B-Side Guys

Dive into the eclectic heartbeat of the Mid-Week Mixdown, where each track is a gateway to uncharted sonic realms. As the week unfolds, these tunes emerge like hidden gems in a mosaic of rhythm, each piece reflecting a distinct hue of the musical spectrum. From the gritty back alleys of underground hip-hop to the shimmering vistas of indie electronica, this compilation is a curated odyssey through soundscapes unknown. Here, genres intertwine and artists break the mold, offering a midweek resurgence of energy and inspiration. Prepare to be transported by a symphony of unexpected harmonies, where every note is a brushstroke on the canvas of the week.

Kandle – “St. Paul’s”

In the haunting echoes of “St. Paul’s,” Kandle Osborne transcends the realm of indie rock to forge a sonic odyssey that is as enigmatic as it is evocative. With a career that has gracefully pirouetted through the shadows and spotlights of the music industry, Kandle’s latest offering is a masterclass in emotional alchemy. The track, a mesmerizing blend of melancholy and allure, weaves a tapestry of pain and catharsis, pulling listeners into a waltz through the corridors of grief. Her voice, an ember glowing in the dark, guides us through this introspective journey, proving once again that her artistry refuses to be confined within the boundaries of genre.

“St. Paul’s” emerges not just as a song, but as a cinematic experience, drawing from a well of influences that span the spectral sounds of Portishead to the raw, emotive power of PJ Harvey. Kandle’s fearless self-production on this track showcases a chanteuse in full command of her craft, blending the darkness with a touch of the divine. This piece stands as a beacon for those adrift in the night, a reminder of the transformative power of music to navigate through life’s deepest despairs. In the fabric of “St. Paul’s,” Kandle embroiders her own narrative of resilience, inviting us to find solace in the shared experience of our most vulnerable moments.

Vicky von Vicky – “Goodbye My Love”

“Goodbye My Love” by Vicky von Vicky is a time capsule cracked open, releasing echoes of the past with a zest of modernity. After nearly two decades of silence, the band’s resurgence feels like a rebirth, with the track serving as their phoenix anthem. The song, a poignant narrative spun from the threads of lost love, cleverly nods to R.E.M.’s iconic “It’s The End Of The World As We Know It (And I Feel Fine),” embedding a sense of nostalgia within its fresh indie fabric. The blend of 1950s doo-wop with contemporary indie rock nuances creates a sonic juxtaposition that is both familiar and novel, embodying the band’s journey through time and their evolution in sound.

Under the deft production of Nixon Boyd, “Goodbye My Love” emerges as a testament to Vicky von Vicky’s enduring creativity and their ability to weave disparate influences into a cohesive, compelling narrative. The track’s doo-wop vocals serve as a ghostly choir, haunting the spaces between the strums and beats, bridging decades of musical expression. This song isn’t merely a farewell to a bygone love but a bold greeting to new beginnings, both for the band and their listeners. As Vicky von Vicky reclaims the stage and studio with their eclectic sound and heartfelt storytelling, they invite us to join them in embracing the unpredictable symphony of life, armed with a sense of humor and a willingness to traverse the rich tapestry of human emotion.

Noshows – “Getaway”

In “Getaway,” Noshows crafts a track that vibrates with an electric pulse, weaving a tapestry that’s as much an indie pop anthem as it is a genre-defying escapade. The song, led by Max Satow’s imaginative vision, thrives on a fusion of sounds—from the funk-infused bass lines to the jazz-like spontaneity in its melody, capturing the spirit of bands like Cage The Elephant and The Strokes with a twist that’s distinctly their own. It’s a piece that doesn’t just invite you to listen; it pulls you into a vivid narrative, urging a leap into a realm where the only rule is relentless innovation. “Getaway” emerges not just as a track, but as a manifesto of Noshows’ refusal to be boxed in, a vibrant call to those hungry for a sound that refuses to echo the familiar trails of indie pop.

With the expansion from a solo act to a full ensemble, Noshows has injected “Getaway” with a palpable vigor that mirrors the raw energy of their live performances. This transformation is audible in every layer of the song, from the tight, kinetic drum patterns to the swirling guitar riffs that dance around Satow’s vocals. The track is a sonic embodiment of the band’s journey, a reflection of their evolution from the introspective solitude of songwriting to the communal experience of performance. Through “Getaway,” Noshows extends an invitation to dive into the complexities of the human psyche, offering a musical narrative that’s as thought-provoking as it is exhilarating.

Pallas Haze – “Bright”

In “Bright,” Pallas Haze offers a serene yet stirring journey, beginning with gentle, introspective melodies that gradually swell into a robust tapestry of sound. This track, emblematic of the band’s ability to blend indie rock’s introspection with alternative rock’s vigor, showcases their knack for crafting songs that resonate on multiple levels. The progression from contemplative beginnings to an exuberant crescendo mirrors the band’s adeptness at navigating the complex terrain of human emotion through music. The intricate guitar work and dynamic percussion are not just elements of the song; they are the very pulse of “Bright,” propelling the listener forward through a narrative of growth and revelation.

Hailing from the vibrant Australian music landscape, Pallas Haze infuses “Bright” with a unique blend of influences that reflect their diverse backgrounds. The band’s chemistry is palpable, with each member contributing to a sound that is both cohesive and exploratory. Zac Harvey’s vocals, imbued with sincerity, weave through Ananya Bhindi’s ethereal guitar lines, while Kapil Bhuta’s drums and Luca Benvenuto’s bass anchor the track in a rhythmic foundation that’s both grounding and uplifting. “Bright” stands as a testament to Pallas Haze’s emerging voice in the indie scene, a song that not only showcases their musical prowess but also their ability to evoke a spectrum of emotions, inviting listeners on a journey from introspection to exhilaration.

frans asthma – “talk”

In “talk,” frans asthma crafts a soundscape that’s as immersive as it is introspective, inviting listeners into a realm where melancholy and beauty coalesce. The song, deeply rooted in the slowcore and shoegaze traditions, echoes the introspective depth of Duster and the ethereal soundscapes of Slowdive. The track unfolds like a slow, deliberate confession, with lyrics that explore the solitude of longing and the complexity of communication. The repetitive nature of the chorus, “We don’t have to talk,” serves as a haunting mantra, encapsulating the track’s exploration of emotional distance and the desire for connection amidst silence.

The musical arrangement in “talk” mirrors the song’s lyrical themes, with distorted guitar lines weaving through the track like threads of thought, sometimes clear, sometimes lost in the haze of introspection. This sonic texture adds a layer of depth to the song, creating a space that’s both reflective and immersive. frans asthma’s use of distortion and reverb is not just an aesthetic choice but a narrative tool, amplifying the sense of longing and vulnerability that permeates the lyrics. “talk” stands as a poignant reflection on the spaces between words, the unspoken emotions, and the quiet moments of introspection that define our deepest connections.

Never Summer – “Memory”

“Memory” by Never Summer bursts onto the scene with a ferocity that’s as much a declaration of self as it is a musical assault. This track, a fusion of alternative metal and emo with a backbone of alternative rock, serves as an anthem for self-assertion and resilience. It’s a sonic manifesto that challenges listeners to carve out their identities and stand firm in the face of adversity. With every riff and rhythm, “Memory” doesn’t just aim to leave an impression; it seeks to etch a mark, urging us to transcend the ephemeral and become unforgettable in the eyes of those who matter.

The song’s energy is unrelenting, with aggressive guitar work and dynamic percussion driving home the message of defiance and determination. Never Summer harnesses this raw power to craft a narrative that’s both personal and universal, a call to arms for anyone striving to define themselves on their own terms. “Memory” isn’t just about refusing to fade into the background; it’s about the relentless pursuit of significance, a reminder that being more than a memory means embracing the full spectrum of our complexities and contradictions, and facing the world head-on, backed by the support of those who recognize our true worth.

HUTTCH – “Get On With It”

“Get On With It” by HUTTCH is a vibrant splash of color on the canvas of indie rock, brimming with an infectious joy and unrestrained energy that’s impossible to ignore. This track captures the essence of what makes HUTTCH stand out in a crowded field: a fusion of 70s groove and modern rock that feels both nostalgic and fresh. It’s a musical call to arms, urging listeners to shake off the inertia and dive headfirst into the thrills of life. With a beat that’s as relentless as it is uplifting, “Get On With It” serves as a soundtrack for those moments when you decide to grab life by the horns and dance through the challenges.

The trio from Windsor, Ontario, brings to the stage a dynamism that’s palpable in every note of “Get On With It.” Their sound, a homage to the classic rock gods and a wink to the future of the genre, is delivered with a charisma and confidence that’s downright infectious. HUTTCH doesn’t just perform; they captivate, creating an atmosphere where the only response is to let loose and get carried away by the music. This track embodies the band’s live ethos: it’s an invitation to let go, to find that carefree swagger within, and to remember that in the grand dance of life, sometimes the best move is to simply “Get On With It.”

Andi Fins – “Lost and Blue”

In “Lost and Blue,” Andi Fins crafts a melody that dances on the edge of paradox, blending the shadows of sorrow with unexpected flickers of joy. This track is not just a journey through the valleys of human emotion; it’s a declaration that even in our lowest moments, there’s a peculiar kind of beauty that emerges. Fins, a Berlin-based maestro of indie pop, uses his singular voice to tell a story that’s both deeply personal and universally relatable. The song serves as an intimate conversation, a gentle reminder that it’s okay to feel lost, to yearn for something more amidst the mundane.

The lyrics of “Lost and Blue” speak directly to the soul, with Fins addressing the listener as if reaching out through the fog of isolation to offer a guiding hand. The song’s arrangement, with its delicate balance of folk and pop elements, creates a backdrop that feels both comforting and invigorating. Fins has a way of making the listener feel seen, understood, and less alone. “Lost and Blue” stands out as more than just a track; it’s an emotional landmark for those moments when we’re searching for a sign, a hint of magic in the everyday gray. Through this song, Andi Fins proves that even the most profound sadness can be the wellspring from which the most profound connections emerge.

Twin Ritual – “Not Alone”

In “Not Alone,” Twin Ritual crafts an auditory embrace that envelops listeners in a dreamscape where every note feels like a whispered secret. This track is a mesmerizing blend of ethereal tones and vibrant energy, a hallmark of the San Diego-based ensemble’s mastery over dream pop’s delicate dynamics. Laura Levenhagen’s vocals float like mist over the landscape of the song, intertwining with the band’s tapestry of upbeat drums, swirling synths, and driving guitar hooks. The result is a sonic experience that feels like a beacon of light through a hazy dreamscape, offering a sense of companionship in the solitary journey of listening.

Twin Ritual’s ability to marry the introspective essence of dream pop with an infectious rhythm showcases their unique position in the music scene. “Not Alone” stands as a testament to the band’s skill in creating music that resonates on a deeply personal level while still compelling the body to move. The track is a reminder of the shared human experience, a musical affirmation that even in our most isolated moments, the right melody can bridge distances and fill spaces with a sense of belonging. Twin Ritual, with their debut EP’s acclaim and a growing presence on notable stages, invites listeners into a world where the dreamy and the dynamic coalesce, proving that in the realm of music, no one is ever truly alone.

Nate Wey and the Soft Colors – “Neon Disquiet”

“Neon Disquiet” by Nate Wey and the Soft Colors is an evocative journey through the spectral alleys of longing and the quiet tumult of relationships unraveling. This track, nestled within the broader tapestry of indie rock and dream pop, unfolds like a slow-burning narrative, where each chord and lyric builds upon the last, painting a landscape tinged with melancholy and introspection. The song’s gradual crescendo mirrors the internal escalation of emotions that accompany the realization of an impending end, culminating in a sonic climax that feels both cathartic and desolate.

Nate Wey’s artistic vision, influenced by a mosaic of sounds from David Lynch’s eerie tranquility to PJ Harvey’s raw intensity, imbues “Neon Disquiet” with a unique texture. The addition of country twangs amidst a shoegaze backdrop sets this track apart, crafting an ambiance that’s akin to waking from a dream only to find the edges of reality blurred. This song captures the essence of emerging from a fog, the struggle against the pull of despondency, and the bittersweet farewell to what was once held dear. As the track unfolds, the listener is invited into a shared space of reflection, a reminder that in the dissonance of parting, there’s a strange beauty in the echoes left behind.