Morning Commute: East Row Rabble – “Good For Me”

 

Let’s get funky this Tuesday morning. East Row Rabble is a classic styled big band that would’ve fit right into the 30s and 40s in America, as we tried to dance our way out of the Great Depression. My favorite thing about this song is a little tidbit East Row Rabble shared with us: ” Rabble front man Ben Drysdale actually used the song to propose to his wife on the hills overlooking Queensland’s Glasshouse Mountains underneath the giant “Woodfordia” sign at the Woodford folk festival.” Ben seems to have set an example that very few of us can remotely compete with. When we explore the lyrics a bit, we can see just why he chose this particular song, aside from how dope it sounds.

“She’s got a heart of gold And she’s easy on the eye Took me six goddamn months To convince her to be mine So I just sat back, just bidin’ my time Coz this girl’s too damn fine for me”

So we quickly start to realize that the “Good For Me” title has a double meaning. She is “good for him” in the normal sense of the word: she’s a positive part of his life, but also the singer feels like it might be appropriate to throw the word “too” in front of “good for me.” The rest of the song spells out just how perfect she is, combining “Disney princess and Norma Jean” (Marilyn Monroe), and “sinner and saint.” Overall she sounds like the perfect woman in his eyes, but I appreciate it doesn’t stray too far into hyperbole. It mentions things like her steady love, even in hard times, and how she ignores his widening waist. It’s a beautiful mix of grandeur and reality, and I can easily see why it worked as a proposal. We know we’d say yes.

-Caleb

Looking for more? We added this song to our July TOTD playlist on Spotify. 

 

 

Episode 15: Addiction

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Links:

Stitcher

Soundcloud

iTunes

Youtube

Show Notes:

Join Seth and Caleb as they discuss strange Addictions, what kind of drunks they are, stumbling through their first livestream, an excellent interview with Aaron B. Thompson, and tons of music you’ve never heard before.

Full Video Version, warts and al: www.youtube.com/watch?v=_L4mdmwqcn4&t=10s

INTRO: Leon Stapleton – Lima
Leonstapleton – Lima

RoverT – Alone Tonight
Roverttra – Alone-tonight-1

Brother Toaster – Bupropion Blues
brothertoaster.bandcamp.com/track/bupropion-blues

Riley Catherall – Watered Down Man (submithub/email)
The-same-tune – Rileycatherallwatereddownman

Aaron B Thompson – Middle of My Own Nowhere (submithub/email)
Aaronbthompson1 – 07-aaron-b-thomspon-midde-of
Youtube of Interview: www.youtube.com/watch?v=wgPVCP1Ya6M&t=174s

Johnny Raincloud – White Noize (submithub/email)
www.youtube.com/watch?v=mZTHMZzp-…&feature=youtu.be

Little Sain+ – Remedy (submithub/email)
Tniaselttil – Little-sain-feat-marger-remedyprod-by-sibling

Thanks to Juliana Strangelove for participating in the live stream: bsideguys.com/2018/07/06/the-flo…-macdougall-skout/

Video of the Day: River Whyless – “Born In The Right Country”

This one is a thinker guys. Did you already watch it? Go watch it again, I’ll wait. This is one of my favorite pieces of art I’ve seen in a long time. There’s a ton to unpack here, and I’m going to try, but first let me tell you why I connect with this song so intensely. There are two primary reasons.

  1. I grew up in the South. Like the real South. Let’s call it a state Trump won with 54%. The South isn’t inherently racist, but it’s hard not to grow up around some racist attitudes, even from people who I consider good people. For example, my parents would claim not to be racist, but I remember some stern warnings to my sister about a black kid named Jovan that was coming around. I don’t think my parents are bad people, and they are not KKK level racist, but I’m using them as an example to explain that even my educated parents, who are charitable and kind, are racist. The last frame of this video that scrolls “wolves don’t exist” after we’ve watched an entire video of a black kid being led around by a wolf is exactly how baffled I’ve felt for most of my life, watching good natured people, stay willfully ignorant to the prejudices they hold, and the damage that does.
  2. I don’t live in the South anymore, but that doesn’t solve the racism problem the way you might idealize when you’re growing up in a small town dreaming of moving to a liberal utopia. I teach at a private school in the suburbs of Rhode Island where an administrator was removed last year for getting caught using a few racial slurs. I have students sitting behind desks every day who swear Colin Kaepernick is un-American, and Michael Brown deserved to be shot for being a “thug.” I don’t necessarily think these are bad people, mostly because I’ve made it my goal in life to talk through ignorance with people, and if I believe people can’t learn and change, I think I’d become quite depressed. The thing that I most associate with both of these experiences, my past, and my present, is that most of these people just have no idea the amount of privilege they are carrying. It seems somehow offensive to their character to suggest that they are not “self-made” or that someone has it harder than them. Mostly I think this is because we all have our struggles, and it makes us feel bad that we aren’t billionaires either, so how dare people say they have it harder than us? On the other hand, to admit some people are living with a level of prejudice and difference that you can’t fully comprehend somehow seems like a weak thing for these people to admit.

Alright, enough about me. Let’s talk about the video. We can immediately get the sense where it’s going when we read the title, “Born in the Right Country”. The title itself evokes a lot of the immigration struggles we have going on right now, where a person or family is attempting to find a better life in America, despite the risks involved, and is being treated inhuman because of it. But in the video, we see a slightly different angle. We follow the story of a young black male going to high school, with a wolf around his wrist. We also see that his mother, and a girl wearing a hijab also have their own wolves, while the white kids do not. This seems to suggest that even though presumably these characters didn’t immigrate here, they were still born in the “wrong” country. Not in a literal sense, but in the sense that the rules operate differently for them because of generations of social prejudice and oppression. The video shows this clearly with the white father looking disapprovingly at the potential of his daughter being in an interracial relationship, and also with the boy being stopped on the way home by the police, when he was just minding his own business. It obviously clinches up your stomach when you see those blue lights because of the countless ways that’s gone badly over the past several years (Micheal Brown, Trayvon Martin, Oscar Grant, etc. etc.).

When we explore the lyrics, we see them dripping with sarcasm from the perspective of Trump, or his followers, or anyone who feels like they are superior purely because they were born white and/or affluent.

“I’ll tell you baby, a secret Manufactured truth is easy to sell When you own the factory And you own the hearts of the clientele But can you really blame me? Built on a system where some must fail So that you can break through If you’ve got the right skin Or you’re born in the right country”

The perspective shifts after this point to directly talk to these people and attempt to wake them out of their ignorance:

“Don’t you know you’re lucky kid You were raised on the right side of town Born rich, now you’re yelling “I’ve seen the inside and you’re out” But can I truly blame you? We’re built on the dreams we feed to the poor So that you can break through If you’ve got the right name Or you’ve got the right god Or you’re born in the right country”

But unfortunately, the system is set up this way. There are people profiting from the lower and middle class fighting amongst themselves. Instead of placing the blame at the top, we are continually told to look at our neighbor with different skin, heritage, religion, and blame them for any short comings or failures. It’s classic scapegoating, and this current regime is not the first to use it. My only hope is that more and more people can try to see through it for what it really is; and the best way to do that is through people using their artistic talents, like River Whyless to try to break through to people in a language they can understand.

-Caleb

We’ve added this to our July TOTD playlist. Check it out here.

We just released a new podcast episode, on the theme of Addiction. You can check that out along with all the others, right here. 

 

The Flock: New Release Friday: Mike Xavier, Foresteater, Chris Noah, Callum Pitt, Sean Tobin

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Mike Xavier – “Time to Reflect”

I love when a song says something that we’ve heard before, but says it in such a eloquent way that it reaffirms everything you know. At it’s core, this song is about society, racism, and the difficulties we all face, but Mike Xavier is just so eloquent that it illuminates these issues in a way that is impossible to ignore. Other than Mike’s obvious lyrical talent, something you may not notice unless you are paying attention is that he isn’t just rapping over a track. He has a live trumpet, sax, keys, guitar, bass, and drums accompanying his songs. It really gives this song a fuller sound that you can’t accomplish from beats, no matter how good the DJ is. When asked about his inspiration Mike’s message is simple: “We just got to teach our kids they can change the world,” Xavier raps with his calm though upbeat tone. “They used to tell me, ‘Try them drugs.’ I ain’t never try it.” Mike is a shining example of using art to make the world a better place, and I’m happy to share this as our first track of New Release Friday.

Foresteater – “Unbutton”

“Momma’s shopping at the mall
Daddy’s sipping alchohol
Baby’s watching TV shows
Shoving things up in her nose

Why do the opposites look the same?
Our manufactured outfit came
and is it sincerity
or artificial empathy?

Unbutton my head
Get me out of my head
Unbutton my head please
Get me out of my head”

This song is an anthem for middle class malaise. It does the same thing several 90s movies did by taking a closer look at suburbia and showing the horrors beneath the surface. Sure, money makes some things easier, but it also brings a new set of problems. Having grown up squarely in middle class suburbia, I saw many of the things this song mentions, and experienced the surreal plasticity that it tends to create for those who inhabit these spaces but can’t fully enjoy shopping sprees, keeping up with the Joneses, and the skewed relationships created by making money and materialism such an integral part of our happiness.

Chris Noah – “River”

This song reminds me a lot of some of my favorite summertime music. It mixes pop vocals with some really interesting electronic beats to create an experience that surrounds you completely. Let’s dive into some of the lyrics:

“This state that I’m in, I can do nothing about,
Starting to wear me out, do we need disclosure
Your voice has become an eco in my mind
I don’t really recognize and you still have me reeling

Don’t swim so fast, i can’t keep up, don’t let me drown in your river
Don’t waste your love on someone else, while I’m still here in the picture ”

So it’s a very familiar scenario. The speaker is still in love with someone who is falling out of love with him, and he feels himself being left behind. It’s a really tragic position to be in, and the haunting background vocals as the song builds really hammer home the crescendo of pain that can inhabit these moments where you aren’t ready to move on, but you know it’s not your choice anymore. Keep an eye out for Noah’s upcoming 3 song compilation due in September. He has already won “Debut of the Year” last year at the Annual Latvian Music Awards, and I can’t wait to see what else he comes up with.

Callum Pitt – “Away From The Rousing Parades”

This song just starts off so calming and soothing. The mix of the intricate picking and the beautiful vocals take you to a sunny day driving with the windows down.

“There’s a warm wind coming, marching along with a big brass band

I’m waving an outstretched aching hand, so slow”

When these lines kick in, the song transforms into an anthem worth screaming at the top of your lungs. The thing I like most about this song though, is despite how upbeat and warm the song sounds; it has some truly existential moments.

“We search fora meaning before disappearing and hope that our memories survive”

Ultimately the song ends in a conclusion that all we can do is try to find someone to share the time we do have with and hope for the best. It’s a grounded but hopeful ending to a very complex poetic song.

Sean Tobin – “This Midnight”

And last, but certainly not least. Enjoy this single off of Sean Tobin’s new release of the same name. Throughout the song, he seems amazed that he is currently where he is in life, considering some of his past and the way he viewed the world. My favorite word play in the whole song is probably:

“Met a girl one February evening, swore to God there was no God at all,

Sunday came, she was praying for God knows what she done,

guess she was just talking to the wall”

The several switch ups and double meanings in that one line are astounding. Ultimately, the song seems to have a similar message to the one before this: life is potentially meaningless, there are no guarantees, life is short, thank god I have you, let’s enjoy the time we have for now and hope it lasts forever. “Baby, we could make this midnight last, come the morning, our stories will be in the past.”

-Caleb

If you enjoyed these songs, we’ve uploaded them all to our July TOTD playlist on Spotify.

If you haven’t followed us on Facebook, check it out. We have two new live streams that we posted today.

TOTD: Tim the Lion Tamer – “Dancer”

I really feel like I could break down every single line in this song. It’s one of those haunting songs with minimal production that relies on the beauty of the voice and the depth of the lyrics to carry everything, and damn, does it ever carry everything in this song.

“i’ve never seen nobody
dance like you
in times like these i wonder
if that’s true
if you are lonely too
’cause we’ve always been
hopelessly fucked up”

I don’t know if any of you have ever been in a relationship like the one described here, but it’s brutally beautiful. Two people messed up and in love and unstable, like a collapsing star. It’s full of passion and beauty, but it also isn’t sustainable. Ultimately the song sees the instability become too much, but it’s not as easy as just walking away and never thinking about it again.

“i guess i should move away
’cause in some sad way
i’m already gone”

I’m a known crier. I cry during emotional movies. I cry the first time I realize what an emotional song is really saying, like “Limousine” by Brand New, or “Honey Jars” by Bryan John Appleby, or a billion other instances. This song can now be added to that list, because when I read this last stanza, I couldn’t help but cry:

“it hits me when there’s nothing
left to give
in the ashes of my failures
there you live
ageless and possible
i’m watching you
dancing in your prime
twenty-some
frozen in time”

It may hit me particularly, because I had a 5 year relationship fall apart in my early twenties, and even though it was the best possible thing for me and her, I can relate to the idea of an ageless dancer, stuck at twenty something, frozen in time. Also, from a songwriting standpoint, the symmetry of the first and last stanza are just perfect. Go check out more of Tim the Lion Tamer’s stuff. It’s been added to our July TOTD Spotify playlist.

-Caleb

 

The Flock: Singer/Songwriter: Simon Lewis & Onk Lou, Martha Hill, keatsu, Kaiak, Boyce Avenue, David Madras

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Simone Lewis & Onk Lou – “Home 2.0”

The way this was described when it was sent to us was simply: “Two incredible voices in one song that couldn’t be more variant.” When I first started listening to the music, I was like, okay, this first guy has a beautiful voice; I’m sure the other guy does too, but how variant could they really be? And then the second guy came in; and I immediately started to type my response about wanting to feature this song on the blog. Then they harmonize together and I had to stop typing and just listen to the rest of the song before I responded. I was trying to think of who they reminded me of; and I couldn’t come up with anyone that they actually sounded like. They remind me slightly of Middle Brother in the sense that they have very different voices and beautiful lyricism, but these guys have much better voices than Middle Brother (not hating, I love Middle Brother). Let’s dive in briefly to the beautiful lyricism I mentioned:

“I dig a hole in the woods and I grow with the roots and I go with the flood as life tells me so, I let go of the mess created in my head because,
Home is where the heart is and that’s wherever I go.
bridge:
I close my eyes to feel the moment, I walk this path made out of cobblestone, I take a breath before I let it go, when stars collide they fall apart but in the end there’ll always be a start, till than I’ll dance beneath the waterfall”

I could’ve really picked any section of the song and found something to talk about, but I particularly like the message of home being different for different people. In particular; it doesn’t have to be a place with roots stuck in one place, it can also be a flooded river you float down. “Home is where the heart is, and that’s wherever I go.”

Martha Hill – “Spiders”

Do you ever feel like you’re losing your mind? Well this song perfectly describes exactly what that feels like:

“One head two minds

Hands pressing glass from separate sides

Three seconds till I dive

1 2 3 stop

CHORUS

The spiders in my head they just won’t leave me alone

I pick the legs off while I wait for the seconds to slow ”

There’s something about the lyrics that remind me a bit of the short story “The Yellow Wall Paper”, a story where a woman being shut in the house by her husband, becomes increasingly crazy; which causes her husband to shut her in even more for…being crazy.

The beautiful instrumentals that have a nice beat throughout, and then go off the rails like a Pink Floyd bridge at the 2 minutes mark only add to Martha’s haunting vocals that carry you right up to the very last second of the very last “1, 2, 3, stop.” It’s a song that strikes a perfect balance between catchy and disorienting; and I really can’t get enough of it.

Bio: “Martha Hill is a an alternative pop artist based in Newcastle upon Tyne.

After growing up as one of six siblings on a remote Scottish peninsula, where the only link to the mainland was via ferry, she left home at 17 and spent two years touring across Europe as a street musician.

Eventually relocating to north-east England and falling in with a local ‘scene’ for the first time, Martha and her band have spent the past year touring all over the UK – supporting the likes of Holy Moly & The Crackers and Let’s Eat Grandma at venues such as Borderline, The Cluny etc. – with two DIY tours of Europe falling in between. Her most recent gig was for BBC Introducing, supporting Atlantic-signed Mahalia on The Biggest Weekend Fringe Tour.”

keatsu – “Feel Good”

I realize this isn’t necessarily what you might initially think of as “Singer/Songwriter”, but keatsu is basically a one man show, and it’s my blog, so don’t worry about it. Also, if you only listened to the first little bit, you’d assume the whole thing was just a normal lo-fi project with a guy with an acoustic guitar, and then you quickly see it advance and evolve from there into a beautiful call and response with himself that repeats “I just feel good on the dance floor.” This is something you’d expect to be said by Justin Timberlake with a break beat behind it, but is instead said with lo-fi effects and an a minimalistic guitar. The irony and self awareness of keatsu is my favorite thing about all his projects. He’s one of my favorite artists out the moment. On his full-length, he references everything from Nirvana, to Linkin Park, to pop songs, and it all just works. Literally go throw a dart at his Spotify page and you’ll find 3 new favorite songs. We can get you started with our Spotify link at the bottom of this page (don’t skip down there yet, still plenty of good music to hear).

Kaiak – “No Regrets”

I really could see this song making waves on some mainstream channels in the summer months. The thing that really solidified this song for me, other than the beautiful production and vocals, was the interesting use of horns during the later half of the song. It really was a nice surprise for me that took this song from a nice sounding song that I would listen to again, to a song I immediately saved to all of my Spotify playlists. “Lesson learned, passed the test, life goes on, no regrets.” It’s a message that we’ve all heard before, but gets solidified by the pretty package that Kaiak has presented it in here.

Boyce Avenue – “Ride The Wave”

I immediately thought this looked like an advertisement. I guess that might come off as a bad thing; but I mean like a Super Bowl Ad. It’s one of those heartfelt ones that you expect from Budweiser or something. It’s just so beautifully shot, and the music itself fits the vibe that it’s created so well.

“The tide will rise and fall; some days you will feel small, but ride a wave, I’ll ride it in with you.”

I don’t have kids, but that sentiment is just so beautiful to me. It’s both a lesson and a show of support, an acknowledgment of the harshness of the world, but also saying “I have your back as long as I can.” This message mixed with the family fun and love shown in the video can melt the coldest of hearts. Trust me on that.

David Madras – “Me & You”

And last, but certainly not least. Do you like Phosphorescent? Who doesn’t? David Madras’ voice reminds me so much of Phosphorescent. I’m really excited to announce that this song will be a part of our upcoming podcast episode that focuses on Existentialism. Oh you didn’t know we had a podcast? Check it out here. Since we are focusing on it on the podcast, I don’t want to spoil too much here, but let’s dive briefly into one of the lines.

“She said she had a little revelation, about the way the clouds appear, and how a day becomes a year. She said she had a little realization, about everything she’s ever feared, and suddenly it’s drawing near.”

I don’t know about you guys, but I connect to the “she” in this song so strongly. The existentialism episode is going to talk about it at length, but basically the idea is that you suddenly feel and question how tiny and insignificant you are in the cosmos; and this song perfectly captures that feeling. Is that a bad feeling? Yeah, sometimes. But it can also be empowering. “She says, we are young, me and you, there’s so much that I don’t know and I’m never going to. We are young, there’s so much left to do, all the wonders of the world for a boy and girl like me and you.”

 

-Caleb

Did you like these songs? Good, me too. Want to hear them again? They are all on our July TOTD Playlist on Spotify. 

TOTD: Jay Man Sun – “The Day You Left Me”

Are you ready for an epic ballad? Who isn’t at all times? This song sounds like it’s straight out of the brain and mouth of Morrissey. Dripping with sadness and a self awareness that keeps it from veering into cheesy, “The Day You Left Me” is easily one of my favorite songs of Summer 2018. Stick around for the 3:40 mark when it explodes into an emotional crescendo like I haven’t heard in quite some time. The whole song, which focuses on loss of love, takes the listener straight back to the day each of our “you”s left us standing on a doorstep.

Want to hear more? We’ve added this song to our July TOTD playlist on Spotify.