest experiences, making for an unnervingly immersive listen.

bandazian – “Let Her”

Bandazian returns from their long hiatus with their new single, “Let Her”, a track filled with poignant lyricism and emotive indie-rock sensibility. The Asheville-based band employs a delicate balance of melancholy and hope in this song, offering a heartfelt exploration of love, loss, and personal growth. The lyrics unfold like a bittersweet conversation between two lovers, revealing the painful yet transformative journey of letting go. Lines such as “Nobody knows this, nobody chose this / The future before us is love that surrounds us” and “I couldn’t hurt you, I won’t desert you” convey a raw sense of authenticity and emotional depth, setting the stage for the listener’s introspection.

The lyrics of “Let Her” intertwine with the overall mood of the track, painting a picture of a relationship tinged with longing, acceptance, and an understanding that letting go can be an act of love. “Who are you to let her, to let her?” forms the refrain, a question that seems to hang in the air as the song progresses, infusing the track with an undeniable poignancy. Yet, it’s not all somber; the lyrics “And I can’t control you, I wouldn’t try to / the distance between us makes and completes us” reveal a wisdom in accepting the dynamics of love and the space it sometimes requires. “Let Her” is a testament to Bandazian’s evolved songwriting prowess, showcasing their ability to construct a narrative that resonates on multiple emotional levels.

B. Hamilton – “That French Guy on the Jazz”

B. Hamilton’s “That French Guy on the Jazz” is an eclectic fever dream of a track that dives headfirst into the dizzying absurdities of the artist’s native Orange County. This vivid commentary explores the peculiarities of suburban California life, offering listeners a wild, tongue-in-cheek portrayal that perfectly encapsulates the artist’s whimsical perspective. Laced with quirky observations such as “They elected a conspiracy theorist UFC fighter to the City Council in Huntington Beach. Love it” and “Some middle manager in Irvine has a ‘don’t tread on me’ bumper sticker on his Tesla”, B. Hamilton expertly crafts a patchwork of idiosyncratic vignettes that will surely tickle the senses of even the most jaded listener.

The lyrics oscillate between the hilarious and the uncanny, navigating a world where the bizarre and the ordinary intermingle seamlessly. A standout line, “That French guy on the jazz is touching microphones and my friend Wendi can’t stop texting me the news”, manages to capture the chaotic energy of the current zeitgeist, cementing its place in the unique sound palette of the song. At the same time, moments of self-reflection are woven into the narrative, such as “If California burns to ashes / I’ll stick around and see what happens / I have no where else to be / Cowboy accents bother me”. This potent mix of critique, introspection, and humor forms the very heart of “That French Guy on the Jazz”, positioning B. Hamilton as an insightful observer who views the world through a uniquely colored lens.

You Monster! – “Dirty Habits”

In You Monster!’s “Dirty Habits,” we’re exposed to a melancholic universe teetering on the fringe of societal norms. Characteristic of the artist’s fascination with the “negative” emotions, this trip-hop/alt-pop number seductively unravels the narrative of concealed sins and forbidden rituals. The song dwells in an air of morose self-awareness, one that persistently treads the border between sinister desire and provocative confession. “I’ve got a million rotten corpses hidden / deep in the recesses of my room”, the artist croons, enticing the listener into a gloomy tableau of the artist’s personal abode – a space that mirrors the inner chaos and grim indulgence, which is as hypnotic as it is perturbing.

From the menacingly foreboding introduction to the achingly vulnerable confession in the end, the song drives the listener through a winding path of disconcerting revelations. The lyrics’ repeated references to “dirty habits” hint at the human penchant for forbidden fruit, a fascination that binds people in a bizarre chain of shared guilt and secrecy. The recurring chorus “Just know that I’ve got very dirty habits / You’d never believe it if you knew / I’m gonna show em to you”, not only bears testament to this human vulnerability but also uncovers an eerie sense of intimacy and complicity. As a result, “Dirty Habits” serves as an unnerving journey into the dim-lit corners of human psyche, while inviting the listeners to reflect upon their own hidden shadows. You Monster! manages to seamlessly weave together an enticing soundscape, both sonically intriguing and emotionally disquieting.

twentylove – “over & over”

In “over & over,” twentylove presents a compelling exploration of love’s cyclical nature and the volatile dance of heartbreak and longing. Drawing on the angst-laden tradition of their alternative rock influences, this San Fernando Valley outfit crafts a sonic narrative that captures the restlessness of contemporary romance with poignant authenticity. The angst is palpable as the lyrics oscillate between despair, determination, and fleeting moments of joy — “Feels like I’ve been stuck at the bottom and don’t know where to go / How’s it that I feel broken hearted I left you years ago.” This tug of war between past and present, melancholy and hope, is rendered with raw emotion and the kind of honesty that is both disarming and deeply relatable.

The lyrics offer an unvarnished look into the turbulent inner world of a lover who’s caught in the churn of emotions. In true alternative fashion, twentylove navigates the complexities of love and loss, with an emotional vocabulary that is remarkably vivid and nuanced. The infectious chorus, “Don’t think twice / Just go with it if it feels right / If it feels right / Never gonna find the right time / To take you home / I go over & over,” encapsulates the often frustratingly elusive nature of the ‘right’ time and the ‘right’ emotion, while also highlighting the repetitious, almost obsessive nature of love and attraction. With their discerning lyricism and adept musicianship, twentylove paints a compelling portrait of the millennial romantic psyche — a mélange of bold pursuit, angst-ridden self-doubt, and the ceaseless quest for emotional clarity. In “over & over,” they have crafted an anthem that resonates with the heartbeat of their generation.

Grace Harriet – “Cowboy”

“Cowboy,” the inaugural single from Grace Harriet’s forthcoming EP, “Cowboy’s my baby,” unravels like an introspective road trip through the soul’s landscape. A masterful ode to solitude and the enchanting simplicity of the everyday, the song is a testament to Harriet’s distinctive blend of indie, rock, and folk elements, coupled with her remarkable storytelling prowess. The song’s relatable narrative of longing to break free from life’s tedious cycles, juxtaposed against dreams of an untrammeled dirt-road adventure, elevates “Cowboy” beyond a mere musical experience into a contemplative journey. The sonic layers of the track gently echo the artist’s Northern California roots, where winding roads through towering redwoods and idyllic farm life lend themselves to her captivating lyrical content.

Grace Harriet’s artistry carries an engagingly genuine quality that connects listeners to the beauty inherent in every emotion and experience. Her lyrical craftsmanship is on full display in “Cowboy,” delivering lines steeped in heartfelt sentiment, painted with an array of hues from her emotional palette. The song is a testament to Harriet’s journey as a musician — from her teenage years making music under the pseudonym “Blovey,” to her current exploration of songwriting at Berklee College of Music. It’s evident that she draws her energy and inspiration from the natural world, engaging in an almost symbiotic relationship with her environment that translates into her music. “Cowboy,” with its thoughtful musings on solitude and the lure of the unexplored, is a compelling first glance at Grace Harriet’s promising new project, offering a tantalizing taste of the evocative narratives that lie ahead.

Jane’s Party – “Ships On An Ocean”

“Ships On An Ocean,” the latest offering from Toronto-based indie rock outfit Jane’s Party, is an engaging exploration of heartbreak, painting a poignant picture of a close friend’s recent breakup. Guided by metaphor and rich imagery, the track reveals an empathetic narrative that seizes the universal experience of love lost. While breakups may be well-tread ground in songwriting, Jane’s Party breathes fresh life into the theme. The inventive juxtapositions — expensive beer starting to taste cheap, the drawn-out death of a film character, ships passing unnoticed in the night — create a vibrant tableau that is both highly personal and strikingly relatable. The lyrics, seemingly scattered puzzle pieces of thoughts and observations, come together to form a melancholic yet captivating scene, a testament to the band’s knack for storytelling.

With roots stretching back to a shared garage in North York, Jane’s Party has continually pushed the boundaries of their sound while maintaining a distinct identity. Over the years, they’ve shifted from breezy folk-rock to eclectic electro-pop, consistently delivering songs characterized by catchy melodies, rich harmonies, and dynamic musicality. Their journey has seen them evolve from a university cover band to a respected indie rock entity, a progression underscored by the band’s growing collection of accolades and achievements. From the charm of their self-titled EP and sophomore album “Hot Noise,” to the genre-blending brilliance of “Tunnel Visions” and “Casual Island,” the band’s sound has continually evolved. Their latest album, “Live Again,” harnesses the band’s live energy, a testament to their unwavering commitment to their craft and the passion that drives their music. With over 40 million streams of their hit “Daydream” and successful collaborations with a range of artists, Jane’s Party’s musical journey seems only to be gaining momentum.

Laugal – “Fluff”

“Fluff,” the newest release from Laugal, the solo project of Alex Laugalis, begins as a restrained yet vibrant melody, its bass and drum beat keeping time beneath a soothing, unassuming vocal. As the track unfolds, it culminates in a driving chorus, while the wah guitar grooves with a space echo effect adds an extra layer of sonic intrigue. The accompanying video, filmed in the picturesque scenery of Phuket, Thailand, offers a perfect visual complement to the track’s evolving soundscapes. Lyrically, “Fluff” employs a playful metaphor of an umbrella, transforming it into a symbol of protection and companionship. This imagery, combined with the mantra-like repetition of the phrase “I said forget it / don’t ever let it go to your head,” lends the song a sense of gentle wisdom, suggesting a refusal to dwell on the negative or become overly consumed by ego.

Laugalis, who began his musical journey with classical violin at the age of four, uses his multi-instrumental prowess to craft a sound that blends pop, alternative, indie, and improvisation into a uniquely captivating style. Despite his classical origins, Laugal’s music is distinctly modern, characterized by inventive compositions that remain consistently catchy. The live looping format and the accompaniment of various musicians based on location add another dynamic layer to his performances, ensuring a fresh and spontaneous experience every time. From the versatile, location-based ensemble to the transition from major to minor keys, Laugal’s music remains unpredictable and engaging. Whether performing with a full band or acoustically, the core of Laugal’s artistry is always evident, and “Fluff” is a testament to his compelling musical vision.

Greta Pasqua – “Just Like You”

Greta Pasqua’s latest release, “Just Like You,” presents a hauntingly raw and honest depiction of heartbreak. This track takes the listener on an emotional rollercoaster, mirroring the stages of shock, grief, and anger felt during the end of a relationship. The melody embodies a trance-like state of heartbreak, encapsulating the dazed confusion and hurt that accompanies such an event. The song’s structure evolves as the emotions intensify, gradually transforming from the initial shock to the growing anger. Recorded live in an underground swimming pool to capture the natural acoustics, the track has an eeriness that mirrors the turmoil experienced in the wake of a breakup.

Lyrically, Pasqua invokes mundane objects – a broken mug, dirty shoes, and an empty room – as symbols of lingering pain and resentment, their ordinary presence underscoring the deep emotional scars left by a past love. The chorus draws attention to the fragile state of the narrator, her brittle bones and loose stitches reflecting the physical toll of emotional upheaval. Echoing the vulnerability and poignant storytelling of artists like Phoebe Bridgers and Sharon Van Etten, “Just Like You” offers a cathartic exploration of heartbreak, unapologetically laying bare the raw feelings associated with such an experience. The repeated phrase “I don’t mind,” particularly at the song’s climax, captures a resigned acceptance of reality, underscoring the strength in acknowledging pain and moving forward. With “Just Like You,” Greta Pasqua delivers a piercing, deeply personal portrait of heartache, solidifying her as an artist unafraid to delve into the depths of human emotion.

Top Ten Thursday: Buck St. Thomas, Derde Verde, Cherise, Youth Sector, Citizen Cope, Hannah Kae, 7th Grade Girl Fight, viisi & Kayla DiVenere, Big Girl, and Meltt

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Welcome to “Top Ten Thursday” on B-Side Guys, your weekly deep dive into the freshest tracks from up-and-coming artists around the globe! Every Thursday, we curate a lineup of ten outstanding tracks, handpicked for their unique sound, compelling lyrics, and the raw talent of the artists behind them. This is the place where music lovers meet the trailblazers of tomorrow’s sound. From haunting ballads to dance-inducing grooves, these songs represent the incredible diversity and creativity of the current music scene. Join us as we embark on this sonic journey, showcasing the very best that the B-Side of the music industry has to offer. So sit back, tune in, and let the music play—it’s “Top Ten Thursday”!

Buck St. Thomas – “Quiet Thrills”

In “Quiet Thrills,” Buck St. Thomas crafts a buoyant, yet contemplative soundscape that weaves threads of nostalgia through its energetic riffs and tight percussive elements. The tune feels like a musical see-saw, balancing on the thin line between joy and melancholy, the oscillating energy reminiscent of works by artists like Dr. Dog and Elliott Smith. The choice of instrumentation adds a layer of richness to the arrangement— the strumming acoustic guitar riff blending seamlessly with the drum machine while a piano, bass, and violin create a resonant backdrop. The full-bodied chorus brings a tangible feeling of communal catharsis, a characteristic nod to the grandeur of The Smashing Pumpkins.

The lyrics in “Quiet Thrills” provide a beautiful counterpoint to the upbeat instrumental composition. They tell a story of the protagonist’s existential journey — running away from life’s hurdles, getting lost in the ethereal cloud of confusion, and then finding a path to freedom. This introspective narrative carries the listener along on a rollercoaster of emotions, encompassing thrill, loneliness, and ultimately, relief. St. Thomas displays a unique talent for turning personal narratives into universally relatable themes, subtly reflecting elements of Neutral Milk Hotel’s lyrical depth. With its rich tapestry of emotional introspection and musical vitality, “Quiet Thrills” establishes Buck St. Thomas as a strong emerging voice in the modern folk-rock scene.

Derde Verde – “Child of Spring”

“Child of Spring,” the latest single from Los Angeles-based indie rock band Derde Verde, offers an unexpectedly gentle and introspective moment amid the anticipated dynamism of their forthcoming album ‘Tug of War.’ Recorded primarily in a Brussels apartment by singer/guitarist Dylan McKenzie, the song imbues a serene folk ambiance, marking a stark contrast to their tenacious previous single, “Don’t Look Away.” The track delicately captures the sense of innocence and isolation during the pandemic’s early days, with McKenzie expertly translating his observations of the suddenly stilled world and the emergence of an ‘odd calm’ into a lyrical exploration of childlike wonder and groundlessness.

Derde Verde, consisting of Dylan McKenzie, bassist Jonathan Schwarz, and recently added drummer Colin Woodford, continues to build on their reputation for crafting melodic soundscapes and poignant songwriting, grounded by driving rhythms. “Child of Spring,” although a stylistic outlier on their new album, encapsulates the band’s evolution, reflecting their willingness to embrace different sonic territories. Recorded live on 2-inch tape and mixed on an analog console, the single also reveals the band’s affinity for authenticity and rawness in their music. As we anticipate their album release show on June 16th at Gold Diggers, it is clear that Derde Verde is not just a band that makes music; they manifest feelings and experiences through song, and “Child of Spring” stands as a testament to this singular talent.

Cherise – “2 Steppin”

Cherise’s “2 Steppin” is an invigorating burst of summer-ready funk, crafted as an homage to her late grandfather and the characteristic swagger that marked his slow walks down Ridley Road in East London. The UK-based soul artist deftly transposes his unapologetic swag into a groove-laden anthem that calls listeners to transcend their worries and lose themselves in the rhythm of life. The track also pays tribute to the Windrush generation, as Cherise muses on the significance of the 75th anniversary of their journey to England, expressing gratitude for her heritage and the desire to define and empower her own identity as a second-generation descendant.

Cherise is no newcomer to the scene, with a dedicated fanbase trailing her journey from the London Jazz circuit to her debut album ‘Calling’, set to release in July 2023. Her previous releases, including the critically acclaimed single ‘Secrets’, have solidified her place as a soul sensation, showcasing her unique blend of R&B and honest, storytelling lyricism. Her artistic prowess extends beyond music, as evidenced by her multifaceted endeavors in fashion, yoga, teaching, and acting. Having already shared stages with artists like Michael Kiwanuka and Jamie Cullum, and collaborated with the likes of Gregory Porter, Cherise is carving out an impressive niche in the global music scene. “2 Steppin” is just another step in her remarkable journey, with her vocal charm and soulful songwriting style promising an exhilarating musical summer for her fans and beyond.

Youth Sector – “Free Parking”

Brighton art-rock outfit Youth Sector demonstrates their knack for transforming the mundane into the extraordinary with their new single, “Free Parking”. Taking an otherwise dull discourse about parking woes and turning it into a vivid and surreal narrative, the band serves an engaging metaphor for fears of aging and the onset of monotony. The lyrics cleverly weave a tale of plastic people in a toy village grappling with parking logistics, eliciting smiles and nods with their everyday angst underpinned by an existential dread. Influenced by the likes of DEVO and Talking Heads, Youth Sector’s effervescent energy is palpable as they manage to spin a catchy, chorale hook out of the often-expressed lament, “Four miles, five miles for free parking.”

The track showcases Youth Sector’s unique ability to reflect the confounding aspects of modern adult life with a cathartic twist. Borrowing from the vivid narrative landscape of the lyrics, the musical arrangement is dynamic, full of spontaneous energy, and undeniably danceable, imbued with a sense of joyous urgency that takes the listener on an unexpected ride. A palpable tension emerges between the upbeat musical arrangement and the looming anxieties the lyrics explore, creating an intriguing contrast that truly sets the band apart. With their upcoming EP ‘Quarrels’ on the horizon, Youth Sector continue to cement themselves as purveyors of art-rock that is as thought-provoking as it is exhilarating, offering listeners a thrilling ride through the parking lots of life.

Citizen Cope – “Close To You”

Citizen Cope, the long-standing artist known for his soulful sonic landscapes, presents his latest single, “Close To You,” a preview to his upcoming album, “The Victory March,” set for release on June 30th. Drawing on musicians from The Roots and Paul McCartney’s backing band, the single is an exalted composition, blending classic Cope traits with a notable layer of ambition. “Close To You” showcases Cope’s innate ability to craft poignant intimacy, with his mellow delivery layered over ambient acoustic guitars and the stirring call of horns.

The lyrics in “Close To You” reflect a longing and a relentless quest for connection, painting a picture of a winless battle and the willing sacrifice of treasures in the pursuit of closeness. The repeated phrase, “I found a place where the planets move to get close to you,” underscores the cosmic scale of his yearning, his poetic expression lending an ethereal quality to the song’s narrative. Cope’s repeated waking call, a mix of self-awareness and determination, underscores the depth of his conviction. With its languid cadence and richly textured musical arrangement, the song exemplifies Citizen Cope’s creative evolution. Fusing his established sound with newfound elements, “Close To You” sets an exciting precedent for the upcoming “The Victory March” album.

Hanne Kah – “Trick Me”

German indie folk act Hanne Kah makes a forceful statement with their newest hit, “Trick Me”. Drawing comparisons to the mesmerizing harmonies of Fleetwood Mac, Hanne Kah pairs robust lyrics with radio-friendly melodies. The song, which is built around the famous saying “Fool me once, shame on you. Fool me twice, shame on me,” reflects on the lead singer’s unfortunate past experiences and her determination to prevent their recurrence. It grapples with the distinctive challenges faced by women in the music industry, and recounts her encounters with condescension and unprofessional behavior from former collaborators. Not just a cathartic piece, “Trick Me” is also a testament to Hanne Kah’s growth and resilience as she has found a circle of collaborators she values.

Hanne Kah’s music is an impressive blend of timeless quality with a unique, modern twist, mirroring the band’s ambition to establish German artists on an equal footing with international ones. The song “Trick Me” serves as a compelling demonstration of this goal. Its lyrics, which include lines like “Trick me once and I will change my course from you to wise, Trick me twice and I will turn away from your black and white,” emphasize the band’s desire for respect and equality in the industry. Hanne Kah’s charismatic presence, combined with her wish for more self-confident women to rise in the music industry, infuses the track with a resonant and empowering message. With their undeniable talent and determined outlook, Hanne Kah’s musical journey is a testament to the strength of women in music and a beacon of inspiration for the German pop music scene.

7th Grade Girl Fight – “Santa Cruz”

7th Grade Girl Fight has a knack for making the seemingly ordinary feel strikingly intimate, as seen in their track “Santa Cruz”. Hailing from Charlottesville, Virginia, this garage pop and indie rock outfit uses powerful storytelling to create a song that feels as comforting as a familiar memory. The song recalls a series of events—riding a skyride by the ocean, forgetting a hat on an airplane, dancing at a wedding—forming a poignant narrative about the struggle of remembering and the ease of forgetting. Lead singer Debra Guy crafts an emotional soundscape with both the band’s infectious hooks and her own arresting lyrics, resulting in an intimate conversation set to a catchy post-punk beat.

“Santa Cruz” feels like a patchwork quilt of shared experiences, piecing together moments of tenderness, nostalgia, and fleeting joy. The lyrics, “Remembering is trying / It’s too easy to forget all these times,” form a recurrent theme of the song, capturing the struggle of holding onto memories in the face of passing time. This elegy of forgotten moments is brought to life by 7th Grade Girl Fight’s engaging blend of garage pop and indie rock, all while grounding their sound in an authenticity that is utterly captivating. With their tightly-executed brand of post-punk, they tap into a nostalgia that feels both modern and timeless, drawing listeners into their world with each verse. All these elements culminate in an anthemic track that leaves a lasting impression and reinforces 7th Grade Girl Fight’s prowess as a compelling voice in the indie rock scene.

viisi & Kayla DiVenere – “one day”

“one day,” the opening track from viisi’s ‘Liiminal’ series, featuring Kayla DiVenere, is a nostalgic exploration of the fleeting nature of time and the bitter-sweetness of achieving one’s dreams. The saccharine melodies, wrapped in viisi’s raw passion, provide a dreamlike backdrop for the introspective lyrics. From the opening lines, “I don’t feel the same way / The same way that I once did / When we would whip that Hyundai / And talk about that one day,” the song pulls listeners into a world of the past and the regret that comes with growth and change. DiVenere’s voice complements viisi’s poignantly, embodying the song’s sense of yearning and loss.

Matthew Borley, a.k.a. viisi, has always been an artist who doesn’t shy away from the personal, drawing inspiration from the likes of Eminem and Tupac. His lyrics in “one day” resonate with the raw honesty that has become his trademark, with verses like “It’s not really fun yeah / Things get kinda numb when / You get everything you ever wanted in abundance,” reflecting his complex feelings towards success. He embodies a journey of self-discovery, of grappling with change, and of facing the ironic dissatisfaction that can come with realizing one’s dreams. This thoughtful exploration of growth, coupled with his visceral storytelling, marks viisi as a compelling voice in the world of hip hop, with “one day” promising a ‘Liiminal’ series that will further test the boundaries of the genre.

Big Girl – “Instructions 2 Say Sorry”

“Instructions 2 Say Sorry,” the opening track of Brooklyn-based band Big Girl’s debut album, “Big Girl vs. God,” is an explosive anthem of refusal and liberation. Produced by Justin Pizzoferrato and fronted by lead singer and songwriter Kaitlin Pelkey, the track unleashes a potent blend of rock’n’roll energy. It’s punctuated by intricate guitar patterns, authoritative vocals, and an unyielding drum beat that breathes life into this fiery tune. Pelkey’s vocals oscillate between the tone of a mocking schoolgirl and the commanding voice of a divine entity, delivering a clear message – Big Girl isn’t waiting for any apologies.

Big Girl, a queer-fronted, audacious rock & roll outfit, is known for their harmonically rich songs, exceptional guitar work, and powerful vocal performances. “Instructions 2 Say Sorry” is no exception, providing an energetic stage for their confrontational musical storytelling. The song, imbued with emotions ranging from empowerment and freedom to joy and rage, serves as an engaging conduit for “danceable rage,” questioning, “Do you really need instructions to say sorry?” With a stage presence that alternates between hilarious and heart-wrenching, Big Girl’s music is likely to evoke a gamut of reactions, from dancing and crying to reaching out to an old flame. This track sets the tone for their forthcoming album, promising an enthralling exploration of gender norms, capitalism, and the profound corners of grief.

Meltt – “Soak My Head”

Vancouver’s alternative psych-rock outfit Meltt returns with their latest single, “Soak My Head,” a robust and introspective exploration of social media anxiety and technology addiction. The track impressively juxtaposes strumming autoharps and guitars against a driving beat, culminating in a compelling, string-enhanced chorus. Lead vocalist Chris Smith’s confession about the entrapment and addiction of digital life serves as a candid backdrop to the song, grounding the lyrics in a universally relatable struggle.

Meltt – composed of Chris Smith [lead vocals, guitar, bass, keys], Jamie Turner [drums, percussion], James Porter [guitar, keys, bass, vocals], and Ian Winkler [bass, keys, guitar] – is known for their seamless fusion of rock, alternative, and psychedelia. This stylistic blend is evident in “Soak My Head,” where the foursome utilizes their deft instrumentation and songcrafting skills to craft a soundscape that’s both alluring and thought-provoking. Lines like “Soak my head in ocean breeze / Receive / Psyche symmetry” evoke an urge for digital detox and the restoration of mental balance, a sentiment echoed in the singer’s yearning to cleanse his perception and rediscover his sense of self.

Set to feature on their upcoming album, “Soak My Head” exemplifies Meltt’s ability to transform personal experiences into universal narratives through music. Just as life continuously cycles through birth, death, and rebirth, their music transcends the boundaries of conventional genres, offering listeners a cathartic space to confront and understand their own experiences. As Meltt continues to evolve, their unflinching honesty and musical versatility promise an engaging sonic journey in their forthcoming release.

Weekend Wrap Up – Flaurel

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Flaurel – “The Thinker”

“The Thinker” is a dreamy and introspective song by Flaurel that showcases the singer’s soulful vocals and poetic songwriting. The track features a minimalist production, with sparse instrumentation and atmospheric soundscapes that create a meditative and contemplative mood.

Lyrically, “The Thinker” explores themes of self-reflection, uncertainty, and finding one’s place in the world. The song’s lyrics touch on the struggles of making difficult decisions and grappling with the consequences of those choices.

Musically, the track is driven by Flaurel’s emotive vocals, which are backed by a gentle acoustic guitar and ethereal synth pads. The song’s production creates a sense of spaciousness and tranquility that complements the introspective lyrics.

Overall, “The Thinker” is a well-crafted and emotive song that will appeal to fans of introspective indie music. Flaurel’s soulful vocals and poetic songwriting make for a captivating listening experience that invites the listener to reflect on their own inner thoughts and feelings.

Little Quirks – “I Told You So”

“I Told You So” is an upbeat and catchy indie-pop track by Little Quirks that showcases the band’s distinctive harmonies and playful instrumentation. The song features a lively production, with jangly guitars, energetic drumming, and infectious handclaps that create a feel-good vibe.

Lyrically, “I Told You So” is a playful and cheeky breakup song that explores the aftermath of a failed relationship. The song’s lyrics touch on themes of regret, frustration, and the satisfaction of being proved right.

Musically, the track is driven by the band’s tight harmonies, which are backed by a bright and energetic instrumental arrangement. The song’s production creates a sense of fun and lightheartedness that complements the playful lyrics.

Overall, “I Told You So” is a well-crafted and infectious indie-pop song that will appeal to fans of upbeat and catchy music. Little Quirks’ tight harmonies and playful instrumentation make for a fun and engaging listening experience that is sure to get listeners dancing and singing along.

Austin Basham – “Elephants”

“Elephants” by Austin Basham is a haunting and emotive folk song that showcases the singer’s soulful vocals and evocative songwriting. The track features a minimalist production, with delicate acoustic guitar picking and atmospheric strings that create a sense of intimacy and introspection.

Lyrically, “Elephants” is a poignant and introspective song that explores themes of memory, loss, and the passage of time. The song’s lyrics touch on the idea of holding onto memories and experiences, even as they slip away over time.

Musically, the track is driven by Austin Basham’s heartfelt vocals, which are backed by a sparse and ethereal instrumental arrangement. The song’s production creates a sense of intimacy and vulnerability that complements the introspective lyrics.

Overall, “Elephants” is a beautifully crafted folk song that will appeal to fans of emotive and soulful music. Austin Basham’s soulful vocals and evocative songwriting make for a captivating listening experience that invites the listener to reflect on their own memories and experiences.

Weeknight Wind Down: John Steam Jr. – Let It Go

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if you’re diggin’ holes to fit your casket

you might fall in and break your neck

there is a way out of your darkness

i’m fucking sure i’d place a bet

Let it go

whatever once did bite your neck

just shake it off don’t turn your head – no more

Cut the rope

release the anchor from your boat


Good evening B-Side Beauties! It’s been a while. Let’s get this thing going again shall we? Today I have a song that I’ve been jamming to for a couple of years now from the esteemed John Steam Jr. Don’t confuse it with that other “Let It Go” jam (not that I’m hating on that one, it was a banger), but John’s version does have a similar message for the R-rated crowd. Let that shit go. I posted my favorite lines at the beginning of this post. In the forever bleakness that many of us have experienced since March 2020, this stanza reminds us that we’re still getting older and we still have life left to live. If we continually focus on the casket, don’t be surprised if we fall into it, but if we can shake off our troubles, and try to find a positive outlook for the future, maybe there’s a way out of this mess, “I’m fuckin sure, I’d place a bet.”

Let John Steam Jr.’s punky vocals and driving acoustic songs sing you to a peaceful evening; I know I will. Until next time,

Caleb

New Release Friday: Luke Sullivan Jones, Curly Chuck and TyC, Caolifhionn Rose, Shoot The Duke

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These are our favorite new songs of the past couple days. Every song has been released within the last 48 hours, so you can tell your friends about not only new artists, but their new songs that they’ve never heard.

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Luke Sullivan Jones – “A Fire from the Dark”

“You don’t feel like yourself
You’re swallowed by the pain
Buried deep inside
Some things have to change

You can spark the flame
You can start again
A fire from the dark”

This song is so empathetic and hopeful! It does a great job of describing how hopeless and lonely life sometimes can be, but it encourages you to start the flame again in the dark. From a musical perspective, I really can’t get enough of the strings in the background of this song, and the interesting vocal style of Luke Sullivan Jones. This is a song that I can see myself listening to a ton this winter when I haven’t seen the sun in weeks, and I’m starting to get down.

“So tear it all apart
You’ll find your way through
Don’t wait for the world
To come and rescue you”

Bio: Luke Sullivan Jones is an independent Folk-indie artist from the UK. After the successful release of his EP ‘Through the Satellites’ two years ago, he has further developed his sound to find a unique voice in a ever evolving, yet crowded, genre.

Curly Chuck and TyC – “Get It”

How many of you checked to see if your phone was ringing when the song first started? I did too, and I’ve heard it like 10 times now. I also love how it sort sounds like parts of the beat throughout. The reason it “sort of” sounds like that is that TyC sampled all of the original Mac OS sounds, including the horns which came from the Mac “delete” song.  I also had to share this song because of how incredible his change ups in flow are throughout the song. Keep a look out for their debut EP, “Get It” is the first track, that’s going to be coming out later this summer. You better be sure to….get it.

Bio: Cleveland native, Curly Chuck has been quickly making waves on the underground scene for good reason. XXL recently said “he has the sound that can make his career go from zero to 100 in the blink of an eye.” He’s had a very busy last few months finishing up two EP’s, and spent the last week with Currency, so we can definitely expect some big things from him soon!

TyC, also from Cleveland, left Berklee School Of Music to tour with the band Carousel. A writer first, he picked up production on the road and has been honing in ever since. His single “BW/U” already has over 115,000 plays on Spotify and his last video featuring Curly Chuck, “GET DOWN” has over 35,000 views on Youtube!

Caoilfhionn Rose – Awaken

I would watch this video with no music for how beautiful the landscapes and scenes are. Luckily, we get to pair it with some beautiful music that actually sounds like it’s being sung from one of those echoey mountain tops. It seems the main message of this song, is to go outside and see the world. It’s the cure to most of what ails you. As someone who went on a 40 day road trip last summer, I have to agree with the assessment. Everyone should do their best to find a way to travel, especially in the spectacle of nature. It’s possible to do on a budget, google it. If you were like me, and didn’t know what Caoilfhionn meant, it’s a name that is described as: Derived from the Gaelic elements caol “slender” and fionn “fair”. This was the name of several Irish saints.

“So go outside
Pick the flowers in the park
Feel the sunshine
So go outside
Awaken to the world you can hear all new sounds

Don’t get left behind
Pulled down by the roots of your mind
See the new dawn on the horizon
See the colours of life again

Awaken to the world you can hear all new sounds”

If I was standing in the middle of any of the landscapes that are shown in this video, I think I’d have to be singing “go outside” at the top of my lungs too.

Bio: Caoilfhionn (pronounced Keelin) Rose will release her debut album with Gondwana Records in Autumn 2018 and ‘Awaken’ is the title track. The song is about noticing nature and everything around you, about taking a step back from your problems and going for a walk outside.

Shoot The Duke – Cash

Ah man this song is so incredible. This is a perfect example of how to properly emphasize raw vocals. They aren’t out of tune, they just peak into an emotive state that can’t be replicated by overly polished ones. This reminds me a lot of a mix between Shakey Graves and Kaleo. The song itself is about just what the name suggests, money:

“So give me some money, oh let me have some cash. I promise I’ll give it back. One day at a time. ×2

I get up at the brink of the day. I apply for jobs but they all just send me away. Sorry son but you need more experience. How can I get some experience? I didn’t know I needed any to work in Morrison’s. Come on now, make my day.”

I guess more accurately the song is about the frustration between making and keeping money, especially if you are an artist:

“I go outside to play some guitar, policeman comes to tell me no you can’t do that. He gives me a fine so I sold my guitar away.

I lay down to get some sleep. Policeman comes again, he’s bothering me. Get off the floor boy, you ain’t worth a dime.”

I think on an individual level, the story is really nice and relatable, but I also think it’s an appropriate metaphor for how a lot of modern society treats artists, or anyone who doesn’t want to be an entrepreneur or work in a cubicle. There is an emphasis on “contributing” to society, without an acknowledgement that art and philosophy are equally important pursuits for humanity. Ultimately, the song ends with a haunting image of a frustrated man robbing a store for money. After being told the things he is good at/passionate about are worthless in a monetary sense, he is left with very little choices for how to proceed in a society that doesn’t seem to value him at all. It’s a really interesting look at the fringes of modern capitalism, and who gets left behind, and why.

-Caleb

Looking for more music? Don’t forget to check out: Our Newest Podcast Episode

You can also find all these songs and more on our August TOTD Spotify Playlist.

TOTD: Isak Thomas and The Stoop Boys – Old School Walk

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Spotify, if you prefer

This is such an appropriate song to wind down your Thursday night with. It is a great way to end a date night, and it’s that perfect groove track to get your weekend moving in the right direction.

This is a song of old school chivalry and a feeling of how things used to be, which is really strange considering that Isak and the other two stoop boys are so young. I don’t have an exact age, but let this picture speak for itself.

Image may contain: 1 person, sunglasses and closeup

That’s Isak. The same Isak who sings about going way back like a ’69 Cadillac. I am sure that people talk about the discrepancy between his lyrics and tone, and the picture he presents, so I don’t want to linger here too long. The point I wanted to make is that Isak and his fellow Berklee grads have a sound that’s refined well beyond their years,  bringing that old school soul vibe with harmonies cusping on doo-wop to a new generation with soulful ad-libs along the lines of a Hozier-esque vocalist at times, and some really smooth guitar riffs.

The lyrics speak for themselves, so I don’t want to touch on them too much. I did want to point out that the lyrical route they take is important because the robust flavor of the love songs in old school soul are almost as synonymous with the genre as the vocalists who made it famous. If you start singing 60’s soul with lyrics centered around politics, rambling stories, or any other off-brand topic, it loses a lot of the power. That’s coming from someone who relates to political dissidence and rambling tales of rail workers a lot better than I relate to love stories like this.

Follow these guys on Facebook to stay up to date on everything they have going on.

Also, if you’re interested, check out our podcast Here.

Episode 15: Addiction

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Links:

Stitcher

Soundcloud

iTunes

Youtube

Show Notes:

Join Seth and Caleb as they discuss strange Addictions, what kind of drunks they are, stumbling through their first livestream, an excellent interview with Aaron B. Thompson, and tons of music you’ve never heard before.

Full Video Version, warts and al: www.youtube.com/watch?v=_L4mdmwqcn4&t=10s

INTRO: Leon Stapleton – Lima
Leonstapleton – Lima

Brother Toaster – Bupropion Blues
brothertoaster.bandcamp.com/track/bupropion-blues

Riley Catherall – Watered Down Man (submithub/email)
The-same-tune – Rileycatherallwatereddownman

Aaron B Thompson – Middle of My Own Nowhere (submithub/email)
Aaronbthompson1 – 07-aaron-b-thomspon-midde-of
Youtube of Interview: www.youtube.com/watch?v=wgPVCP1Ya6M&t=174s

Johnny Raincloud – White Noize (submithub/email)
www.youtube.com/watch?v=mZTHMZzp-…&feature=youtu.be

Little Sain+ – Remedy (submithub/email)
Tniaselttil – Little-sain-feat-marger-remedyprod-by-sibling

Thanks to Juliana Strangelove for participating in the live stream: bsideguys.com/2018/07/06/the-flo…-macdougall-skout/

Video of the Day: River Whyless – “Born In The Right Country”

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This one is a thinker guys. Did you already watch it? Go watch it again, I’ll wait. This is one of my favorite pieces of art I’ve seen in a long time. There’s a ton to unpack here, and I’m going to try, but first let me tell you why I connect with this song so intensely. There are two primary reasons.

  1. I grew up in the South. Like the real South. Let’s call it a state Trump won with 54%. The South isn’t inherently racist, but it’s hard not to grow up around some racist attitudes, even from people who I consider good people. For example, my parents would claim not to be racist, but I remember some stern warnings to my sister about a black kid named Jovan that was coming around. I don’t think my parents are bad people, and they are not KKK level racist, but I’m using them as an example to explain that even my educated parents, who are charitable and kind, are racist. The last frame of this video that scrolls “wolves don’t exist” after we’ve watched an entire video of a black kid being led around by a wolf is exactly how baffled I’ve felt for most of my life, watching good natured people, stay willfully ignorant to the prejudices they hold, and the damage that does.
  2. I don’t live in the South anymore, but that doesn’t solve the racism problem the way you might idealize when you’re growing up in a small town dreaming of moving to a liberal utopia. I teach at a private school in the suburbs of Rhode Island where an administrator was removed last year for getting caught using a few racial slurs. I have students sitting behind desks every day who swear Colin Kaepernick is un-American, and Michael Brown deserved to be shot for being a “thug.” I don’t necessarily think these are bad people, mostly because I’ve made it my goal in life to talk through ignorance with people, and if I believe people can’t learn and change, I think I’d become quite depressed. The thing that I most associate with both of these experiences, my past, and my present, is that most of these people just have no idea the amount of privilege they are carrying. It seems somehow offensive to their character to suggest that they are not “self-made” or that someone has it harder than them. Mostly I think this is because we all have our struggles, and it makes us feel bad that we aren’t billionaires either, so how dare people say they have it harder than us? On the other hand, to admit some people are living with a level of prejudice and difference that you can’t fully comprehend somehow seems like a weak thing for these people to admit.

Alright, enough about me. Let’s talk about the video. We can immediately get the sense where it’s going when we read the title, “Born in the Right Country”. The title itself evokes a lot of the immigration struggles we have going on right now, where a person or family is attempting to find a better life in America, despite the risks involved, and is being treated inhuman because of it. But in the video, we see a slightly different angle. We follow the story of a young black male going to high school, with a wolf around his wrist. We also see that his mother, and a girl wearing a hijab also have their own wolves, while the white kids do not. This seems to suggest that even though presumably these characters didn’t immigrate here, they were still born in the “wrong” country. Not in a literal sense, but in the sense that the rules operate differently for them because of generations of social prejudice and oppression. The video shows this clearly with the white father looking disapprovingly at the potential of his daughter being in an interracial relationship, and also with the boy being stopped on the way home by the police, when he was just minding his own business. It obviously clinches up your stomach when you see those blue lights because of the countless ways that’s gone badly over the past several years (Micheal Brown, Trayvon Martin, Oscar Grant, etc. etc.).

When we explore the lyrics, we see them dripping with sarcasm from the perspective of Trump, or his followers, or anyone who feels like they are superior purely because they were born white and/or affluent.

“I’ll tell you baby, a secret Manufactured truth is easy to sell When you own the factory And you own the hearts of the clientele But can you really blame me? Built on a system where some must fail So that you can break through If you’ve got the right skin Or you’re born in the right country”

The perspective shifts after this point to directly talk to these people and attempt to wake them out of their ignorance:

“Don’t you know you’re lucky kid You were raised on the right side of town Born rich, now you’re yelling “I’ve seen the inside and you’re out” But can I truly blame you? We’re built on the dreams we feed to the poor So that you can break through If you’ve got the right name Or you’ve got the right god Or you’re born in the right country”

But unfortunately, the system is set up this way. There are people profiting from the lower and middle class fighting amongst themselves. Instead of placing the blame at the top, we are continually told to look at our neighbor with different skin, heritage, religion, and blame them for any short comings or failures. It’s classic scapegoating, and this current regime is not the first to use it. My only hope is that more and more people can try to see through it for what it really is; and the best way to do that is through people using their artistic talents, like River Whyless to try to break through to people in a language they can understand.

-Caleb

We’ve added this to our July TOTD playlist. Check it out here.

We just released a new podcast episode, on the theme of Addiction. You can check that out along with all the others, right here. 

 

The Flock: Indie Rock – The General Good, Tim Freitag, Hooli, Campdogzz, Eden Mulholland, Summerteeth, Galapaghost, Tetra

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The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fanbase more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

*click on the artist’s name to go to their page*

 

The General Good – Where We Began

There is a music video that this reminds me of. If someone can help me out, I would be forever grateful. I feel like it’s The Black Keys from many years ago, but can’t find the video anywhere. It’s a two piece group where they’re playing on a television show set that’s akin to the set from the Eric Andre Show. This reminds me of that music video, but they graduated to a new set. It’s got gritty guitar, pacesetting drums, and unique vocals that carry on in your head long after the song ends.

The lyrics tell the story of a relationship that seems to have ended on a sour note, but the writer can’t seem to move on. They know the relationship isn’t good for them, but still want to leave a line open just in case. Just like with most past relationships, you reflect upon them more fondly the further you’re removed from the situation, even though they were truly nightmares.

But if you ever make it home again, 
I’m pleased to show you `round all the troubles I’m / we’re in. 
no need to choose words wisely, no more nightly chases, 
no thinking twice and no `glad to see you later`. 
But something’s keeping me from moving on, 
inbetween places it’s hard to hold on. 
I’m sending signs to nowhere, 
down the milky way. 
Sweet memories of nightmares 
a burning needle in the hay.

The album itself is a really interesting idea that doesn’t happen all that frequently. The drummer, Florian Hellekin, produced the whole album in his home studio, and invited a multitude of talented vocalists to sing on the tracks. The album has a ridiculous amount of variance. Go check the Spotify page and listen to Healer and Snow Yellow Carpet back to back to see what I mean.

Tim Freitag – The Wave

This song has made its way onto so many of my personal playlists outside of the ones we post on the blog. The video only adds to what is a beautiful track of undying love and dependency. First off, before we go any further, Tim Freitag isn’t a person. I mean, there’s definitely a person named Tim Freitag, but he’s not in the band. I had to check to make sure, and I absolutely loved what I found. This is straight from their facebook page:

Tim Freitag are and always will be: Janick Pfenninger, Lorenzo Demenga, Daniel Gisler, Nicolas Rüttimann, Severin Graf

I don’t love it because there’s nobody named Tim. I love it because of the words “are and always will be.” This group isn’t just a band, they are brothers. That camaraderie and friendship comes through in a track that is well-rounded, instrumentally straightforward while still having complexity, and a vocalist that has a unique tone and incredible vocal inflection.

Hooli – Cider Sue

This track is so good. It’s like Two Door Cinema Club’s existentialist cousin. The Two Door reference is easily noticeable on the track, but the existential part may have you hung up. Let’s dive into it. The song has some of the most interesting lines throughout it. I’ve listened to it three times in a row while trying to write this post and every single time I pick out a new piece that makes me smile. It’s not the content itself that makes me smile (a study of mortality and the finite time on this planet), but the way they talk about it.

I said the noose brings infinite youth, 
The more you tighten it’s hold the truth will unfold for you, 
Woah oh oh 
So come at me with your best shot best believe that i ain’t got time

Those first two lines are some of the best I’ve heard in a long time, and I listen to a ton of new music every single day. I feel like I could break that single line down and do a whole post about that, but I just want to bring up a couple of points about it. It works in multiple ways, but let’s break down just two of them.

Let’s talk about what I believe is their intent behind the lyrics first. They are saying that as we age and as we get closer to death, we find ourselves thinking more and more about mortality and wishing for our youth again. It brings wisdom, but it also brings pain and understanding of past mistakes and wishing you could go back and fix them. Maybe they aren’t talking about fixing them, but a chance to do things right now. I don’t know. I do know that they follow it up with the sentiment of understanding that there’s definitely a timer, and don’t waste part of my timer with petty bullshit.

Now I want to talk about another idea I had about these lyrics. The noose brings to mind the idea of suicide, and I think this tells a great truth about that topic. I watched a documentary recently that told the stories of people who survived their suicide attempt. One common thread between the people, especially the ones who jumped from a bridge, building, etc., was that as soon as they leapt, they immediately felt regret, even before hitting the bottom. As that noose tightened, the truth opened up for them and it wasn’t something that they truly wanted to do.

The song actually has a lot of allusions to suicide, but I believe the huge underlying message is that we all have a timer that whittles away every second, and we can’t waste our time by complaining, getting caught up in petty things. Nobody beats the reaper.

Also, if you are having suicidal thoughts, give 1-800-273-8255 a call. Also, feel free to reach out to us. We’d love to talk to you. We aren’t trained professionals, but we have pretty big shoulders. 

 

Campdogzz – Souvenir

This song is raw emotion. The band is a phenomenal look at how moving gears do so for the betterment of the machine, but Jess Price, lead vocalist, is the pinion gear. For those of you not familiar with a pinion gear, that is referred to as the “drive gear” in vehicles*. She has an otherworldly voice that drips with energy and emotion. She has the kind of voice that you create in your dreams to set the scene conflict of the story. You don’t have soundtracks to your dreams? Don’t worry. It’s not as cool as it sounds. It just makes bad dreams way scarier.

*I didn’t know what a pinion gear was prior to writing this article, so if I’m way off, you get the idea.

Anyways, let’s talk about some lyrics. Ambiguity is the word of the day here, and this song is no different. I honestly couldn’t tell you what I lean towards this song being about, but we’ll give it a go.

Hold the wheel
Feel my head
Probably should have stayed in bed
Souvenir
Come right here
I’ll be yours a little bit
Did you want to get me gone
Did you want to get me
Well that train is going by

*Disclaimer: This is one of the first lyric assessments that I don’t feel great about my interpretation vs. what the song is supposed to be saying. Once again though, as we always say, once an artist releases their song to others, it’s not solely theirs anymore. Music is a beautifully subjective world*
The first three lines are fairly easy to decipher; someone is sick and shouldn’t have gotten out of bed. Now comes the fun part. The souvenir is tricky. By itself, it doesn’t really mean anything, but with the following line, we see that it is an animate object. Knowing that people typically write songs about other people, I think it’s fairly safe to say that the souvenir is a person. Now we have a bit of a story. Go back to the first line where they’re holding the wheel, put it with the souvenir, and all of a sudden we met someone on a trip. “I’ll be yours a little bit” is such a cool line, telling the person that you are invested in this fun and new relationship, but you ultimately know it’s temporary. Maybe it’s not though. The next line says if you want me gone, do it now because that *train is leaving the station. The next verse follows up with my theory, stating that their look is the smoldering look, barely keeping their emotions or even their anger below the surface, but this is so fresh that that kind of thing still looks good. The next line says “come right here, and let me feel you miss your dead,” effectively shooting my theory to shit. Possibly it’s just saying open up to me, I want to know your deepest emotions, but I’m not sure. Either way, it’s an absolutely phenomenal piece. Reach out to us, Campdogzz, and give us the full scoop.

*Just a fun fact: The first successful steam engine used a huge pinion gear to help power it.

Well that train is going by
Well that train is going

Eden Mulholland – Wild Animal

I usually don’t post full lyrics, but these are too good not to. Plus, there aren’t too many lines.

I’ve had the opportunity to do a little thinking
and I hope that you can understand
Somewhere along the way I got a little distracted
and I hope I get away with it
Because if I were a leopard I’d run really fast
and be totally untameable
Yes if I were a leopard I’d run really fast
and I’d always be wild animal
I’ve had the opportunity to see a new perspective
and I hope that you can understand
somewhere along the way I think I stopped believing
and I hope that don’t stand in our way
Because if I were a leopard I’d run really fast
and be totally untameable
Yes if I were a leopard I’d run really fast
and I’d always be wild animal
A wild animal

This seems to be a battle between the flesh and the mind. He seems to be moving on from something that made him feel caged. It may have been smart, it may have been the right move at the time, but the animal in him wants out of the cage. I feel like this song is applicable to so many aspects of our lives. Jobs, relationships, religion, or any number of things can fit into this song. It is human nature to want to explore so you can see the full gamut of the human experience. Once again, life is too short to feel like you’re in a cage.

Image may contain: 1 person, sitting

With emotive vocals, and an instrumental track that plods along at the perfect pace to show the current pace of the caged life, this track shows that the stories in lyrics can be told through the instruments around them too.

Summerteeth – Stay Warm

This is the song I wish we had found prior to doing our podcast episode about “Warmth.” It’s the perfect song where you hear one thing, but feel another. Instrumentally, it’s like the bands I listened to in high school (and still do), but lyrically it’s on a different level. If I’m reading into it correctly, it’s a song about battling seasonal depression, or just depression in general.

Stay warm for the weekend
for the winter
for the year
Stay inside til the summer
but show the sunlight you’re still here
Cause you don’t know what love is
but you hate who you are without it
Stay warm forever
even after your whole world disappears

I feel like they’re letting you know that depression is okay and it’s going to happen, it’s all about how you handle it. You’re going to have those weekends, seasons, or years where you have to bundle up and fight to stay warm, but remember that you need to break out at some point and you need to feel the sun, feel something new. The line, “you don’t know what love is, but you hate who are without it,” is so powerful. People act like depression is this thing that people do to themselves, instead of understanding that a lot of clinical depression is a chemical imbalance that can’t be helped outside of pretty powerful prescription drugs. It’s an affliction. Nobody on this planet is like, “Hey, I think I want to feel like everything is hopeless and there’s really no point to anything I’m doing for a while.”

The video is great because not only are they having a lot of fun, but they’re also sending a clear message; find a supportive community and make it through the hard times together. This is one of the most important things to realize; most people are meant to live in packs. Also realize that nobody around you knows shit about shit (TM).

Don’t you know?
We’re all making it up as we go
We wouldn’t have it any other way

Galapaghost – Bedtime

No stranger to the B-Side Guys, Galapaghost was one of the first artists on this planet who knew about and believed in what we were doing, and let us feature his song, Goodbye (My Visa Arrived), on the very first episode of our podcast. On the episode, he mentioned that he was working on a completely electronic album that would be a bit of a removal from his previous work. This is it, and it is phenomenal. He took the instrumentals and gave them more life while not losing the honest lyricism on the previous album. Once again, I’m going to go out of my box and share all of the lyrics, but once again, they need to be shared and they’re not too long.

Go on and have fun with your friends on the weekend 
Don’t stay home all alone with your feelings 
But I gotta say no 
I’m not a superhero 
And that’s the kind of effort that it would take 
For me to stay out late 

And I will see you 
I will see you someday 
And I will love you 
I will love you always 

So here’s my idea of fun 
My struggle book one 
Then dinner for two 
Then put on my running shoes 
In bed by 10 so if you wonder where I’ve been 
I’m too old to party on the weekend 
And every night of the week 

And I will see you 
I will see you someday 
And I will love you 
I will love you always

This is a song about growing up. Maturing, if you will. Maturation looks different for everyone, but this is fairly similar to my version of life. Gone are the days of partying, going out on the weekends, and staying up until the sun shows back up. Looking back, I don’t miss them, but I totally get why some people have chosen to stay there. There’s nothing wrong with that, we’re just on two different paths now. The song is possibly talking about a romantic relationship, but I think I lean towards this being about friendships. They can be severed with no ill intent; people just move on. It’s not saying that the friendship is over, it’s just saying that until our life goals cross paths, I understand why we don’t hang out much. It’s actually a pretty beautiful story of adulthood.

It might also be about a romantic relationship, and that synopsis works the exact same way.

His new album, Sootie, will be releasing soon, so be sure to keep your eyes peeled.

Note to Casey: I love the old stuff, but this is a totally different beast as far as complexity. I love it, man.

Tetra – Fridays

“Fridays” is about the crushing sense of emptiness that follows when one realizes the subjective and thus, pointless nature of consumption under capitalism. Depression, drug abuse, loneliness — to me they are all symptoms of a culture that idolizes competitive individualism and defines success through one’s ability to consume more than others.

At the end of the tune, I talk about taking LSD and I ask myself “Why did it take so long to figure it out that it was all in my head?” To me it’s one of those things where you spend years searching for answers and a lifetime praying for ignorance.

When you can’t say it better yourself, don’t. This is a song that fights the idea of consumption and gluttony in all aspects of life, so we are naturally going to be all about it. I love that second part to the song where it talks about the idea “stuff” being important is something that is force fed to us from a very early age, and we are made to feel like that is the key to happiness. If having stuff was the key to happiness, we wouldn’t have so many celebrities with bank accounts in the tens of millions taking their own lives. Stuff consumes.

That’s 8 new artists that everyone needs to add to their rotation, but more importantly, go spend some money on these folks. A few bucks can go a long way when it comes to making more music. Remember to click the artist links in the name to check out tour dates, see merch, listen to more music, or even just send them a message to tell them you dig their sound.

Check out these artists on our July Spotify playlist.

Check out our podcast.

 

-Seth