Caleb’s Mid-Week Mixdown Featuring: Freedom Fry, Galapaghost, William Fitzsimmons, and Freddy and Francine

This is a grab bag of all of my favorite artists from the week to carry you through those Mid-week blues. No genres, no themes, nothing. I mean, I guess the theme is that I love these songs.

We try to group artists with similar artists, but the fact of the matter is that most music fans don’t solely like one genre. If you’re like me, there are very few genres that you don’t get into in some capacity. What I’ve found is that a lot of people cross paths with the same people in their musical taste. Seth and I have a lot of crossover, but one distinct difference right out of the gate is that Seth gets more into the folk scene, and I get way more experimental with what he likes. Some of what he listens to sounds like Elvish chants in the woods to me, and some of what I listen to probably sounds to him like what Michael Caine listened to  in Children of MenYou’ll probably start to notice a trend in these posts at some point. We have a lot of crossover, especially when it comes to hip-hop and emotive indie rock, but there’s a lot of music that Seth and I don’t necessarily agree on. We both know that objectively they’re good tracks, we just don’t subjectively like it as much as some other stuff. Without further ado, here are my favorite tracks of the week.

Freedom Fry – “Classic (Acoustic)”

This song is the epitome of nostalgia, albeit with a slight twist. There is the obvious examples like sipping on a glass bottle Coca-Cola, but it seems like it’s actually about how someone can give you that nostalgic “classic” feeling. Just their presence gives you that good feeling that feels like the world is as simple as enjoying each other’s company. To me there’s really nothing better than that feeling, and this song captures the vibe perfectly. You hear this structure in the chorus when it mentions “living in the past with you”, but then is followed with “jumping in the bed with you.” Maybe they are doing nostalgic activities together, but any act has that glow to it because they are doing it together. When you realize that Freedom Fry is a married French/American duo (hilarious name for that mixture by the way), the chemistry apparent in the presentation of this song makes a lot of sense. They are just sharing their love with us, and hoping we can relate, and on my best days this summer, I know I absolutely can.

Bio: Freedom Fry are Marie Seyrat and Bruce Driscoll, a married French & American musical duo. They write and record everything themselves and usually direct and edit their own music videos too. If you like what you see & hear, subscribe and say “hi.” Follow them on Instagram, Facebook, Twitter, and Snapchat: @freedomfrymusic. They released their debut album, “Classic,” on June 1, 2018.

Galapaghost – “Jellyfish”

Any of you who have followed us for a while should be familiar with this guy. He was featured on our very first podcast episode (Hope)I am very happy to share some more music with you guys today. Galapaghost is the solo project of a very prolific songwriter, Casey Chandler. He’s released 5 albums so far, and seems to be ramping up some new music earlier this year already. The unique thing about “Jellyfish” and the album, Sootie, is that it is Casey’s first electronic album. I love the spacey atmosphere of this song, and given its place on the album, which is primarily about childhood, I can’t help but feel a sense of innocence from this song. The lyrics though, paint a different picture:

“When you told me you might need something more exciting
Well I guess I should get dressed
Cause I guess I got some expenses
Spending all the hours of the day
Working until you don’t recognize your face”

So as an adult reflecting on this innocence, it can’t help but feel but lost, when you are working all day, “until you don’t recognize your face.”

Bio:  Casey has no label, manager or band, so he produces all of his music himself. When he can afford it, he flies to Italy to record with his Italian brother from another mother, Federico. He hails from the small hippie town of Woodstock, NY. He toured Europe and North America with John Grant for 6 months in 2010, which included a prestigious slot on Later…With Jools Holland. He has released five albums. His first two albums were released on a small Italian label called Lady Lovely. He self-released his 3rd album I Never Arrived in 2016 and it already has over 2 million streams on Spotify and many rave reviews from Paste Magazine, Substream Magazine, The Big Takeover, AXS and many others. His 4th album ‘Pulse’ was self-released in January 2018. It received rave reviews from Alternative Nation, Huffington Post, Your EDM and many others. His 5th album ‘Sootie’ was released in August 2018.

William Fitzsimmons – “Distant Lovers”

This song is so haunting. Taken off his album, Mission Bell, Fitzsimmons breaks down a rough year marked by a decade-long marriage falling apart. This song in particular, questions monogamy, and how to forgive (or not) infidelity. As someone who had a marriage fall apart for similar (out of my control) reasons, I can’t help but ache in empathy with the content of this entire album. This is for anyone who has dealt with loss, and needs that bittersweet reminder of how deeply humans can love, hurt, forgive, and hopefully begin to heal.

Bio: Singer-songwriter and music producer William Fitzsimmons’ latest record Mission Bell is a chronicling of the tumultuous last year of his life, particularly of the separation from his second wife. An initial version of the album was originally recorded in Fitzsimmons’ home studio in the summer of 2017 but was subsequently abandoned during the course of, and as a result of, the separation.

In 2018 Fitzsimmons moved to Nashville and spent a month’s time rebuilding the lost record with producer Adam Landry (Deer Tick, Los Lobos, k.d. Lang, Vanessa Carlton). The resulting 11-song album tells the story of a decade-long marriage destroyed and eventually rebuilt from the ground up.

Mission Bell includes songs about betrayal, but also reconciliation and forgiveness. Choosing to go deeper than mere absolutism and fate, these are stories of people doing their best, but still managing to destroy each other in the process.

Freddy and Francine – “Half a Mind”

“Everyday I’m waging war
On who I am and what I was before
But all I want is to forget
But these memories open doors
And I want you all the more

Well if I don’t say it
Well then I’ll go crazy
I am paralyzed by the thought of you just passing by
Oh honey if I don’t say it
What’s the price I’m paying
I got half a mind to make you all mine”

 

I like putting this song right after the previous song because it shows the other side of the coin, the risk involved in not saying yes to love, even if there’s a risk of it eventually not working out. This song seems to be about that moment when you get absolutely overwhelmed by someone, and you just to have to let them know how you feel, regardless of the potential outcomes. The way this duo mixes their vocals with a twangy blues sound keeps me coming back to this song over and over. I got “half a mind” to add it to every playlist in my rotation as soon as I finish writing this.

Bio: “We’re performers. We’re not just folk musicians who play and sing mellow songs with little voices … there’s screaming,” Caruso said. Don’t call it Americana either. They don’t wear hats. Besides, Caruso says, “The minute you think one of our songs is an Americana song, it can turn into a retro pop song.”

Despite the reaction of most roots music fans to the dreaded “P” word, Caruso says she doesn’t mind Freddy & Francine being labeled a pop band. “Pop music gets a bad rap, but it comes from the word ‘popular.’ I’d love to be popular,” she said. “I never discriminate against a song because it’s popular if it stays in your head … every Beatles song is a pop song.”

But mostly, Freddy & Francine sounds like Freddy & Francine. It ain’t the easiest thing to explain, but it makes sense when you hear it, and finally, it makes sense to the two people who matter most. “I’m really happy with who I am and I’m happy with the life I have,” Ferris said.

-Caleb

Caleb’s Mid-Week Mix Down featuring: Raccoon Lagoon, Jay Mi$FiT, Tree Bosier, Samia, and topographies

This is a grab bag of all of my favorite artists from the week to carry you through those Mid-week blues. No genres, no themes, nothing. I mean, I guess the theme is that I love these songs.

We try to group artists with similar artists, but the fact of the matter is that most music fans don’t solely like one genre. If you’re like me, there are very few genres that you don’t get into in some capacity. What I’ve found is that a lot of people cross paths with the same people in their musical taste. Seth and I have a lot of crossover, but one distinct difference right out of the gate is that Seth gets more into the folk scene, and I get way more experimental with what he likes. Some of what he listens to sounds like Elvish chants in the woods to me, and some of what I listen to probably sounds to him like what Michael Caine listened to  in Children of MenYou’ll probably start to notice a trend in these posts at some point. We have a lot of crossover, especially when it comes to hip-hop and emotive indie rock, but there’s a lot of music that Seth and I don’t necessarily agree on. We both know that objectively they’re good tracks, we just don’t subjectively like it as much as some other stuff. Without further ado, here are my favorite tracks of the week.

Raccoon Lagoon – “Action Figure Kid”

Image result for raccoon lagoon music

I’m always a huge fan of found footage style videos. It’s one of the easiest ways to give your budget music video a nostalgic and emotive feel to it. A lot of this video reminds me of being in my early 20s, hanging out with friends, drinking, and meandering around the city (not that I’ve necessarily stopped any of that haha). This song is the epitome of all the things I love about shoegaze. The vocals fade perfectly into the psychedelic pop melody and feels like…well…meandering around the city. We’ve featured Raccoon Lagoon on the blog before, and honestly I can’t get enough of him. I can’t wait to see what the future holds for this creative project.

Bio: Raccoon Lagoon is a solo project by Petya Bouianov; an Amsterdam based musician. The project was started in February 2018 with the vision that everything can be done by yourself. Raccoon Lagoon is influenced by Tame Impala’s Kevin Parker who does everything by himself as well. Other influences include Arctic Monkeys, Gorillaz and The Beatles. The idea is to mix vintage rock with contemporary sounds to create a unique vibe. Besides music Raccoon Lagoon focuses on design, album cover art and music video’s.

Jay Mi$FiT – “Young Nigga”

Let’s take a turn into hip-hop land. If you’ve paid attention to the hip-hop I tend to share, it’s usually got a throwback vibe to it, and this song is no different. He even acknowledges the ways he’s trying to bridge the gap between classic hip-hop and current trends when he says,

“God son

Maybe I’m Nas son

But influenced by Jay Z

So what does makes me

One of last living lyrical savior

maybe

Feeling like drake

Cause everybody wanna hate me.

Cause I got these lyrical bullets

Loaded on safety”

There’s really not much else to say, Jay is out to prove that people still care about a dope beat and a wordsmith, and I know this blogger does.

Bio: Jay Mi$FiT is an up and coming hip hop artist out of Detroit. He has a project called Lost Soul coming out July 18th.

Tree Bosier – “Postcard 2”

I told you this mix was eclectic today. This track is from a cool project called Postcard an EP that Tree Bosier released in 2018 under Loodma Recordings. Each track is a different musical “postcard” that creates an unmistakably unique vibe for each track. You can tell that Maxim, aka Tree Bosier knows his way around multiple instruments and genres. His Facebook page  describes the duality of Maxim, and Tree Bosier when it comes to the music:

“- Max Ananyev – these are pieces for classical guitar, mandolins recorded on digits and scores, as well as acoustic and traditional ambient.

– Tree Bosier – it’s electronic music, combining elements of dream pop, shoegaze and techno.”

The guitar work really stands out to me in this track that you might notice synths on first. This track will definitely be added to any summer playlist I have, because it’s excellent beach music.

Bio: Max Ananyev – musician & producer from Saint Petersburg, also known as Tree Bosier. 

Samia – “Milk”

Oh man. That voice. I feel like I could end the discussion there, but you know by now I won’t. “Milk” seems to be exploring the classic saying, “don’t cry over spilled milk.” Which is basically another way of saying, don’t sweat the small stuff. Granted, some of these lyrics seem to be focusing on things that most wouldn’t consider small stuff, like a mention of jumping off a pier in the first verse followed by, “you’re just lucky you’re tired and not dead.” One symbolic thing I like in the video is the use of white (like milk) throughout it, starting with the balloons, transitioning to the color of the bath water, etc. Also, if any of you are Father John Misty fans like me, check out this meta tune: https://open.spotify.com/track/3Ebt8wL9eYdYN3tYZeFC5G

But really, let’s end the way we started, oh man, that voice.

Bio: Her ballads recall the low-lit charm of Tobias Jesso Jr or the hushed immediacy of Phoebe Bridgers. Her rock songs rev and howl with the intensity of Mitski or Hop Along. But whether the volume is up or down, 21-year-old New York native Samia draws from the same well of sharp-witted lyricism as forebears old and new — from Liz Phair to Patti Smith to Josh Tillman.

topographies – “Pink Thoughts”

Now for the last but certainly not least category, this dope song from topographies. I guess I did go a little shoegaze heavy today; sue me, it’s summer. If any of you are familiar with the “shoegaze scene” especially in California, this is the band for you. Formed by Gray Tolhurst (Gray Tolhurst), Jeremie Ruest (Cerf Volant, Your Friend, Lavender Blush), Justin Oronos (Solip), and Lauren Grubb (Minipop, To The Wedding) in 2017, topographies is a amalgamation of shoe gaze/psych pop genius. As with most shoegaze, it takes a bit to discern the lyrics, but the artist says this has to do with the uncanny experience of talking to the deceased in dreams. And honestly that’s the thing I like most about the genre, I don’t really need to be able to understand every word to vibe with the emotive feeling of the song. Here’s a bonus for you guys, the music video for this excellent track, see you in fever dreams:

 

Bio: Formed by Gray Tolhurst (Gray Tolhurst), Jeremie Ruest (Cerf Volant, Your Friend, Lavender Blush), Justin Oronos (Solip), and Lauren Grubb (Minipop, To The Wedding) in 2017, the band meshes the crushingly loud guitars and hushed vocals of 90’s shoegaze with the urgency and mechanical rhythms of post-punk. Their debut EP was recorded and produced at New, Improved Recording in Oakland, California by Alexis Berthelot (Gojira, Wolfgang Tillmans, Enablers) in late 2017.

 

-Caleb

Monday Mix-down featuring: Dubby, Telescreens, The Escalator, and Awolk

This is a grab bag of all of my favorite artists from the week to carry you through those Monday blues. No genres, no themes, nothing. I mean, I guess the theme is that I love these songs.

We try to group artists with similar artists, but the fact of the matter is that most music fans don’t solely like one genre. If you’re like me, there are very few genres that you don’t get into in some capacity. What I’ve found is that a lot of people cross paths with the same people in their musical taste. Seth and I have a lot of crossover, but one distinct difference right out of the gate is that Seth gets more into the folk scene, and I get way more experimental with what he likes. Some of what he listens to sounds like Elvish chants in the woods to me, and some of what I listen to probably sounds to him like what Michael Caine listened to  in Children of MenYou’ll probably start to notice a trend in these posts at some point. We have a lot of crossover, especially when it comes to hip-hop and emotive indie rock, but there’s a lot of music that Seth and I don’t necessarily agree on. We both know that objectively they’re good tracks, we just don’t subjectively like it as much as some other stuff. Without further ado, here are my favorite tracks of the week.

Dubby – “Gelati Kong ft. King Los”

Image result for dubby gelati kong

I had never heard the plural of “gelato” before this, and I’m not entirely sure what Gelati Kong would imply, but this song is so smooth. The beat is a classic throwback hip-hop beat, mixed with some trap elements that make it feel modern. I know that this song will find it’s way onto all my summer playlists.

 

Bio: If you enjoy the sound of this south central Pennsylvania artist, be sure to check him out on Facebook, Instagram and Twitter at @Dubbygotbars! Be on the lookout for his second album entitled “TOWN” which was re-released on 10/13/18. Visit http://www.dubbygotbars.com for free music, merch and behind the scenes footage

 

Telescreens – “Poison”

Image may contain: 3 people, people playing musical instruments, people on stage and people sitting

I adore this song. The guitar line is so smooth, and has a nice genre-mix to it that makes me feel like a lazy summer day. It’s not necessarily a happy summer day, but it’s not overly depressing either. It seems to be pondering a person that is “poisonous”. The difficult thing of course is that poison is usually hidden until it starts effecting you negatively, and the damage is already done. I can’t wait for them to release more music! In the meantime, do like me and put this one on repeat all summer long.

 

The Escalator – “The Cathedral”

Found my way to St Patrick’s Cathedral
Took a seat by the alter and I cried
All alone, starring up at the ceiling
Closed my eyes
Asked God why?
Violence is normal
Why violence is normal
All through the night

What a haunting way to end a song. This song was actually sent to us a long time ago, and it’s just sort of happenstance that this is posted a week after the events in New Zealand. Of course, unfortunately, we are never too far from an act of violence in the news at any given time, but I definitely think this song hit me harder than usual this morning. The lyrics themselves would be haunting enough, but then you combine that with the soulful vocals, and it really starts to raise the hair on your arms. I think it’s fitting that this album was created to “create a cathartic experience for people visiting Trump Tower,” and hope that more people get to feel that catharsis after hearing this today.

Bio: The Escalator is a protest album featuring Grammy award winning bandleader, Steven Bernstein, vocalists Amy Leon, Trixie Whitley and many more. The album is an audio walking tour with a total playtime lasting the duration of time it takes to walk from the top of the escalator at Trump Tower, then down the street to St Patrick’s Cathedral in New York York City.

Awolk – “Open Doors”

Image result for awolk

I get some real Ben Howard vibes from this song, and seeing as how Ben Howard is one of my favorite artists, it’s pretty easy to see why this song makes my list of favorites. Another thing I really love about this song is just how positive it’s messaging is. As someone who struggles with overcoming fear/anxiety, I really needed this message of finding the open door and walking through it.

Fear is far too close
Fear will choke your growth
Fear don’t break down doors 

I think a lot of us could use this message today. Spring is starting all over the U.S. (albeit slower than I wish it was). It’s time for a new beginning.

Bio: Awolk is an alternative folk-rock singer-songwriter from Nova Scotia, Canada. For almost 10 years he has been playing under various stage names and bands.

Awolk recently released his debut full length record, available on Spotify, iTunes, Apple Music, and Bandcamp. Self titled, the album is a weighty and eclectic list of tracks, covering his lyrical and melodic thoughts, developing over the last few years.

His alternative style, blends melody focused songs with modern acoustic and electric soundscapes. Awolk used to be known by his birth name, Jesse Thomas, releasing 2 EPs and 2 single recordings under that name. In 2017, he diverged into his new stage name.

  • Caleb

The Flock: Caleb’s Weekly Favorites Oct. 16th: Pkwy, Charles Edison, Farewell Company

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we post several artists in one big post. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

Pkwy – “Punisher”

“Slackers are acting tough
Born in Los Angeles
Light up a Camel Crush just for fun
Poems on bathroom stalls
High as shit playing Smash Bros Brawl
Throwing a bowling ball down the road”

This song is super chill. It reminds me a ton of college. I took up the bad habit of smoking, and my go to (other than cloves) were Camel Crush. I picked those because you could crush them for people who wanted menthols. It was completely about the social aspect. This song is just so simply beautiful. It captures the fun, insecurity, and rebelliousness of youth in a way that takes itself the perfect amount of seriously. The band says that the song actually reflects the story of the band somewhat. They all met in their teens, and have fond memories, including throwing a literal bright orange bowling ball down the road with the word “PUNISHER” written on it. If you can’t relate to this song, we probably wouldn’t have been friends in high school.

Also, the EP that Punisher is included on is now out! Released this last Tuesday: pkwy.bandcamp.com/album/giant-2. You guys should definitely go give these guys some money, so they can buy Camel Crush cigs. Those bitches get expensive.

 

Charles Edison – “My Mother”

“I can’t make a track and say I’m paying for your house
But Hopefully you hear this still and it’ll make you proud
I ain’t made it yet but I bet you think I could
I hope you worry less now that I’m safe and living good
You said you felt like you must’ve gone wrong
But you showed me how to raise a child – you knew it all along,”

I always get emotional with “momma” songs. I guess that’s not really a genre, but I think you know what I mean. This song is so deeply heartfelt. There’s a moment in the first verse where he says, “as far as I’m concerned, you ain’t never been a step mum”, and you can tell that’s true because up until that point, it seemed like he was talking about a connection as deep as any I’ve ever heard. It’s obvious the woman has made a huge impact on him, and he feels guilty for the ways he hasn’t lived up to her example or expectations. Now that he’s becoming a parent himself, it seems obvious that this is causing him to reflect about his own hopes and dreams for a child, how they can go awry, and how their are still plenty of positives instilled in him, even if he made mistakes. It’s really a beautiful sentiment. That’s not even to mention the excellent sample and background vocals. This song is just incredible.

Bio: Charles is a producer & rapper from South London, pairing intricately layered, immersive beats with a raw & honest vocal style that has seen him be compared to other British Urban music acts such as Akala, Beardyman, Mike Skinner, and Loyle Carner. Charles often draws on his experiences with mental health and addiction to result in refreshingly honest and relatable hip-hop.

Friede Merz – “ALBION”

“Albion, Albion
You made me wanna carpe the fuck out of this diem”

Well you can’t beat that opening. This video is really interesting. I especially like the Elvis costume, but the whole thing works nicely on a budget. It’s a good way to lean into a scatter plot ode to a place, by representing various aspects, both seriously, and mostly ironically. There’s definitely a lot to like from Friede, who does everything on this song, from instrumentals, to singing, to production. The artist describes the vibe as: “Whatever you do feels good to me.” That’s the spirit.”

Check out more here:

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Farewell Company – “Gulf Breeze Motel”

“I ain’t living right, I’m barely keeping the pace
And I’m so far from you now
I know I’m gonna be late
Well take your time no one’s waiting on you to change
No one’s waiting on anything

Hey what’s the hurry
Time’s keeping you locked down so tight babe
I know you work, just make it something worth your life
What’s the use in finding the truth if you’re gonna go and waste the news
I’ll be singing ‘bout a brand new day til I turn blue”

This song has been on several of my playlists for a couple of months now. It’s beautifully twangy and existential. What I really like about the existential aspect is that it doesn’t quite waver into despair. It is constantly mentioning a “brand new day” in a hopeful way that promises a better tomorrow, despite whatever negative may be going on in front of you right now. It kind of seems to put a sense of worth on personal responsibility. “No one’s waiting on you to change.” It’s up to us to care about what we do with our time here, not anyone else. It’s really a beautiful message, packaged in a catchy blues song.

Bio: Formed in early 2017 by a few close friends and siblings living in Nashville, TN, Farewell Company is a soulful, southern rock ’n’ roll band.

In just three days, the six piece recorded their first LP ‘Waiting On Anything’ to analog tape at a gem of a studio in East Nashville called The Bomb Shelter.

 

-Caleb

 

New Release Friday: Saba Abraha, Caleb Kopta

Hey guys! Happy New Release Friday. We have two new tracks for you today from some amazing artists! Check back every Friday for new releases. Don’t forget to support all the artists if you like what you hear!

Saba Abraha – “Utopia”

I absolutely love this song. It grabs me immediately with the interesting spoken word intro, followed by uncanny syncopated beats. The artist describes the lyrics as “a new world where an empress loses her crown and is forced to battle the harsh realities of the world on her road to redemption. “Sweet Mirage” awaits…”

To me, the production on this song is some of the best I have ever heard. It perfectly blends elements that sound modern and classic, in an absolutely unique creation. Don’t forget to check out the rest of the EP: Sweet Mirage.

Caleb Kopta – “Anything”

“I’ve been passing out with the ashtray,
I’ve been choking on the cavalier
we were two kids finding love inside of the hallway,
isn’t it a shame,
We didn’t make it anyway,”

This song has such a classic vibe to it. It reminds me a lot of high school, and how intense every emotion and relationship seemed at the time. When he repeats in the pre-chorus, “I’d do anything for you,” I don’t know how you can’t relate to that. We’ve all been in that spot where we desperately thought that if we just loved someone with everything we had, that would eventually be enough. As we age, we see that sometimes it’s not that simple, but this song reminds me of the times that we wished it was.

Bio: Inspired by the Rock and Roll greats that came before him, and motivated by the stories that we all encounter on a daily basis, Caleb Kopta is crafting a niche for himself in the modern alternative rock landscape with honest lyrics, driving guitars and a desire to craft the soundtrack to life’s everyday experiences.

Born the son of a music minister in small-town Pennsylvania, music has fueled Caleb as long as he can remember. From attending his first concert at only two months old to sharing the stage with such bands as Motherfolk, PHANGS, Michigander and Corey Killgannon, Caleb has devoted his life to creating meaningful, resonate music that can impact the world around him.

Often drawing comparisons to The Killers, Bruce Springsteen and Bleachers, Kopta’s music is a unique blending of the Rock, New Wave and Singer / Songwriter genres. He excels at delivering powerful, anthemic choruses while still allowing the song to feel personal and complementary to the story at hand.

 

-Caleb (the blogger, not the artist)

Want to hear more? We’ve added both these songs and more to our August Spotify TOTD Playlist.

 

The Flock: Hip-Hop: The Supreme Kings of Yesterday, Sauce is Matisse, Liion Gamble, Datta Boy, Rageouz

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

This is a new edition of The Flock. People who love Hip-Hop are going to find so much good content in this post. What is The Flock, you ask? The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fan base more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

The Supreme Kings of Yesterday – “Next Latest”

I love the sample at the beginning, especially the faked out Trap style stuff that makes fun of “Migos and all those guys that sound the same.” It really sets the stage for a throwback style hip-hop track that puts the people who throw together tracks in a few days, rappers who have no flow (i.e. mumble rap), and many other aspects of modern rap that The Supreme Kings of Yesterday hope to turn the clock back on. Above just a diss track, my favorite thing about track is that it is really a positive track that is about being yourself. He isn’t really hating on people for using the popular style to make some money, but he is calling them out for not being themselves, and if nothing else, S.K.Y. is going to be uniquely themselves. I really love how a lot of the track is filled with 90s style turntable scratching, and multiple voices with multiple flows. It makes me feel comfortable, like I’m a kid again listening to The Chronic or OutKast (not that the style is exactly the same).

Bio: The Supreme Kings of Yesterday, The S.K.Y. (comprised of brothers Cise & Classy Touch – Next Latest – Single from the forthcoming sel-titled project, based in Los Angeles & Oakland CA. Fresh vibes await with clear and concise lyrics, precision instrumentation and drum break accuracy. You seek the best from your imagination, you Look Up To The S.K.Y.

Sauce is Matisse – “Socially Inept”

It’s not exactly the same, but the flow on this song really reminded me of some early Eminem. Especially around The Slim Shady LP or so. Considering that’s one of my favorite albums, I hope that’s an okay connection. Sauce is Matisse has his own unique lyrical style that seems to focus on being an outcast “As in socially inept.” And this song at it’s heart seems to be a celebration of those who aren’t necessarily the most popular or cool. It’s an unapologetic beating of the chest saying that it’s okay to be comfortable in your own skin, regardless of how popular or not it makes you.

Bio: Depression. Social anxiety. Peer-diagnosed Asperger’s. Add a nerdy passion for artistic creation to this walking contradiction and you’ve got Sauce is Matisse, the D.C.-born rap artist currently based in Charlottesville, VA.

After being professionally described as a mental paradox in his teens, Sauce was given the advice to “contain” said paradox in order to allow all competing sides of himself to coexist.
He has done so through music.

Sauce is Matisse draws inspiration from both underground and mainstream music across all genres, and his work showcases a sound between raw hip-hop and the most technical heavy metal outfits. Over the years, he has worked with and learned from several established names (and some not so established) in the multi-genre underground. Sauce is always evolving as an artist and refining his sound and visuals, tightening them into progressively visceral polished works of art.

Eventually, Sauce realized that he could not only save himself through music, but he could reach others as well. Listen and you’ll hear that this paradox has effectively been contained, and it’s tastier than ever.

 

Liion Gamble – “Solitude”

This song is just gorgeous and haunting. The female vocals really even out the whole thing, and I’m really moved by the consciousness of the lyrics, that range from melancholy to hopeful. The lyrics discuss police brutality, violence, struggling to make the art you want, relationships, divinity, and hope that there is a purpose behind all of this struggling and solitude. It’s really a wonderfully grounded song of hope and overcoming adversity.

Bio: Liion Gamble was raised in Raleigh, NC but born in St. Andrew, Jamaica. His musical influence can be traced all the way back to his Grandfather. With conscious content we are almost always drawn to assume the nature of the music will be a bit dull and somewhat preachy. Liion bridges the gap between substance and style in a major way. Melodic hooks and bridges, paired with quotable lyrics and stylistic flow, highlight this artist’s versatility.

With a growing social media presence Liion released his first official single, “Solitude” on all streaming platforms May of 2018 and has delivered an EP entitled Grand Re-Opening July 27th of 2018. Driven to cut out the middle man, he has become a student of production and audio engineering in order to take the quality of his sound to the next level. Building a hit record from the ground up is a big goal of his right now but only one of many in the pursuit of becoming a complete artist.

 

Datta Boy – “Keep Drinking (Prod. by Epik The Dawn)”

“FOR THE PEOPLE OF THE PEOPLE BY THE PEOPLE LETHAL

STAB US WITH THE SHARPEST NEEDLE

THEY SWEAR THEY PROVE IT IN THE PENALS

BREAK A NIGGA BACK YOU KOW THIS IS A FACT LIKE WAR MACHINE TO DON CHEADLE

NIGGAS STANDING STILL TARGET PRACTICE KILLS MANAQUINS BLACK BEATLES

I DON’T REALLY KNOW”

This song is full of really intense lyrics, but this was my favorite section. It really dives into the way that the system is corrupt and broken, by beautiful evoking constitutional language, to describe how they break someone. I also like the War Machine reference, which sees a black man being used for profit, but only as a secondary character. As far as the “keep drinking” hook goes, it kind of reminds me of “Swimming Pools” by Kendrick Lamar. It doesn’t seem like the drinking is a real solution, but it is a way to cope with how bad things can get. It takes on a somber tone of some sort of plead to find a way to numb all the pain surrounding the struggle, which is evidenced by the artists description of the song: “A man blames the world for his problems and heres a voice in his head telling him to keep drinking”

Bio:  Datta Boy is a multifaceted artist from Los Angeles California. He began rapping at the age of 11 and ever since then he has had a love for music. He took a break from music to pursue a career in football. He played college football at The University Of Nevada Reno where he Played Fullback for the Wolf-Pack and also played for Southern Utah University where he was a hybrid blocker for the Thunder Birds (T-Birds). After he graduated from Southern Utah University, He played a year professional football and called it quits. He returns to his love of music. He has one mix-tape out called “Black Ink” and 3 music video out called Fell So Far, A Wave Of My Own Prod. & Feat. Ronny Bueller and THREAT which were all directed by Ralph Laurence Mariano and his assistant director Jose “No-Face” Quintanilla. Datta Boy is cousins with actress and R&B Singer Rhyon (Surviving Compton, Lincoln Heights,Get Rich or Die Tryin’) who has a hit single on the radio “California” and her older sister R&B Singer RaVaughn( Better Be Good, Best Friend).

 

Rageouz – “Bridging”

The video expresses my contentedness with my surroundings, with my day-to-day life around family and friends, being what I value most”  – Rageouz

This is really a fascinating video with a first person walk through a life, with some really inventive effects. At its heart, it’s a really calming look at a day in the life of someone who is “alright.” There’s not a ton of trauma or drama, it just feels right. I think we can all learn to look around and appreciate our lives for what they are: a good time with some friends, time spent with family, a pretty drive. “How could I complain?”

Bio: Hailing from the stomping grounds of East London’s Canning Town, Rageouz’s musical journey began at the age of just 11. Raised on a healthy diet of UK Rap legends and inspired by the likes of Kano and Dizzee Rascal, his curiosity was sparked. Bursting through with his debut ‘Outchea’ followed by his freshman mixtape Hell’s Angel, Rageouz has displayed an unwavering work rate. His innate hunger and skill at delivering has led him to be featured on GRM Daily’s ‘Next Gen 10’ alongside artist such as Avelino, Bonkaz and A2 and he has released a string of successful projects including ‘East Side’, his ‘Ethos’ EP, collaborative project ‘Back 2 Da Future’ with Preacher Soul and ‘On The House’.

Contagiously creative and enthrallingly enigmatic join Rageouz on his latest pursuit and get to know the exciting new prospect of UK music.

 

-Caleb

Want to hear more? Check out these songs and more on our August TOTD Playlist. 

We also just released a new podcast today, you can check that out here: Episode 18: Existentialism (Part 1)

 

The Flock: Indie/Alternative Rock: Dirty Hank, Ursa Major, Henry CS, Sundaes, Overstreet, Mammoth Indigo, Moses Cadillac

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

This is a new edition of The Flock. People who love Indie/Alternative Rock are going to find so much good content in this post. What is The Flock, you ask? The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fan base more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

Dirty Hank – “Hot Mess”

Bet you weren’t expecting that change up at the 30 second mark. It’s what immediately got me in interested in this song. What makes it even more impressive is that this is basically just two guys making all this awesome noise. The lyrics have a bit of a grunge/punk element to them. Let’s look into some:

“You’re a timer, ticking up above
Feel the pressure Leave me now
They place us where they want to place us where they want to
Place us where we collide”

For the most part the lyrics are a bit ambiguous and abstract, but the general feeling I get is a reflection about what people disagree on, and who is benefitting from the disagreements. “they place us where they want to, place us where we collide.”

Bio: “meet dirty hank hollering two piece groove grunge duo from stevenage hertfordshire uk. with booming vocals and beat, riffs to punch teeth out to, imagine your favorite dive bar transformed into an LP, then it would sound like slip my mind, the debut album from Dirty Hank”

http://www.instagram.com/dirtyhankmusic

http://www.facebook.com/dirtyhankband

http://www.twitter.com/dirtyhank2

 

Ursa Major – “Gold Blooded”

Ursa Major mixes elements from prog. rock/psychedelic artists and spoken word/hip-hop, among many other genres. The instrumentals remind me a bit of TTNG, and maybe some early Portugal. The Man while the vocals go from Beastie Boys, to Minus the Bear, to Fort Minor. All of these elements combine together to make something entirely unique. The lyrics themselves are perhaps my favorite part in a song full of favorite parts. Since they are rattled off so quickly, let’s dive into some:

“No one told us a tattoo always itches where the lines are the thickest
Still, I never forget how quick life can slip into a thicket, and flip in an instant, hanging my legs off the edge of a ledge to test my existence, whoa! I’m in love with living!
Been digesting drugs, my tongue is feeling like a million bucks!
Music grooving through my lungs initializing meditation,
self-medication at its finest”

It definitely has a bit of a stream of consciousness vibe that doesn’t necessarily lend itself to one overall theme, but instead to several images that are relatable, and expand your own understanding of the world around you.

Image may contain: 4 people, people smiling, people standing

Bio: Facebook: https://www.facebook.com/UrsaMajorBand/

Instagramz: https://www.instagram.com/ursamajorband/

Tweeter: https://twitter.com/ursamajor_band?lang=en

Youtube 1 (our frontman is a video director): – https://www.youtube.com/channel/UCLUsBsen9f0nTEr-m9o9q7A

Youtube 2 – (Our old channel. Gold Blooded music video coming in July): – https://www.youtube.com/channel/UCLUsBsen9f0nTEr-m9o9q7A

 

Henry CS – “live a little, enjoy”

“This song is written about my sporadic struggles with Agoraphobia and how I may sometimes not be able to leave the house for days/weeks at a time. During one of my bad moments, I put a microphone in my room and recorded this song. It is written about how depression and mental health can ruin everything about being a young adult.”

This is the statement we got from the artist about what the song is about. It’s really what art is all about for me. A therapeutic expression of the human experience from a single speaker, that multitudes can relate to. Let’s dive into a couple of those lyrics:

“I’m checking Facebook again,
It just reminds me I have no friends
My attendance is so poor
Yet I can’t get up off the floor

La, la la la la,la
La, la la la la x2

I want to get out this fucking house
I want to get off this fucking couch. x4”

I don’t know about you guys, but me and most of the people I know my age, have had this exact day. I had dozens of them throughout college. There is an overwhelming restlessness to being inside, and yet a complete lack of drive to actually step out of your door.

Bio: “College student living in Bristol, UK. I’m a self-taught multi-instrumentalist I record all my stuff myself, no outside help. I struggle badly with mental health and therefore spend most my time inside where I enjoy recording my music in my room.

I take big influence from DIY artists and producers such as Sandy Alex G, Justin Vernon (Bon Iver), Unknown Mortal Orchestra, Beck, Aaron Dessner and Mac Demarco.”

 

Sundaes – “Laundry Day”

I immediately added this song to my Fall/Winter playlist. It really reminds me a good bit of the vocal style of Mount Eerie, though luckily for my emotions, not quite as heavy. With a song that is so stripped down, the lyrics really stand out, so let’s get into some of them:

“T-shirts, underwear, matching my socks I don’t care.
There’s nobody like me
Living in a silent film
nobody is listening to me
They don’t know what they see

Nothing is going to plan
everything’s going to plan
Nothings going to plan

Everything is going to plan
nothing is going to plan
Everything is going, to plan”

I love how ambivalent the whole song is. It’s not “sad” per se, but it feels like depression. What I mean by that is there is a numb apathy to the whole thing. This, along with the lilting vocals make it perfect music for a rainy/snowy day. If you stuck around for 2:40 or so, you get this emotional breakdown that feels like the guitar itself is trapped inside this refrain. “Everything is going to plan, nothing is going to plan.”

Image may contain: 1 person

Bio: Lovechild of a wayward New York boy and the city of Nashville, Sundaes survives on McFlurrys, Steel Magnolia’s and the complete works of Lana Del Rey. The band draws influence from a combination of early oughts’ indie rock, blues, and genre assorted hits or all eras. Dancing among the kings of country, a queen does her best.

The band made their performance debut in the spring of 2015 with a set of two sold out shows at the Chelsea Hotel Storefront Gallery in New York. Fall 2015 the song “Walk My Street” appeared in the soundtrack of Best Picture Winner Spotlight. Sundaes’ self-titled debut EP was released July 2017. “Pretty Wife” Sundaes first single of 2018 was released May 18th. “Talking” followed June 12th. More to come soon!

 

Overstreet – “Carried Away”

If you are listening to all of these songs in order, you’ll notice a pretty dramatic shift in tone with this one. I mentioned the previous song is good for a rainy/snowy day, well this song is a sunny summer song through and through. It has a “no worry” attitude that proposes that any problem can be solved with “hard lemonade”. And honestly, that’s the way I feel in summer too. It’s not really that my problems disappear, but they just don’t feel as heavy with the sun shining on your face. Now, I don’t have a full version of the lyrics, so I’m not positive that there isn’t some subversion of this idea, especially with the title “Carried Away”, but nonetheless, the image of driving down the PCH with these pop vocals, will keep me from focusing too much on the negative until the leaves start to fall around here.

Bio:  Singer/Songwriter Chord Overstreet grew up in Nashville, Tennessee, in a musical environment with his parents and 5 siblings. His father, Paul Overstreet, is a two time Grammy award winner and the recipient of 5 BMI Songwriter of the Year awards.

Known for his critically acclaimed role as quarterback turned glee club member Sam Evans on FOX’s Emmy Nominated and Golden Globe winning series “Glee,” Chord graduated from high school in 2007 and moved to Los Angeles to pursue a career in singing and acting.

In 2015, Chord, who plays the piano, guitar, and drums, became the first artist to be signed to Demi Lovato, Nick Jonas, and Phil McIntyre’s Safehouse Records, a joint venture with Island Records. Most recently, Chord released the remix of his single “Hold On” with Dutch DJ duo Deepend which debuted at #28 on the iTunes Dance charts. The original version released in February was heard in the series finale of the Vampire Diaries.

Currently, Chord is working on his debut album set to release later this year.

Mammoth Indigo – “Undertow”

This one features another vocal style that is so unique and interesting to me. With the title “Undertow”, I can’t help but think it feels like it’s slightly underwater, either physically, or metaphorically underwater as the world, the media, the future, washes all around the speaker. The video itself lends itself to this underwater interpretation, and the lyrics that flash at the bottom of the screen seem to suggest a wanting to overcome this underwater feeling. But the protagonist of our video sits on the couch, with a TV glow on his face, and a wine glass in his hand, mentioning how tired he is of drowning, while he drowns. This is what the artist says about the song:

“”Undertow” has some of my favorite lyrics from the record -“I will burn a hole in your head with your own cigarette” sounds like a growl line from a metal song, but in Undertow it’s a falsetto.To me, the song sounds like a macabre, ring-leader from a circus is singing the verses. It’s playful and solemn at once. Playing it live we get pretty psychedelic. It’s a fun track and also one of the only songs on “Wilt” to feature an acoustic guitar -which is ironic, considering it probably has the most production. Cody Bowers”

I know I would love to see this song live. I can just imagine how grandiose the whole thing gets. You can check out their website: https://www.mammothindigo.com/ for tour dates. I’m aiming for the September date in Boston.

Bio: Mammoth Indigo is an American indie rock band who’s members reside in Richmond, VA & Charlotte, NC. In 2013, they released their debut self titled album. They have toured with Taking Back Sunday , (You Blew It?), The Soil & The Sun, Joey Cook, and have headlined their own tours around the U.S. Mammoth Indigo is currently focusing their energy on their new single “Flowers In The Basement” and the upcoming release of their sophomore album ‘Wilt’.

Moses Cadillac – “A Thousand Times”

“Hello honey I know I’m late
I got too twisted tryin’ to get me straight
I lost that money I was gonna make
But still you come and take my pain away

[Chorus]

I got mixed up and I lost my way
I got fixed up but I lost a day
I got set up and I gotta pay
I wanna hit but I gotta stay

[Chorus]

I look in your eyes and I close my own
I’m just that dog out buryin’ bones
I got no place I can call my own
So if you love me better leave me alone”

I was trying to narrow down the lyrics to post, but then I just couldn’t stop adding stuff, so here’s half the song. This is a classic “rambling man” sort of song that I absolutely adore. It hits perfectly on the dynamic within many people (including myself) to be a free spirit, and to be in love. He seems to want to warn this lover that loving him will only end in pain, but he also really wants her love. It’s a tough predicament to be in, and this song perfectly captures it.

Bio: Moses Cadillac is based out Oakland, CA, where he runs an analog recording studio and makes music with his friends. He was raised by the rolling hills of California and the city streets of Montreal, Troy, and Oakland. A self-taught producer, musician, and songwriter, the sound of Moses Cadillac is always raw, unassuming, and comfortably brand new.

-Caleb

Want to hear more? These songs and more have been added to our August Spotify TOTD Playlist.