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Rad New Releases: 4/12/2024

In this week’s New Releases on bsideguys.com, we’ve rounded up a vibrant collection promising to shake up your playlists. Toyesauce’s “From The Barrel” brings New Orleans funk fused with Nashville precision, while JWADI’s “A BAG OF BONES AND A BOTTLE OF BOOZE” taps into raw indie rock. Martha Rose’s “The Same Feeling” details emotional sensitivity,…

Welcome back to New Releases on bsideguys.com, where we plunge into the sea of fresh tracks that have just hit the shelves! This week, we’ve rounded up a vibrant collection that promises to perk up your playlists and shake up your stereo systems. From the gritty chords of garage rockers to the slick beats of synth maestros, we’re on a mission to uncover those standout gems that deserve a spot in your musical repertoire. So tune in, turn up, and let’s dive deep into the sounds that are setting the tone for the season!

Toyesauce – “From The Barrel”

Toyesauce’s latest instrumental offering, “From The Barrel,” brings the magnetic pulse of New Orleans funk fused with Nashville’s musical precision to the forefront. Featuring a lineup of renowned musicians like Ben Ellman of Galactic on saxophone and Peter Levin from the Marcus King Band on keyboards, this track is a high-energy showcase of mastery in modern funk and jazz fusion. The collaboration results in a piece that’s both buoyant and musically intricate, inviting listeners to experience a rich tapestry of rhythmic grooves and vibrant brass melodies that resonate with the soul of these musical cities.

Driven by Jerry “JBlakk” Henderson’s deep bass lines and Terrence Houston’s dynamic drumming, “From The Barrel” captures the essence of a live jam session, where spontaneity and tight musicianship blend seamlessly. Leon Toye’s guitar work adds a sharp, melodic edge, weaving through the ensemble with slick riffs that complement the robust brass and keyboard sections. This track is not just an audio experience but a spirited journey through the heart of America’s funk and jazz heritage, embodying the joy and complexity of its genre with every note.

JWADI – “A BAG OF BONES AND A BOTTLE OF BOOZE”

JWADI’s latest single “A BAG OF BONES AND A BOTTLE OF BOOZE” taps into the visceral and raw edges of indie rock with an undercurrent of existential rumination. The track weaves a narrative of resilience and weariness, portraying a journey marked by relentless pursuit and inevitable reflection. The lyrics, rich with imagery of endurance and survival — blood, sweat, and tears on the back of boots — encapsulate a spirit that’s both defiant and depleted. This song is an anthem for the weary, those who have tread the hard miles and find themselves contemplating their existential inventory: just a bag of bones and a bottle of booze.

Musically, the track matches its lyrical intensity with a powerful arrangement that complements its dark, moody vibe. The driving guitar riffs and a solid rhythmic foundation propel the song forward, creating a sound that’s as epic as it is introspective. The chorus resonates with a haunting echo of desolation and the gritty resolve to keep moving, despite the odds. JWADI has crafted a song that not only narrates a personal voyage but also taps into a universal theme of searching and survival in a world that demands as much as it gives.

Martha Rose – “The Same Feeling”

Martha Rose unveils her latest single, “The Same Feeling,” heralding the upcoming release of her new album due this May. This track delves into the profound aspects of emotional sensitivity, exploring the challenging yet enriching nature of being labeled as overly sensitive. With its darkly glamorous undertones and relentless melodies, the song skillfully navigates through the complexities of emotional barriers, showcasing Rose’s distinctive approach to dream pop infused with lo-fi and chamber pop influences.

In “The Same Feeling,” Rose articulates a narrative of vulnerability and strength, capturing the essence of pushing through emotional confines with grace and determination. The track not only sets a high expectation for her forthcoming album but also highlights her adeptness at crafting deeply resonant and melodically rich music. This song is an invitation to explore the nuanced layers of emotional resilience and artistic expression that define Rose’s musical journey.

Alta Luna – “Worst Person I’ve Ever Met”

On “Worst Person I’ve Ever Met,” Dutch indie rock outfit Alta Luna deliver a slow-burning, piano-driven ballad that lays bare the corrosive aftermath of a toxic relationship. Immersed in a moody, Interpol-esque atmosphere of melancholy and despair, the track chronicles the singer’s bitter disillusionment with a former lover who turned out to be a manipulative, self-absorbed husk of a person. “You’re the worst person I’ve ever met/I despise you and your cigarettes,” they lament, the simple yet cutting lyrics conveying a level of vitriol that feels both cathartic and heartbreaking.

“Worst Person I’ve Ever Met” serves as the emotional denouement to Alta Luna’s “Shorter Days, Longer Nights” EP, an “emotional odyssey through the highs and lows of a tumultuous relationship.” Where the earlier songs may have captured the initial spark and subsequent deterioration, this track represents the final, anguished reckoning – a despondent surrender to the realization that the love you once cherished has curdled into outright loathing. It’s a devastatingly raw conclusion to a deeply personal musical journey.

Bejroom – “Seaside Firelight”

Emerging from a decade-long creative purgatory, Bejroom’s “Seaside Firelight” is a sun-soaked indie-pop reverie that feels plucked straight from the hazy, halcyon days of summer. Buoyed by shimmering guitar tones, undulating basslines, and propulsive yet languid rhythms, the track channels the introspective bliss of The War on Drugs while injecting a joyful, almost psychedelic energy à la King Gizzard & The Lizard Wizard. It’s the sound of aimless beachside wanderings and campfire-lit contemplation – a musical escape from the daily grind that feels as cathartic as it is transporting.

The song’s backstory only adds to its charm, with Bejroom (the solo project of a longtime musician who has long prioritized “literally everything else besides music”) finally dusting off a beloved demo and bringing it to vivid life in the studio. The result is a track that radiates a lived-in, effortless quality – a product of genuine creative happenstance and the kind of serendipitous collaboration that can only bloom between old friends. It’s the sound of someone rediscovering their passion after years of being sidetracked, and the sheer joy of that reawakening courses through every note of “Seaside Firelight.”

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