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Weekly New Releases: March 29th, 2024

Welcome to the weekly new releases roundup on Bsideguys.com, where we sift through the ever-expanding sonic landscape to bring you the freshest tunes from emerging and established artists alike. Each week, we curate a diverse selection spanning genres from indie rock to electronic, hip-hop to folk, ensuring there’s something for every discerning ear. With a…

Welcome to the weekly new releases roundup on Bsideguys.com, where we sift through the ever-expanding sonic landscape to bring you the freshest tunes from emerging and established artists alike. Each week, we curate a diverse selection spanning genres from indie rock to electronic, hip-hop to folk, ensuring there’s something for every discerning ear. With a keen eye for the unique and the underrated, we aim to unearth hidden gems and provide a platform for artists pushing boundaries and challenging conventions. Join us as we embark on a sonic journey, uncovering the sounds that will soundtrack your week ahead.

Jack Elliot – “It’s Not Easy Being Invisible”

Jack Elliot’s latest single, “It’s Not Easy Being Invisible,” serves as a compelling preview of his upcoming debut EP, ‘The Next Chapter,’ set to release on March 22. With a blend of folk and folk rock influences reminiscent of artists like Nick Drake and John Martyn, Elliot’s music showcases a depth and maturity beyond his years. Collaborating with producer Joakim Lindberg in Studio Sickan, Elliot infuses the track with intricate guitar hooks and soulful vocal glissandos, all while maintaining a wry sense of humor. The song’s introspective lyrics, touching on themes of romance and invisibility, resonate deeply, offering a glimpse into Elliot’s promising songwriting prowess.

Moreover, the anticipation for Elliot’s debut EP is palpable, with ‘The Next Chapter’ promising to deliver a collection of mature and existential tracks. Recorded both in Gothenburg with producer Petter Litvahll and in Malmö with Lindberg, the EP showcases Elliot’s versatility and musicality. Despite his youth, Elliot demonstrates a remarkable ability to craft poignant and emotionally resonant songs, setting the stage for what is sure to be a remarkable debut. With a debut album already in the works and studio time booked for recording later this year, Elliot’s journey as a musician shows no signs of slowing down, as he continues to captivate audiences with his heartfelt storytelling and soul-stirring melodies.

Julia Logan – “Top of the World”

In the realm of folk-pop, Julia Logan’s “Top of the World” emerges as a beacon of heartfelt introspection, nestled within the genre’s rich tapestry. Logan, with roots intertwined between the serene Swedish isles and the vibrant spirit of Southern California, channels a fusion of these worlds into her music. Her track, cocooned in the sparse elegance of piano and guitar, is a window into the soul’s quiet battles with time, societal molds, and the internal tumult of change and fear.

“Top of the World” is more than a musical journey; it’s a dialogue between Logan and her listeners, mediated by the universal language of raw emotion and unguarded thought. Crafted in collaboration with Daniel Bengtson, the song’s narrative weaves through personal evolution and the shadows of despair, illuminated by the flickers of hope and resilience. It’s this very vulnerability and candidness that invite listeners to reflect on their own stories, finding solace in the shared human experience of growth and self-discovery.

The production, intentionally kept minimal, mirrors the song’s thematic essence — the beauty in simplicity, the strength in stillness. It’s a testament to Logan’s artistry and her ability to create a space where music and listener converge, embarking on a journey of introspection and emotional catharsis. “Top of the World” stands as a poignant chapter in Logan’s unfolding musical narrative, promising a deeper exploration of the human condition in her forthcoming album, “Faraway Nearby.”

Dyl Cosmo – “Back To It”

“Back To It” by Dyl Cosmo is a vibrant track that combines neo-soul with contemporary R&B, embodying a message of self-rejuvenation and resilience. The song, inspired by Cosmo’s personal comeback from a period of burnout, is an uplifting narrative about regaining momentum in life, all set to an infectious rhythm that mirrors the act of getting back into one’s stride. The track skillfully marries modern rap-singing styles with the soulful undertones of classic R&B, showcasing Cosmo’s diverse musical influences and his knack for creating compelling, genre-blending music.

The lyrics resonate with anyone who’s ever felt stuck or overwhelmed, offering a rhythmic encouragement to take things at one’s own pace. Through a mix of groovy beats and relatable verses, Cosmo creates a space where listeners can find motivation and camaraderie in their own journeys of self-recovery and growth. This alignment of lyrical content with upbeat musical arrangements makes “Back To It” not just a song, but a motivational piece that speaks to the challenges and triumphs of personal transformation.

In “Back To It,” Dyl Cosmo encapsulates the essence of moving forward with a blend of earnest lyrics and dynamic soundscapes. The track stands as a representation of the artist’s journey and a universal call to embrace change, making it a noteworthy addition to the eclectic and introspective catalog that B-Side Guys celebrates.

Calum Ingram – “The Man”

Calum Ingram’s “The Man” is a dynamic fusion of funk, blues, and indie rock that channels the energy and defiance of classic rock narratives with a modern twist. Ingram, known for his virtuosic cello playing, brings a unique edge to the track, incorporating bluesy riffs and rhythms that propel the song’s energetic momentum. The single serves as a satirical commentary on power dynamics within the music industry and beyond, with Ingram’s passionate vocals leading the charge against enduring societal imbalances.

The creation of “The Man” sprang from an impromptu jam session with Ingram’s band, showcasing the spontaneous magic that can arise from collaborative improvisation. The synergy between Ingram and his band members — Chatona Ridley on bass, Moss Taylor on keys, and Jose Rojas on drums and percussion — is palpable, crafting a groove that’s both infectious and thought-provoking. This track not only highlights Ingram’s instrumental prowess but also his commitment to blending musicality with meaningful messages.

With “The Man,” Ingram establishes himself not just as a musician but as an artist deeply engaged with the narratives of our time. The song’s blend of musical genres, combined with its lyrical depth, makes it a compelling addition to Ingram’s upcoming album. It’s a reminder of the power of music to challenge, to inspire, and to catalyze change, firmly placing Calum Ingram as a musician with something significant to say.

Mike Blair & The Stonewalls – “Pay”

In “Pay,” Mike Blair & The Stonewalls craft a soundscape that’s deeply rooted in the heart of Americana, blending elements of alt-country and southern rock to create a mood that’s at once both romantic and contemplative. The track serves as a testament to Blair’s upbringing in the coastal vibes of Wilmington, North Carolina, where storytelling through music is a tradition as rich and deep as the waters that surround the city. His voice carries the weight of heartfelt narratives, set against the backdrop of expertly strummed guitars and the subtle twang that characterizes the genre.

The song weaves a tapestry of emotional depth, indicative of Blair’s influences—echoes of Tom Petty’s rebellious spirit and Jackson Browne’s introspective lyricism can be felt throughout. “Pay” is a narrative journey, inviting listeners into a reflective exploration of love, longing, and the intricacies of human connection. The Stonewalls, with their cohesive sound and authentic delivery, complement Blair’s storytelling with a musical embrace that’s both comforting and invigorating.

“Pay” stands as a shining example of how Mike Blair & The Stonewalls capture the essence of Americana, infusing their music with a modern sensibility while staying true to the roots of their influences. This track is not just a song; it’s an experience—an invitation to delve into the stories that shape us, narrated by artists who understand the power of music to convey the deepest emotions of the human heart.

Hudson Taylor Ford – “Older Wiser”

Hudson Taylor Ford’s debut single, “Older Wiser,” feels like a vibrant journey through the landscapes of indie rock and pop, peppered with nostalgic hints of late 80s and early 90s alternative vibes. The track resonates with a sense of personal evolution and introspection, encapsulating the bittersweet essence of growth and the passage of time. Ford’s lyrics delve into the universal theme of self-reflection, underscored by a lively yet contemplative melody that mirrors the complexity of moving forward while looking back.

The energetic and upbeat tempo of “Older Wiser” belies a moody undertone, a testament to Ford’s skill in layering sounds and emotions to create a multifaceted listening experience. The song’s heroic outro leaves listeners with a sense of upliftment, a nod to Ford’s hopeful and passionate approach to songwriting. It’s this blend of sentimentality and optimism that makes “Older Wiser” not just a song, but a companion on the journey of self-discovery and acceptance.

As a debut, “Older Wiser” promises an exciting future for Hudson Taylor Ford in the indie music scene. With its thoughtful exploration of time, personal growth, and the nuances of memory, the track invites listeners to embrace their own stories of becoming “a little bit older, a little bit wiser.” Ford’s ability to weave his influences into a sound that’s both fresh and familiar makes “Older Wiser” a compelling introduction to his musical narrative, and a beacon for those who find solace in the reflective side of indie rock.

Mia Day – “Severed”


Mia Day’s “Severed” stands as a powerful homage to the gritty essence of Seattle’s music scene, wrapping the listener in the nostalgia of grunge while pushing forward into the realms of indie pop and alt-rock. This track, emerging from a year of personal tumult, encapsulates a journey of emotional resilience, underscored by Day’s raw vocal delivery and the visceral energy of the instrumentation. It’s a sonic exploration of rebirth through adversity, mirroring Day’s own narrative of finding strength and voice in the wake of personal upheaval.

“Severed” resonates as more than just a song; it’s a conduit for Day’s cathartic release, drawing from her deep-seated connections to music as a lifeline during her “hell year.” The track’s layered composition—melding somber lyrics with an energetic arrangement—reflects the complex tapestry of emotions that Day navigated, offering listeners a glimpse into the depths of her introspection and the heights of her artistic expression.

Through “Severed,” Day asserts her presence in the music world, not just as an artist, but as a storyteller whose tales are etched in the melodies of her songs. This debut single not only marks her entrance but also signifies her resolve to transform personal strife into a resonant and empowering musical narrative. It’s a bold statement of survival and identity, inviting listeners to partake in Day’s journey of self-discovery and artistic evolution.

Pink Beds – “Forgiven”

In their single “Forgiven,” Pink Beds explores the nuances of indie pop through a tapestry of melodic grooves and electronic elements, creating an auditory experience that’s both introspective and dancefloor-ready. The song, a showcase of lead singer Aaron Aiken’s distinctive crooning against a backdrop of tight instrumental harmony, captures the essence of personal reflection and the quest for forgiveness. It’s a track that resonates with the complexity of human emotions, wrapped in the band’s signature sound.

“Forgiven” is not just a song; it’s a narrative of growth and understanding, set against the backdrop of the band’s evolving musical journey. With this release, Pink Beds pays homage to their roots while pushing the boundaries of their sound, merging the raw energy of their early influences with a matured, eclectic style. The song’s lyrics, coupled with the band’s dynamic arrangement, invite listeners into a realm of contemplative optimism, making it a compelling listen for anyone navigating the waters of personal change.

As the final single before the release of their new album “Spare Key To A Memory,” “Forgiven” stands as a testament to Pink Beds’ artistic evolution. The band, rooted in the vibrant landscapes of Asheville, showcases their ability to blend diverse influences into a coherent and captivating sound. This track, with its blend of infectious rhythms and poignant lyrics, sets the stage for an album that promises to delve deeper into the band’s exploration of lush, angular, and ethereal sounds, marking an exciting new chapter in their musical odyssey.

juno roome – “quite like you do”

Juno Roome’s latest single, “Quite Like You Do,” immerses listeners in a dreamy sonic landscape characterized by ethereal shoegaze and dream pop influences. With hauntingly beautiful melodies and lush instrumentation, the track captivates from the very first chord. The lyrics, filled with imagery and emotion, evoke a sense of longing and desire, as Roome sings of drowning in the weight of their lover’s gaze and yearning to be swallowed whole. The repetition of the refrain, “no one comes quite like you do,” reinforces the song’s central theme of unique and irreplaceable connection.

Throughout “Quite Like You Do,” Roome masterfully blends elements of shoegaze and dream pop to create a mesmerizing sonic experience. The swirling guitars and atmospheric synths create a hazy backdrop against which Roome’s vocals soar with emotive intensity. Each verse unfolds with a sense of urgency, building towards a cathartic release in the chorus. The dynamic shifts in instrumentation and vocal delivery add depth and dimension to the song, further immersing the listener in its sonic tapestry.

Overall, “Quite Like You Do” showcases Juno Roome’s prowess as both a songwriter and a performer in the shoegaze and dream pop genres. With its evocative lyrics, haunting melodies, and atmospheric production, the track leaves a lasting impression, inviting listeners to get lost in its dreamy allure. As Roome continues to explore the depths of emotion and sound in their music, “Quite Like You Do” serves as a poignant reminder of the power of sonic storytelling.

Peaks of Valleys – “Daydream”


“Daydream” by Peaks of Valleys is a captivating blend of folk and indie rock that transports listeners on a journey through introspection and imagination. The song’s introspective lyrics reflect on the passage of time and the longing for fulfillment, painting a poignant picture of inner turmoil and the desire for liberation. With lines like “Too long I’ve waited / Expired time,” Peaks of Valleys captures the essence of yearning and the sense of being trapped within the confines of routine and expectation.

Drawing inspiration from the likes of Sufjan Stevens and Iron & Wine, Peaks of Valleys masterfully crafts a sonic landscape that is both intimate and expansive. The gentle acoustic instrumentation and emotive vocals create a sense of intimacy, inviting listeners to delve deep into the song’s lyrical narrative. As the song progresses, it builds in intensity, mirroring the protagonist’s journey from restraint to liberation. The juxtaposition of delicate melodies and powerful crescendos adds layers of depth to the music, creating a rich and immersive listening experience.

In “Daydream,” Peaks of Valleys captures the essence of yearning and the bittersweet beauty of lost dreams. Through its evocative lyrics and dynamic instrumentation, the song invites listeners to reflect on their own desires and aspirations. With its poignant storytelling and lush soundscapes, “Daydream” is a testament to Peaks of Valleys’ talent as both songwriters and musicians, solidifying their place among the ranks of contemporary folk and indie rock artists.

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