Video of the Day: Tash Sultana – “Harvest Love (Live Lounge Recording)”

I feel like this artist really needs no introduction. Tash Sultana might be the most well known artist we’ve ever featured here, and she’s only blown up more since we got this song in our inbox several months ago. That being said, this song is a perfect introduction to everything I love about Tash Sultana. It strips everything down to it’s basic elements and allows her raw voice to carry the passion and intensity of the song, and she nails it. Her voice is one that makes you a little angry at god that you’ll never have it, but so blessed to witness it. I just want to emphasize some of my favorite lyrics for a second:

“I had a plan ‘Cause I had a plan, you see.
It was based on the rules that my mother and father taught me.
Press the iron when it’s hot, you jump right in.
Because the unfed mind devours itself,
water your garden”

I think most of us that don’t necessarily sync up with all of our parents’ teachings can empathize with these lines. Once that carpet gets ripped out from under you (and really thank god it does), you are left in sort of a painful, scary place for a while until you can rebuild your own mottos, maxims, viewpoints, even if that means you think there are none. Water your garden.

Bio: TASH SULTANA is a dynamic young artist who has commanded world attention since homemade videos of her jamming went viral. A true virtuoso, Tash was soon selling out big theatre shows globally and playing at the world’s biggest festivals including Lollapalooza and Coachella Music and Arts Festival. When playing live, Tash appears on stage entirely solo, creating vast and amazing soundscapes using an array of equipment and live instruments – but absolutely no laptops or backing tracks. She plays an incredible 18 different live instruments during the course of her show.

Tash – “I wrote Salvation when I realised I could be better than the things that I’d done in my past that I regret. That I am the creator of my own narrative and can always continue to grow and move forward into being a better person and can always make better decisions, that it’s okay to accept you’ve fucked up from time to time.”

All of the songs on ‘Flow State’ are produced, written, performed and arranged by Tash herself. She plays every one of the 15 instruments and sounds that feature throughout, including saxophone, pan flute, grand piano and guitar to name a few.

To date, Tash has amassed over 175 million streams globally for her previous EP ‘NOTION’, topped the iTunes charts in multiple countries, achieved gold sales for EP ‘Notion’ and platinum sales for single ‘Jungle’ which also featured in FIFA 18. Her meteoric rise has been entirely via word-of-mouth without support from traditional media

 

Salvation is available here: http://smarturl.it/TS.Salvation

-Caleb

Video of the Day: Noya Sol “הבלוז של בנות חורין – The Blues Of Freeborn Women – Empty Bed Blues”

Do you ever wish they made music like they used to? Complete with decade appropriate attire and a horn section that trails the melody? Well, I have good news for you. Watch this video from Noya Sol. Set with a sepia background that makes you want to smoke one of those new fangled cigarettes from France sonny, this song captures the blues of the turn of the 20th century with the utmost authenticity.

Press Release:  “Noya Sol brings to life the original, early 20th century women’s Blues: This is the Blues that emerged as the expression of black women who, for the first time in history, found themselves free – a legal, financial and sexual freedom. And the full meaning of freedom includes also the realization that freedom does not take care of you – it only allows you to take care of yourself, as best you can.
The discrepancy between hopes and reality gave rise to a new type of music: powerful, bold, beautiful, unabashedly horny and forthcoming about all aspects of life, both good and sad.
Noya Sol fearlessly steps into the shoes of the queen of the Blues, Bessie Smith. She ought to be admired for the sheer audacity of doing so, but then – she also does it in the best way possible: her own way, imbuing the songs with her own personal interpretation, giving a very up-to-date touch to the sounds that, 100 years ago, changed the world, with all due respect and with a liberating sense of here and now.”

As someone who only knows a little about the history that this song is attempting to step into, I have to say it sounds like the real deal to me. The confidence in the singing rings out of a youtube video to create a time machine.

-Caleb

 

 

Video of the Day: Alex Bloom – “Elevator”

Image result for alex bloom music

Reminds me of: Ben Howard mixed with The Beatles and Radiohead

If you watched the video, I feel like this is already pretty clear, but let’s check out what the artist said about this excellent tune:

“I wrote a song about the existential elevator ride of life. I think it’s something everyone thinks about all the time. My creative inspiration came from this little white Casio keyboard with preset beats that I set to ‘Rock’. Then I started with this guitar riff and immediately noticed the shape and movement of the chord I used, kind of looked like an elevator.” – Alex Bloom

And what an existential elevator ride it is. From the lyrics, it seems to suggest that a lot of that ride points downward (although the end of the video finds our elevator in ethereal space). I think this metaphor is an excellent way to describe the existential dread that comes with post-modern existence. A lot of us know/believe there is no purpose to any of this, but most of us think it is important to create our own meaning regardless. It is an unwinnable game that each of us has to decide whether or not to play. I think that this song suggests that even though it’s hopeless, that doesn’t necessarily mean the game isn’t worth playing. If you can fully accept that there is no inherent purpose, that can be depressing, but it can also be freeing. This can be seen most clearly in this section:

“I don’t believe
I don’t believe
let me cheer you up
let me offer
let me take a sponge
to your human condition now I’ll boil down
all your suffering to an
elevator ride
no one will survive terminal speed Hades receive me
you can be afraid
of all your sins
you can’t see yourself breakin mirrors
climbing through the shaft see what’s coming
elevator ride
no one will survive terminal speed Hades receive me
I don’t wanna cheat it
I don’t wanna cheat it
there’s no way to beat it that’s the way I want it”

If you fully accept reality for what it is (or as close as we can get to perceiving what it is), then you can perhaps live a better personal existence, even if no one is watching over you.

One more thing I wanted to mention about the video, is how cool the blurred effect is. I have (under control) DPDR. If you don’t know what that is, it’s a shorthand for Depersonalization and Derealization. This video gets very close to explaining how I feel when I go through DPDR episodes (which is a pretty difficult thing to explain fully). It fits along nicely with the existential lyrics, and atmospheric vocals. I’m not suggesting that the video was trying to explain DPDR or anything, but I just found it comforting in a strange sort of way from a personal angle.

Bio: His 2017 “One More Shot” song became a “quiet” YouTube hit with over 2 million cumulative streams and his debut album Blue Room already has over 450,000 plays on Spotify.

Earlier this year, in the midst of working on his new material, Bloom’s song “Evanesce” was featured in the Netflix Original movie “The Open House.” An exciting moment for an indie artist who runs his own label…

Alex has received early critical praise for his songwriting and complex vocal arrangements.

“Elevator” is just a foreshadow of the rest of Bloom’s new material (sophomore album) set for release in 2019.

 

-Caleb

Video of the Day: Tender Glue – “Rudy”

Image result for tender glue

I have a really chill song for you guys to check out this morning. Before we get into the song itself, I really like the vibe of this video. There’s nothing overly complicated going on. It’s mainly just quick shots of various things, and an occasional video of the guitarist playing the song in a shadowy room, but the bright colors and strange effects keep me glued to it, and it fits so well with the music and vibe of the song in general. If you guys are trying to make a good video on a budget, take notes. Now, let’s dive into the song itself a little bit, listen to it again here if you want, to give my guy some Spotify plays:

 

“And if I go
Roll one for me
Cigarettes you used to smoke
Hope you will quit
And if I die
Bury me so deep under all our lies
Hope you will quit”

I love the sentiment to the chorus here. There is this awesome dissonance of wanting what’s best for someone, and accepting them as they are. He wants this person to remember him when he’s gone, and remember him in the way that they feel comfortable, even if he’d rather the person quit smoking and be healthy. It’s really a beautifully melancholic sentiment.

Don’t just take my word for interpretations though, let’s check out the artist’s idea about his creation: “‘Rudy’ was written about 6 years ago and was inspired by a girl I met once. I had chords and a melody written beforehand and the words came quickly to me. This girl had shown me how she rolls her cigarettes, which was inspiration for the lyrics “And if I go ; Roll one for me; Cigarettes you used to smoke; Hope you will quit”. Although some of the lyrics were based on real scenarios, the whole idea of the song is more of an imagination. I took some of the details of this brief non-intimate meeting and created a story.”

I love the idea of these random encounters allowing us to create an entire universe of art, a relationship that never actually happened, and yet, I, as the listener, feel the same emotions regardless of how real or not it was. Really incredible.

Bio: Tender Glue (noun): Not a person. Not a band. Music made by an urge to create.

Tender Glue is made up of Tom Gluewicki, who was originally born and raised in Poland and later moved to New York in 2002. He explains his first encounter with playing music when he was twelve years-old after he had fixed a broken guitar that his brother brought home. You can learn more about his story in the “ABOUT” section of his website.

On September 25th, 2015, Tender Glue released his debut EP titled, “Wait For Steady Light”. After several years of creating original music, this album is a culmination of raw recordings, composed with minimal equipment, using the resources Tom had in his home. Full length album “Steady Light”, which was a continuation of the EP, was released year later on August 26th, 2016.

The latest album titled “Closet Leftovers”, was released on September 28th, 2018 on Tom’s record label called Don’t Label Me Records. The first four singles from the album were released between February to June of 2018. “Closet Leftovers” was recorded and produced by Tom in his studio apartment closet after he moved from Brooklyn to Manhattan more than a year ago.

-Caleb

Video of the Day: Jim Audet – “Mojave Rain”

Image result for jim audet

 

Hey guys! Hopefully you recognize this handsome fella already, but if you don’t check out this post to get familiar:Jim Audet Double Feature.    I just wanted to drop a quick note that he recently put out a video for his song Mojave Rain. We already broke down the content a good bit in the other post, but basically, Jim wrote the song after the tragedy of the Las Vegas shooting last year. We quickly see the rain in the song, is actually the rain of bullets on the street below the hotel. Anyway, give this video plenty of plays. You’re not going to want to miss the boat on Jim. He’s easily one of my favorite artists we’ve ever covered, and I fully expect him to blow up in a major way soon. Help us get this hype train going!

 

Bio: The Lookout EP out now. Download/stream: https://open.spotify.com/track/4Bzg1h… Follow Jim Audet Facebook: https://www.facebook.com/JimAudetMusic/
Instagram: https://www.instagram.com/jimaudetmusic/

Video of the Day: Couch Jackets – “Don’t Think Just Breathe”

 

I really have to work on taking the title’s advice here. This video is so much fun. I mean, maybe fun is the wrong word, considering the subject matter that finds its way into the video (natural disasters, protests, global warming, etc.) But it’s also offset with zen-like imagery, and trippy visuals that make it one of my favorite videos of the moment. Let’s dive into some of the lyrics real quick, in between eating bullshit and emotional dissonance (if you don’t get that reference, go back and re-watch the video, hell re-watch the video anyway):

“Lighting a burned bridge between me and the purpose I’ve made,
But in my~ smoky haze I’ve forgotten to replace it’s arcade
Every game I’ve ever played engulfed by flame, left to fade.
No one’s insane we’re each of different makes which are arcane

“Don’t think just breathe
Don’t think just breathe”

Here’s a short list of things that are bothering me at the moment:

  1. Stress at my day job.
  2. Trump
  3. Writer’s block
  4. The inevitable heat death of the universe
  5. Trump

I’m going to do my best today, because of this song’s inspiration, to slow my brain down and “just breathe.”

So regardless of the thing that’s bothering you right now, hopefully you can put this video on repeat for a bit, and take a short vacation from it.

Bio:  “Couch Jackets sounds like an alligator’s eating us,” reads the explanatory note on the Little Rock, Arkansas quartet’s Bandcamp page. Fans of the band have become accustomed to this sort of irreverence – these are funny guys, and they lead with their personalities. Yet it’s not just a joke. Listening to Couch Jackets can be like entering a whirlpool: songs don’t behave the way you expect them to. They come at the listener with manic energy; they twist and turn, shiver and shake, and no matter how playful they seem, they always carry with them a whiff of danger.

We suppose that if we were asked to be particular about it, we could try to classify Couch Jackets. Given their ambition and the idiosyncratic nature of the music they make, it’s fair to call them a progressive rock act. Their emphasis on texture and love of experimentation aligns them with the neo-psychedelic movement, and their supple grooves are redolent of classic ‘70s pop. There’s even a hint of country music somewhere in the mix. But we don’t think we’ve ever heard a band combine its influences in quite the same way. Go To Bed, the group’s most recent set, was made in Nashville, and it’s the fullest realization of their visionary sound yet committed to record. It somehow manages to sound more polished than their prior recordings while preserving the primal chaos and sense of fun that has always distinguished the band. We have no idea how they’ve pulled off this trick. Like so much about Couch Jackets, their methods are shrouded in mystery.

Just as the band has developed a singular sound, they’ve come up with a visual aesthetic that’s wholly theirs – and that matches the music perfectly. For a still-new band, Couch Jackets have made a lot of videos, and they all display the group’s inventiveness, imagination, and sense of humor. Consider, for instance, the clip for “Don’t Think Just Breathe”, which manages to satirize obsessive news-watchers, cooking shows, reality television, and the act of eating dinner.

 

-Caleb

Looking for more music? We’ve added this song and more to our September TOTD Playlist.

Video of the Day: BUHU – “La Truth”

Hope everyone that doesn’t have to go into work tomorrow has an excellent Labor Day Sunday. Let’s get it kicked off right with this intriguing video from BUHU. This is my favorite mud people video of all time. I think it’s the only mud people video I’ve ever seen, but that’s irrelevant. I don’t entirely know what to make of the symbolism. But we clearly see a graceful woman in a white dress, unsullied, juxtaposed with a man, with animalistic and jerky movements covered in mud. When they finally meet, she cleans him off, while getting her white dress and skin dirty. Then they wash off in the river and seem to be living happily ever after. Again, it could stand in for a lot of things. But I think we’ve all had the feeling of someone coming into our life at the right time, and helping us clean up some broken part. That doesn’t mean we should be dependent on people for an ideal relationship, but part of a relationship is being there for one another and making each other better. It’s a difficult balance to strike. Sometimes your dirt just gets on them. But when it does work correctly, it’s a beautiful thing. According to the artist, there is also an element on this song dealing with keeping secrets in a relationship, and being forgiven. That makes the symbolism in this song that much stronger in my opinion.

Bio: “La Truth” is a retrospective of Jeremy’s guilt in being dishonest with his wife and the strains that keeping secrets can cause on a loving relationship. Originally released as a demo in May 2017, “La Truth” was the initial spark that inspired the opus which would become BUHU’s debut studio album, Tenets. BUHU hits a galloping pace with “La Truth,” settling into a confident stride similar to some of the strongest synthgaze moments from Washed Out’s catalog. Here more than ever, Rogers leans unabashedly into the Melodyne bends of his vocal processing, laying plain his emotions without denying the synthetic tools of his trade.

-Caleb

Looking for more? We’ve added this song and more to our September TOTD Playlist. 

Don’t forget to check out past playlists as well. Here is August: August TOTD Playlist