B-Side Guys

Welcome back to the vibrant continuation of Weekly New Releases on bsideguys.com, Pt. 2. As the melody of new music continues to play, we dive deeper into the symphony of sounds that have captured our hearts and headphones this week. From the whispered strums of indie folk to the electric buzz of alternative beats, Pt. 2 of our musical journey explores even more groundbreaking tracks and hidden gems that have emerged on the scene. Join us as we navigate through this curated collection of auditory delights, where each song tells a story, and every note invites us into a new world of sonic exploration. Get ready to expand your playlist and indulge in the diverse landscape of fresh tunes that make up the second act of this week’s musical odyssey.

Clash Valian – “Warplane”

Clash Valian’s “Warplane” delves into the depths of existential reflection, set against the backdrop of indie and alternative rock’s darker tones. Greg Merrell, the architect behind Clash Valian, crafts a narrative that intertwines the looming dread of conflict with a poignant meditation on the ephemeral nature of life and love. The track, with its haunting melody and introspective lyrics, captures the tension of a pilot caught in the throes of war, symbolizing the broader human struggle against the chaos that life often presents. “Warplane” stands out in Clash Valian’s repertoire, showcasing Merrell’s skill in blending atmospheric soundscapes with the raw energy of garage rock to explore complex emotional and existential themes.

The lyrics of “Warplane” paint a vivid picture of a pilot’s turmoil, with lines like “Feeling horror looking over his shoulder” and “Station control do you hear me, I’m spiraling out of control” articulating the sense of impending doom and the desperate longing for connection amidst despair. This narrative is further enriched by the imagery of “Technicolor photos of his family, Arrange themselves around the cockpit,” evoking the stark contrast between the warmth of personal memories and the cold reality of war. Clash Valian’s ability to weave such imagery into their music invites listeners to reflect on what truly matters in the face of life’s uncertainties and challenges.

With “Warplane,” Clash Valian, through Greg Merrell’s inventive composition and lyrical storytelling, offers a track that resonates with the fragility and resilience of the human spirit. As part of the upcoming album Degrees of Freedom, “Warplane” exemplifies the project’s commitment to musical exploration and the expression of deep, often unspoken, human experiences. This song not only contributes to the indie rock landscape but also invites listeners to confront their own fears and values, making “Warplane” a compelling piece that lingers long after the last note fades.

Stinkus – “Rodeo Mary”

Stinkus’ “Rodeo Mary,” the dynamic final single leading up to their debut album, intertwines the energetic beats of slacker rock with the nuanced storytelling of indie rock. This track delves into the complexities of navigating life with undiagnosed Borderline Personality Disorder (BPD), juxtaposing its lively melody with the introspective theme. With a sound that evokes the laid-back yet emotionally rich essence of bands like Pinegrove and Hovvdy, “Rodeo Mary” encapsulates the dichotomy of feeling intensely connected yet disconcertingly disjointed from those around us.

Through lyrics like “Mary wouldn’t leave me, Mary could you please leave,” Stinkus captures the push and pull of relationships affected by BPD, using simple yet evocative language to convey deep-seated emotional turmoil. The repetitive “La La La” serves as both a whimsical refrain and a poignant reminder of the cyclical patterns of thought and behavior that characterize the disorder, offering a glimpse into the protagonist’s internal conflict and confusion.

“Rodeo Mary” not only highlights Stinkus’ knack for crafting engaging melodies but also underscores their commitment to exploring significant, complex subjects within their music. This track invites listeners on a journey through the highs and lows of mental health struggles, framed within the accessible and relatable context of indie rock. As Stinkus prepares to unveil their full album, “Rodeo Mary” stands as a compelling preview of their thoughtful approach to music-making, promising an album that’s as reflective as it is resonant.

Raga the SON – “Spell” feat. Nalan

“Spell,” the captivating lead single from Raga the SON’s album “Son of Nile,” intertwines the essence of alternative and indie R&B with the depth of trip-hop, creating a sound that is both innovative and deeply rooted in cultural heritage. This collaboration with Nalan, set against the backdrop of Berlin’s Red Bull Music Studios and enriched with strings from Cairo, forges a unique auditory landscape that reflects the album’s core theme of unity along the Nile. Raga the SON, also known as Adam Radwan, uses “Spell” to articulate a vision of musical and cultural synthesis, where varied influences coalesce to explore shared and personal narratives within contemporary society and art.

In “Spell,” Raga the SON’s ambition to blend his diverse musical background manifests in a harmonious mix of traditional and contemporary elements. The track seamlessly incorporates oriental soundscapes with modern rhythms, highlighting Nalan’s evocative vocals and the sophisticated use of instruments like the oud, harp, and synths. This fusion not only demonstrates Raga the SON’s adeptness in production but also his intent to create a sound that resonates with the album’s overarching goal of cultural and musical amalgamation, offering listeners a sonic experience that transcends conventional genre boundaries.

As the introduction to “Son of Nile,” “Spell” promises an album rich with explorations of identity, cultural dialogue, and the intricate layers of human emotion. Raga the SON’s journey, marked by his eclectic influences and personal experiences, comes to fruition in this track, setting the stage for an album that aims to connect listeners across diverse backgrounds through the universal language of music. “Spell” not only showcases Raga the SON’s skill as a producer and curator of sounds but also heralds an album poised to delve deep into the complexities of modern art and society.

Sundozer – “Still Life”

In the sweltering heat of an unprecedented Austin summer, Sundozer’s “Still Life” emerged as a fiery anthem from their ‘Death Bloom’ EP, encapsulating the intensity of both the climate and the creative process behind the music. This first single embodies the essence of shoegaze and indie rock, infused with an undeniable energy that resonates with the restless spirit of acts like Thee Oh Sees and Ty Segall. “Still Life” is a testament to the resilience and fervor of Sundozer’s musical vision, crafted amidst the relentless Texas heat, showcasing the band’s dedication to a sound that’s as raw as it is captivating.

The lyrics of “Still Life” pulsate with a rhythm of rebellion and escapade, painting vivid scenes of audacity and defiance with lines like “So yea you try try try” and “Bang bang pick it up.” This narrative drive, coupled with the track’s gritty guitar riffs and pounding drums, crafts a sonic landscape that’s both exhilarating and introspective, offering listeners a glimpse into the tumultuous journey of creation and destruction. Sundozer, led by Christian Luis French, channels the chaos of their surroundings into a coherent and potent musical expression, making “Still Life” a compelling exploration of survival and adaptation in the face of adversity.

As the lead single and a harbinger of the ‘Death Bloom’ EP, “Still Life” sets the tone for an album born from the challenges of extreme conditions and personal perseverance. Sundozer’s ability to turn the oppressive heat of a Texas summer into a driving force for creativity is a reflection of their artistic identity, promising an EP that delves deep into themes of mortality and rebirth. With “Still Life,” Sundozer not only captures the essence of their sonic environment but also invites listeners into a world where the vibrancy of life persists even in the harshest of landscapes.

Pleasantville – “The Treetops”

Pleasantville’s “The Treetops,” produced by Daniel Gleason of Grouplove, delves into the introspective journey of reassessing safety and stability in a post-pandemic world through the vibrant lens of alternative rock and alt-pop. This track, underscored by Ben Homola’s dynamic drumming, encapsulates the collective uncertainty and personal reflections that have emerged in the wake of global upheaval. With lyrics that ponder the fixability of our lives and relationships, “The Treetops” resonates with the moodiness and energy characteristic of bands like GROUPLOVE and Gorillaz, while also charting its own course in exploring the nuanced emotional landscapes of the present day.

The song’s narrative, voiced with clarity and depth by Aaron David Gleason, paints a vivid picture of departure and the quest for resolution amidst chaos. Lyrics such as “You’re out of danger now my sweetheart, I don’t need your arm no more” and “Stop Stop, something is wrong in the treetops and I don’t think it’s fixable” convey a sense of both relief and lingering concern, reflecting on the personal and collective challenges faced in recent times. The inclusion of Emma Freeman’s backing vocals adds a layer of harmony and depth, underscoring the song’s exploration of vulnerability and the human yearning for understanding and connection.

“The Treetops” by Pleasantville offers a sonic exploration of the aftermath of crisis, inviting listeners to confront their own uncertainties and the impact on their interpersonal connections. This track not only serves as a musical reflection on the trials faced but also as an affirmation of the resilience and adaptability inherent in the human spirit. As Pleasantville navigates the complex emotions of the current era through their music, “The Treetops” stands as a poignant reminder of our collective journey toward healing and understanding in an ever-changing world.

Tim Joshua – “Trust”

“Trust” by Tim Joshua is a compelling narrative woven into an epic indie rock anthem that addresses the self-destructive tendencies of humanity and the solace found in meaningful connections. With influences from the iconic sounds of Dire Straits and Pink Floyd, Tim Joshua infuses “Trust” with a sense of grandeur and introspection, creating a sonic landscape that is both reflective and invigorating. The song’s exploration of environmental and social themes, paired with its optimistic undertones about the power of friendship and love, showcases Joshua’s ability to navigate complex topics with ease and musicality.

In his solo debut, “The Ride,” Joshua embarks on a cosmic journey that melds the visionary spirit of the ’60s, the playful energy of the ’70s, and a contemporary flair, with “Trust” standing out as a testament to this adventurous musical voyage. The track’s vibrant arrangements and soulful grooves highlight Joshua’s prowess as a multi-instrumentalist and composer, while his fiery guitar work adds a layer of intensity to the song’s message. The lyrics invite listeners to contemplate their role in the world’s trajectory, urging a collective reflection on our impact and the importance of fostering strong, supportive relationships.

“Trust” is more than a song; it’s an invitation from Tim Joshua to join him in exploring the vastness of human emotion and the universe’s mysteries through music. As part of “The Ride,” this track exemplifies Joshua’s skillful blend of historical musical influences and contemporary sensibilities, offering a glimpse into the lydian sides of compassion, responsibility, and love. With “Trust,” Joshua not only contributes to the indie rock landscape but also encourages a deeper engagement with the pressing issues facing our world, all while celebrating the enduring power of human connection.

Rubberband Girl – “Taller”

Rubberband Girl’s debut track “Taller” emerges as a poignant narrative that marries the soulful essence of ’70s troubadour music with the airy, modern textures reminiscent of the ’90s and ’00s alt-pop and indie folk landscapes. Crafted in the confines of a modest shed-studio in North London, “Taller” delves into the profound themes of motherhood, the poignant transition from innocence to experience, and a reflective sense of nostalgia, all presented with a subtle touch of humor. The song’s folky, guitar-driven backdrop sets the stage for a journey through personal and universal stories, intertwined with spiritual and pastoral imagery that enriches the listener’s experience.

In “Taller,” Rubberband Girl showcases a unique ability to blend diverse musical influences into a cohesive sound that feels both timeless and contemporary. The track’s introspective lyrics and rich acoustic arrangements invite listeners into a deeply personal space, where the complexities of growth and change are explored with sensitivity and depth. This debut song stands as a compelling introduction to Rubberband Girl’s artistic vision, highlighting a talent for storytelling through music that resonates on multiple levels.

As the opening statement from an East London artist poised to make a significant impact, “Taller” promises a discography that will continue to explore the intricate tapestry of human emotions and experiences. Rubberband Girl’s fusion of classic and modern musical elements in “Taller” not only captivates but also signals the arrival of a fresh voice in the alt-pop and indie folk genres, eager to engage audiences with tales of life’s bittersweet symphony.

The Bankes Brothers – “Walkin’”

The Bankes Brothers’ debut EP “In Waves,” and particularly its standout single “Walkin’,” brings a refreshing burst of energy to the indie rock scene, infused with the uplifting vibes of Americana and indie pop. Described as a “shot of dopamine,” “Walkin’” encapsulates the joyous essence of the band’s music, melding catchy melodies with vibrant vocals and lively instrumentation. This track, alongside the rest of the EP, showcases The Bankes Brothers’ knack for crafting songs that feel both novel and nostalgically familiar, drawing from a diverse palette of musical influences to create a sound that’s uniquely their own.

“Walkin’” serves as a powerful microcosm for “In Waves,” embodying the band’s journey through the creative process and their evolution in sound. Morgan and Nelson Bankes, along with their bandmates, have woven together a narrative of independence and self-assurance, underscored by the song’s mantra-like quality. The track’s development from a simple hook to a full-fledged anthem mirrors The Bankes Brothers’ own musical path, marked by persistence and a willingness to explore new directions. It’s a song that not only resonates with the band’s journey but also invites listeners to embrace their own individuality and the courage to walk their path.

As The Bankes Brothers gear up for their UK tour and the wider release of “In Waves,” “Walkin’” stands as a testament to their burgeoning presence in the music world. This single, along with the EP, signals the arrival of a band poised for significant impact, blending heartfelt lyrics with an infectious energy that’s bound to captivate audiences far and wide. The Bankes Brothers have not only delivered a compelling debut but have also laid the groundwork for a promising future in the ever-evolving landscape of indie rock and pop.

Free Whenever – “Precipice”

“Precipice” by Free Whenever encapsulates the essence of an instrumental journey, blending the spirited funk genre with the boundless realm of psychedelic rock, all while incorporating downtempo elements for a serene yet engaging experience. The track, following their previous single, crafts an ambiance of jubilation and contemplation, with pulsating rhythms and expressive melodies that vividly bring to mind the enchantment of seaside fire dances. The deliberate absence of lyrics allows the instruments themselves to become the storytellers, inviting listeners to delve into the music’s rich textures and interpret the narrative in their own unique way.

Within the sonic landscape of Free Whenever, founding members Neil Guleria and Trevor LaVecchia have carved out a niche that merges the tangible with the ethereal. Their dedication to long-form improvisation has birthed a distinctive sound characterized by a fusion of vintage psychedelia, dub reggae, eastern modalities, and African rhythmic influences. “Precipice” exemplifies this approach, showcasing a harmonious dialogue between bass and guitar over a foundation of Afro-Latin percussion and dynamic, hip-hop-inspired beats, embodying the group’s psychedelic groove ethos.

From their initial recordings in a Brooklyn apartment to capturing the attention of a global fanbase, Free Whenever’s musical evolution is encapsulated in “Precipice.” This track showcases their prowess to create a captivating, synesthetic sound experience that invites listeners to embark on a transcendent auditory journey. As Free Whenever continues to expand their live performances and explore new sonic territories, “Precipice” stands as a vibrant testament to their ever-evolving artistry, inviting audiences into a world where music transcends traditional genre boundaries to offer a truly immersive experience.

Susan James – “Time Is Now”

Susan James’ “Time Is Now” is a compelling narrative woven into her latest single, which serves as a vivid precursor to her upcoming seventh album. This track seamlessly blends indie rock and pop with elements of psychedelic and freak folk, showcasing James’ mastery in combining ethereal vocal harmonies with dynamic musical arrangements. Echoing the creative spirit of artists like Regina Spektor and Stereolab, “Time Is Now” emerges as a vibrant call to action, urging listeners to seize the moment amidst an energetic and thought-provoking soundscape.

The song delves into profound themes of existential curiosity and the collective human journey, posing poignant questions about the passage of time and our capacity for change. Lyrics such as “What if we could just live a thousand years? Would we learn to destroy all hate and fear?” invite listeners to reflect on the possibilities of personal and societal transformation. James’ skillful songwriting, enriched by her ethnomusicological background, weaves a tapestry of introspection and hope, encouraging a contemplative engagement with the here and now.

With “Time Is Now,” Susan James continues to captivate and challenge her audience, blending introspective lyricism with a rich, multifaceted sound. As anticipation builds for her seventh album, this single underscores James’ enduring influence in the indie music scene and her unwavering commitment to exploring the depths of the human experience through her art. “Time Is Now” is not merely a musical offering but an invitation to ponder our place in the unfolding narrative of time, marking a significant moment in James’ illustrious career.