B-Side Guys

Welcome to this week’s edition of Weekly New Releases on bsideguys.com, where we dive into the heart of the music scene to bring you the freshest tracks that have us buzzing. In this installment, Pt. 1, we’re exploring a vibrant collection of tunes that have recently hit the airwaves, showcasing an eclectic mix of genres, styles, and stories that are too captivating to condense into a single feature. From the soul-stirring strums of indie folk to the electric pulses of alternative rock, this week’s lineup is a testament to the boundless creativity and innovation pulsating through the contemporary music landscape. Join us as we embark on the first leg of this sonic journey, and stay tuned for Pt. 2, where we’ll continue to unravel the rich tapestry of sounds that make this week’s new releases truly exceptional.

Leyton Thomas – “Screwcap Diet”

Leyton Thomas’ latest single, “Screwcap Diet,” emerges as a serene yet somber anthem, encapsulating the reflective essence that indie rock aficionados crave. With guitar work that dances between light and shadow, the track invites listeners into a realm where introspection meets melody, creating an immersive experience that resonates deeply with the soulful vibes of artists like Beach House and Mazzy Star.

Through “Screwcap Diet,” Leyton delves into the introspective, exploring themes of illness and the consequential stripping away of life’s superficial layers. The song’s narrative, expressed through vivid yet simple imagery like “These sheets are getting rough” and “A screwcap diet seems fun,” crafts a poignant dialogue on the essence of self amidst trials. Leyton’s ability to draw from his diverse musical background, merging childhood influences with his contemporary tastes, results in a sound that’s both familiar and refreshingly novel.

This track is a showcase of Leyton’s multifaceted talent, from his lyrical depth to his prowess in production, painting a soundscape where every note and word serves as a brushstroke in a larger portrait of resilience and self-discovery. “Screwcap Diet” stands not just as a song, but as a narrative journey, inviting listeners to reflect on their own paths and the defining moments that shape who they are. Leyton Thomas, through his artistry, confirms that music can be a powerful conduit for exploring the depths of human experience and emotion.

Walter The Producer – “PAMPLEMOUSSE”

Walter The Producer, a dynamic force in the psychedelic and indie rock scene, introduces “PAMPLEMOUSSE,” a track that encapsulates his youthful zeal and innovative spirit. At just 20 years old, Walter, also known as Reid, showcases a maturity in musicianship that belies his age, blending lo-fi rock elements with a palpable sense of creativity. This single, the first glimpse into his upcoming album “PLEASE HELP ME I’M SCARED,” promises a journey through Walter’s eclectic sonic landscape, marked by an authenticity that resonates with the likes of Tame Impala and MGMT.

The genesis of “PAMPLEMOUSSE” is as intriguing as its sound, born from a serendipitous jam session in Los Angeles with producer Max Morando. The track’s name, inspired by a quirky discovery of a grapefruit-flavored sparkling water, reflects the spontaneous and organic creative process behind Walter’s music. This backstory adds a layer of charm to the track, infusing it with a narrative that extends beyond its melody. The accompanying music video, set in a record store and depicting Walter’s quirky quest for love, further complements the song’s narrative, adding visual depth to the auditory experience.

Walter The Producer’s journey from a young musician on Massachusetts’ south shore to a burgeoning indie icon is a testament to his relentless pursuit of musical innovation. With influences ranging from disco-pop to alt-R&B, Walter’s self-produced, mixed, and mastered tracks are a mosaic of his diverse musical influences. “PAMPLEMOUSSE” stands not just as a single but as an emblem of Walter’s artistic identity, weaving together his story, his influences, and his vision into a compelling tapestry that signals the arrival of a significant new voice in the indie music landscape.

Ruth Theodore – “Hold on Me”

Ruth Theodore’s latest single, “Hold on Me,” marks her entrancing entrance into the Righteous Babe Records family, heralding a new chapter with a song that resonates with the soulful depth of singer-songwriter and folk traditions. Co-produced with the talents of Todd Sickafoose and Mathias Kunzli, “Hold on Me” emerges as a delicate yet profound exploration of love’s complex grip, weaving Theodore’s insightful lyricism with a soundscape that blends sweet pop sensibilities with bluesy undertones and choral harmonies. This track, as a precursor to her anticipated album “I Am I Am,” showcases Theodore’s adeptness at navigating the intricate dance between lyrical storytelling and musical innovation.

The lyrical journey of “Hold on Me” delves into the metaphorical pull of the ocean to articulate the inescapable hold of a deep, tumultuous love. Theodore’s poetic finesse shines through lines like “I thought I’d be free the day you emptied your arms of me,” capturing the paradoxical nature of liberation and entanglement within emotional bonds. The song’s narrative unfolds with a raw honesty, reflecting the bittersweet realization that some connections, despite their challenges, leave indelible marks that define us. Theodore’s voice, rich with emotion, carries the weight of this realization, offering listeners a mirror to their own experiences of love and longing.

“Hold on Me” is not just a musical piece; it’s a testament to Theodore’s resilience and creative spirit, particularly poignant considering her recent triumph over breast cancer. This song, and indeed the entire upcoming album, stands as a celebration of life’s impermanence and the beauty found in the now. Through “Hold on Me,” Ruth Theodore invites listeners into her world, one where the ebb and flow of human connection are not just felt but deeply understood, making this single a compelling introduction to what promises to be a profoundly introspective and enriching album.

dye-dye – “worked up”

dye-dye dives into the complexities of unreciprocated feelings with their track “worked up,” an embodiment of indie rock’s energetic and emotive spirit. This project, inspired by a cherished childhood blanket, explores themes of attachment and the inevitable parting from once-loved things, paralleling these childhood experiences with adult emotions. “worked up” captures the essence of yearning for someone who remains just out of reach, delivering a melody that’s as vibrant as it is laden with longing. The song’s dynamic rhythm, combined with its moody and sensual undertones, creates an atmosphere that resonates with listeners, drawing comparisons to the likes of alt-J and Glass Animals while maintaining a distinct narrative voice.

The lyrics of “worked up” portray a vivid narrative of desire and frustration, with lines such as “damn i got you all worked up for nothin” and “i only ever wake up once you’re leavin.” These phrases articulate the painful dance of trying to connect with someone who is always a step away. The repeated lines “i’d give up like anything to follow through with you” emphasize a deep-seated willingness to sacrifice, highlighting the intensity of the protagonist’s emotions. This lyrical content, coupled with the song’s fluctuating tempo, mirrors the internal conflict of clinging to and releasing unfulfilled desires.

With “worked up,” dye-dye crafts more than just a melody; they weave a narrative on the cyclical nature of affection and loss that threads through our lives from youth to adulthood. The inspiration behind the project, stemming from a college discussion about childhood mementos, adds a reflective layer to the music, prompting listeners to contemplate their own stories of love and the remnants of past attachments. “worked up” stands as an anthem for those ensnared in the anguish of one-sided affection, presented in a composition that both haunts and invigorates.

Trinket – “New Hobby”

Trinket emerges from the vibrant NYC music scene with their debut EP “New Hobby,” a collection that effortlessly blends the jangly rhythms of indie pop with the ethereal layers of shoegaze and dream pop. This release, marked by a playful title that belies the group’s dedication to their craft, showcases a band that’s as adept at creating atmospheric soundscapes as they are at penning indie anthems. With influences ranging from the twee pop charm of Lightheaded to the introspective slowcore vibes of Kierst, “New Hobby” positions Trinket as a noteworthy addition to the indie music landscape.

The EP’s title track, “New Hobby,” serves as a perfect introduction to Trinket’s sound, offering a blend of upbeat melodies and reflective lyrics that capture the essence of starting anew. The band’s ability to mix light-hearted indie pop with deeper, more contemplative undertones speaks to their songwriting prowess and the thematic depth of their work. The track’s jangly guitars and buoyant rhythms invite listeners into a world where music serves as both an escape and a mirror, reflecting the highs and lows of embarking on a new journey.

“New Hobby” by Trinket is more than an EP; it’s a statement of artistic intent and a snapshot of a band at a pivotal moment in their evolution. As Trinket navigates the complexities of their musical path, they do so with a sound that’s both nostalgic and refreshingly modern, appealing to fans of Alvvays and Soccer Mommy alike. This debut is a testament to Trinket’s potential to carve out their own niche within the indie music scene, promising more atmospheric gems and indie anthems in the future.

Kai Bosch – “Funny”

Kai Bosch’s latest offering, “Funny,” from his forthcoming EP ‘Love, Throw Me A Bone,’ is a vibrant tapestry of indie pop and alt pop that delves into the heartache of unreciprocated feelings post-breakup. This track, imbued with an infectious energy that belies its somber theme, showcases Bosch’s adept ability to marry buoyant melodies with introspective narratives, reminiscent of the emotive storytelling found in the works of James Blake and Soccer Mommy. “Funny” emerges as a break-up anthem that encapsulates the tumult of discovering an ex’s new relationship, channeling Bosch’s raw emotions into a resonant and dynamic musical expression.

In “Funny,” Bosch navigates the complex terrain of heartbreak with an unfiltered honesty, transforming personal turmoil into a universal narrative of moving on. The song’s upbeat rhythm and catchy hooks serve as a backdrop to themes of anger and disillusionment, creating a compelling contrast that highlights the depth of Bosch’s songwriting. This approach to music, where personal experiences are laid bare, results in a track that’s both cathartic and relatable, offering solace to listeners through its spirited defiance and melodic allure.

As the lead single of ‘Love, Throw Me A Bone,’ “Funny” signifies a pivotal moment in Bosch’s musical journey, reflecting his growth as an artist and his commitment to exploring the nuances of human emotion. With this track and his upcoming live performances, Bosch is poised to cement his place within the indie music landscape as a voice that resonates with authenticity and emotional depth. “Funny” is more than just a song; it’s a testament to the power of music to heal, connect, and empower, making it a standout addition to Bosch’s evolving discography.

Juppe – “Was It Good for You?” feat. Ransukoira

Juppe’s collaboration with producer Ransukoira on “Was It Good for You?” marks a significant moment in the indie pop landscape, blending lo-fi rock elements with an innovative approach to melody and production. This partnership, born from a chance meeting and fueled by a shared affinity for 00’s nostalgia and eclectic beats, has culminated in a track that pushes the boundaries of Juppe’s sound. Following the introspective depth of his debut album and the lyrical charm of “Andy, I Have Your Lighter,” this new release continues Juppe’s exploration of progressive melodicism, standing out with its intricate directness and catchy pop sensibilities.

The creation of “Was It Good for You?” is a testament to the serendipitous nature of the music world, where a casual encounter can lead to a fruitful collaboration. Leo Mokkala (Ransukoira) and Juppe’s joint effort in the studio has resulted in a sound that’s both familiar and refreshingly new, capturing the essence of their shared musical vision. The track’s blend of Juppe’s guitar and vocal prowess with Ransukoira’s production expertise creates a sonic experience that’s as engaging as it is thought-provoking, offering listeners a glimpse into the duo’s creative synergy.

As “Was It Good for You?” is released through Soliti Recordings, it stands as a vibrant showcase of Juppe and Ransukoira’s collaborative spirit. This track, along with its counterpart “Zoot!,” embodies the duo’s ability to craft music that resonates with a sense of playfulness and depth, making it a compelling addition to the indie pop genre. With this release, Juppe continues to solidify his place in the music scene, proving that innovation and nostalgia can coexist in harmony to create something truly captivating.

Painted Pillars – “Bell”

“Bell” stands out in Painted Pillars’ growing collection of tracks, offering a nuanced exploration of exclusion’s emotional landscape, set against the backdrop of their signature indie and alternative rock sound. This song, born in a Leiden student dorm, reflects the band’s talent for merging introspective themes with compelling melodies, making “Bell” a notable highlight in their musical journey. The track’s insightful lyrics, combined with its energetic composition, provide a space for listeners to navigate their feelings of belonging and identity, all while being enveloped in Painted Pillars’ dynamic sonic world.

The lyrics of “Bell” skillfully weave a narrative of personal introspection and societal observation, with phrases like “It’s not you, but it’s just the way you walk, and it’s just the way you talk” illustrating the subtle yet impactful ways in which individuals can feel marginalized. The band’s description of their music as “musical terrorism on your eardrums” is delivered with a mix of intensity and gentleness in “Bell,” offering a complex auditory experience that mirrors the song’s thematic depth.

Through “Bell,” Painted Pillars affirm their place in the indie and alternative rock scene as a band that confronts relatable human experiences with both musical vigor and lyrical sensitivity. This track invites listeners into a reflective journey, encouraging them to confront their own narratives of exclusion and acceptance within the catchy confines of Painted Pillars’ unique sound.

Alta Luna – “Faces”

Alta Luna delves into the introspective realm of self-discovery with their latest single “Faces,” a poignant narrative set against the backdrop of rich, dark indie rock soundscapes. The track artfully captures the unsettling experience of self-alienation, mirrored in the haunting reflection of a mirror’s surface. With its mid-tempo rhythm, “Faces” envelops listeners in a sonic experience reminiscent of Interpol’s resonant guitars and robust drumbeats, while carving out its unique identity within the genre. Alta Luna’s ability to intertwine deeply personal themes with their distinctive musical style positions “Faces” as a compelling exploration of the internal struggle to reclaim one’s sense of self.

The lyrics of “Faces” serve as a window into the soul, offering a raw look at the journey from loss to recovery. Alta Luna crafts a narrative that resonates with anyone who has ever felt disconnected from their own reflection, using the mirror as a powerful symbol of internal discord and the subsequent quest for authenticity. The band’s influences, from the melancholic depth of The National to the vibrant energy of Arcade Fire, weave through the track, enriching its emotional and sonic layers. “Faces” stands as a testament to Alta Luna’s songwriting prowess, blending introspective lyricism with a dynamic musical arrangement that captures the essence of indie and alternative rock.

With the upcoming release of their EP ‘Shorter Days, Longer Nights,’ Alta Luna invites listeners on an emotional odyssey through the highs and lows of a tumultuous relationship and the personal evolution that follows. “Faces” is not merely a single but a narrative cornerstone of this journey, highlighting Alta Luna’s talent for storytelling through music. As they prepare to share their new work and embark on a tour of Dutch stages, Alta Luna continues to solidify their place in the indie rock landscape, offering a sound that is both deeply reflective and undeniably engaging.

SWiiMS – “Given To Me”

SWiiMS’ latest offering, “Given To Me,” from their debut LP “Into The Blue Night,” encapsulates the euphoric yet contemplative essence of shoegaze and indie rock. The track, with its lush dream pop textures, narrates the tender journey of opening oneself to new emotional territories and the gradual dissolution of barriers that once guarded the heart. The band’s ability to blend the atmospheric depth of Slowdive with the vibrant energy of Alvvays results in a sound that’s both immersive and uplifting, making “Given To Me” a standout piece that reflects SWiiMS’ unique musical identity.

Formed through serendipitous encounters and united by a shared vision, SWiiMS has crafted a sound that resonates with the intricate beauty of human connections. Mai Diaz Langou’s poetic lyricism and ethereal vocals intertwine with Colin Thompson’s jangly guitar pop, creating a sonic landscape that’s both nostalgic and fresh. The addition of Cian O’Ruanaidh’s melodic basslines injects “Given To Me” with a driving energy that complements its moody undertones, showcasing the band’s cohesive dynamic and their knack for melodic hooks.

“Given To Me” showcases SWiiMS’ adept fusion of shoegaze’s introspective qualities with indie rock’s lively essence, marking a significant point in their musical trajectory. The anticipation for their debut LP “Into The Blue Night” is a clear indicator of the band’s capacity to resonate deeply within the indie scene. As SWiiMS unveils their full project, “Given To Me” invites listeners to immerse themselves in the band’s evolving sound, characterized by thoughtful lyricism and immersive, atmospheric compositions.