B-Side Guys

Douzey emerges as a beacon of sardonic light with her latest EP, ‘Discard.’ This three-track escapade into Douzey’s world is less a departure from reality and more an exaggerated reflection of it, where life’s trivialities are not just sung about but are given a full-blown theatrical treatment, each song acting as a playful vignette into the absurdity of the everyday.

The EP opens with ‘Peachy,’ a track that could easily serve as the theme song for every twenty-something’s quarter-life crisis. With its groovy bass lines and an infectious rhythm section, the song captures the essence of looking back at one’s younger self with a mix of fondness and face-palming. Douzey’s lyrics are clever and self-aware, dancing through the melody with a rhythm and cadence that are as engaging as the words themselves. The song is a testament to Douzey’s ability to combine sharp wit with catchy pop sensibilities, making for a track that’s as thought-provoking as it is danceable.

‘Toxic Rain’ shifts the EP into a higher, more theatrical gear. Opening with a jaunty piano that wouldn’t be out of place in a Broadway musical, the song quickly establishes itself as an anthem for anyone who’s ever had to deal with the universal dread of shared living spaces, dodgy landlords, and the incessant fight for one’s bond money. Douzey’s talent shines in her ability to take a mundane subject and elevate it with humor and a catchy chorus that’s bound to resonate with listeners. The song’s light-hearted take on a frustrating reality showcases Douzey’s unique ability to find the humor in irritation, making ‘Toxic Rain’ a standout track on the EP.

Closing the EP is ‘Pavement,’ a raucous goodbye to the corporate world and its superficial entrapments. This track encapsulates the EP’s spirit with its punk-rock energy infused with indie-pop accessibility. Douzey’s lyrical prowess is on full display here, with biting observations and a rebellious spirit that calls out the absurdities of the corporate grind and bad dates with those who are too caught up in it. The track’s energetic instrumentation and Douzey’s passionate delivery make it a powerful ending to the EP, leaving listeners with a lasting impression of her bold and unapologetic artistry.

Produced, recorded, and mixed by Douzey herself, ‘Discard’ stands as a testament to her multifaceted talent. The EP, born out of a period of rehabilitation and personal growth, reflects Douzey’s resilience and determination to continue creating despite the obstacles thrown her way by life and health issues. It’s a collection that celebrates the therapeutic power of music and the joy of creating art that resonates on a personal level.

Each track in ‘Discard’ serves as a reminder of the power of perspective, the ability to find humor and light in the darkness, and the importance of not taking life too seriously. With this release, Douzey invites listeners into her vibrant world, one where frustration turns into fun, and the mundane becomes magical through the lens of her playful and poignant songwriting.

As Douzey gears up for the EP launch at The Gasometer Upstairs in Collingwood (Melbourne), her fans and new listeners alike can expect an evening that encapsulates the spirit of ‘Discard’ — an intimate yet uproarious celebration of life’s absurdities, with Douzey as the master of ceremonies, guiding us through with her wit, whimsy, and undeniable musical talent.