*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*
We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”
ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.
I love when a song says something that we’ve heard before, but says it in such a eloquent way that it reaffirms everything you know. At it’s core, this song is about society, racism, and the difficulties we all face, but Mike Xavier is just so eloquent that it illuminates these issues in a way that is impossible to ignore. Other than Mike’s obvious lyrical talent, something you may not notice unless you are paying attention is that he isn’t just rapping over a track. He has a live trumpet, sax, keys, guitar, bass, and drums accompanying his songs. It really gives this song a fuller sound that you can’t accomplish from beats, no matter how good the DJ is. When asked about his inspiration Mike’s message is simple: “We just got to teach our kids they can change the world,” Xavier raps with his calm though upbeat tone. “They used to tell me, ‘Try them drugs.’ I ain’t never try it.” Mike is a shining example of using art to make the world a better place, and I’m happy to share this as our first track of New Release Friday.
“Momma’s shopping at the mall
Daddy’s sipping alchohol
Baby’s watching TV shows
Shoving things up in her nose
Why do the opposites look the same?
Our manufactured outfit came
and is it sincerity
or artificial empathy?
Unbutton my head
Get me out of my head
Unbutton my head please
Get me out of my head”
This song is an anthem for middle class malaise. It does the same thing several 90s movies did by taking a closer look at suburbia and showing the horrors beneath the surface. Sure, money makes some things easier, but it also brings a new set of problems. Having grown up squarely in middle class suburbia, I saw many of the things this song mentions, and experienced the surreal plasticity that it tends to create for those who inhabit these spaces but can’t fully enjoy shopping sprees, keeping up with the Joneses, and the skewed relationships created by making money and materialism such an integral part of our happiness.
This song reminds me a lot of some of my favorite summertime music. It mixes pop vocals with some really interesting electronic beats to create an experience that surrounds you completely. Let’s dive into some of the lyrics:
“This state that I’m in, I can do nothing about,
Starting to wear me out, do we need disclosure
Your voice has become an eco in my mind
I don’t really recognize and you still have me reeling
Don’t swim so fast, i can’t keep up, don’t let me drown in your river
Don’t waste your love on someone else, while I’m still here in the picture ”
So it’s a very familiar scenario. The speaker is still in love with someone who is falling out of love with him, and he feels himself being left behind. It’s a really tragic position to be in, and the haunting background vocals as the song builds really hammer home the crescendo of pain that can inhabit these moments where you aren’t ready to move on, but you know it’s not your choice anymore. Keep an eye out for Noah’s upcoming 3 song compilation due in September. He has already won “Debut of the Year” last year at the Annual Latvian Music Awards, and I can’t wait to see what else he comes up with.
This song just starts off so calming and soothing. The mix of the intricate picking and the beautiful vocals take you to a sunny day driving with the windows down.
“There’s a warm wind coming, marching along with a big brass band
I’m waving an outstretched aching hand, so slow”
When these lines kick in, the song transforms into an anthem worth screaming at the top of your lungs. The thing I like most about this song though, is despite how upbeat and warm the song sounds; it has some truly existential moments.
“We search fora meaning before disappearing and hope that our memories survive”
Ultimately the song ends in a conclusion that all we can do is try to find someone to share the time we do have with and hope for the best. It’s a grounded but hopeful ending to a very complex poetic song.
And last, but certainly not least. Enjoy this single off of Sean Tobin’s new release of the same name. Throughout the song, he seems amazed that he is currently where he is in life, considering some of his past and the way he viewed the world. My favorite word play in the whole song is probably:
“Met a girl one February evening, swore to God there was no God at all,
Sunday came, she was praying for God knows what she done,
guess she was just talking to the wall”
The several switch ups and double meanings in that one line are astounding. Ultimately, the song seems to have a similar message to the one before this: life is potentially meaningless, there are no guarantees, life is short, thank god I have you, let’s enjoy the time we have for now and hope it lasts forever. “Baby, we could make this midnight last, come the morning, our stories will be in the past.”
If you enjoyed these songs, we’ve uploaded them all to our July TOTD playlist on Spotify.
If you haven’t followed us on Facebook, check it out. We have two new live streams that we posted today.