TOTD: Nicola Carrara – “Quizás Es Tiempo”

 

This song is so groovy. I admittedly don’t speak the language, so much of the lyrical content is lost on me, but the music is universal. The smooth guitars are perfect when I’m getting work done at my real job. I have my headphones and it transports me into a state of sublimity. I really can’t get enough of this song, and really of this artist in general, I’ve been jamming to his other track, Tobogan for months now.  I can’t wait until he releases a full length, because this artist is just oozing with talent and groove. This song, which translates to “Maybe It’s Time”, makes me think that maybe it’s time we started paying more attention to Nicola Carrara.

Bio: Currently, he continues working the remaining pieces of his first album, which will be released soon. At the same time, he is still producing and recording bands in the CamaronbrujoMúsica studio.

-Caleb

TOTD: Falaises – Boy

This is one of my favorite songs right now. The way it builds from a fun 80s sounding synth into a song that really is impossible not to dance around to belies the fact that the song actually has some melancholia in the lyrics. I love when sadder lyrics are hidden in pretty upbeat packages. This one seems to be a lot about unrequited love,

“Everyone reminds me of you boy
Everywhere I’m seeking you boy
Be my friend.
At every lie I want you more
Touching you, feeling you roar
Be my friend.”

My favorite part of the song is probably around the 3 minute mark or so when it breaks into almost an entirely new song for a few bars. The word “falaises” translates to cliff in French. And this song is full of cliffs, and valleys, and crescendos. It’s one amazingly fun ride that will have you hitting repeat as soon as it’s over.

Here’s a bonus if you liked the song:

-Caleb

Mid-Day Music Blast: Calan Mai – “XO”

Hey guys! I’m so excited to be back and sharing music with you guys. I have an absolutely great song for your lunch break today. The Rolling Stone  compared their sound to Conor Oberst and Bon Iver. If you think those sounds are kind of far apart, I agree, but I sort of see where they are coming from. There is a rustic and small town feel to the lyrics, much like Conor, but the production on the song is smooth like Bon Iver. I could see this song on an underground college hipster’s playlist, right alongside a SNL appearance as a feature artist. It’s really an interesting and dynamic dichotomy.

When asked about the message behind the song Calan Mai has said, “When someone writes ‘xo’, that doesn’t mean they want to kiss and hug you. When they send a smiley face, they aren’t really smiling. The world is a bit like that now-a sea of lovehearts, likes, upvotes and retweets. You ask for validation and get bright lights and numbers in return. And I’m no better. I doubt myself. I compare myself. I wonder how many times this song will get played. That’s what ‘XO’ is about-wanting to reach through your LCD screen and grab the world by the collar and say, ‘I do make the cut. I do have potential. And this song is a good f*cking song.”

It is a good fucking song. And you can find it wherever you listen to music right here: Linky

-Caleb

Morning Commute New Year New Me Edition (and a brief apology) 1/4/2019: Levant – “Time to Shine”

Hey guys. You probably noticed we haven’t posted in a while. That’s kind of a bummer. There’s been some things going on in the background that has kept us from doing this blog justice, mostly concerning obligations and real work and real-life responsibility. It’s a new year though, and I am committed to posting several times a week at the very least. I hope you stayed around, and enjoy our journey into the future, because we still have so much amazing music to share with you. Let’s get it started today with this awesome track from Levant called “Time to Shine.”

Levant- “Time to Shine”

This project is really cool. Levant wrote and arranged all the songs on this project, but then had different people come into the studio to play/sing the songs.  This track features JJ Jackson from The Bastard Sons and is the closing track on the album, Beneath rubble, run rivers red, which can be found on all your major music providers. I really love how this song feels like a taste of something new and something old. It has some moments that sound a lot like mid 00s indie, and even some tinges of grunge, but it’s also something completely new and fresh. The thing I think that stands out the most to me in this song is the creative use of the sample, and the transitions between piano and low end instrumentation.

 

-Caleb