The Flock: Hip-Hop: The Supreme Kings of Yesterday, Sauce is Matisse, Liion Gamble, Datta Boy, Rageouz

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

This is a new edition of The Flock. People who love Hip-Hop are going to find so much good content in this post. What is The Flock, you ask? The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fan base more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

The Supreme Kings of Yesterday – “Next Latest”

I love the sample at the beginning, especially the faked out Trap style stuff that makes fun of “Migos and all those guys that sound the same.” It really sets the stage for a throwback style hip-hop track that puts the people who throw together tracks in a few days, rappers who have no flow (i.e. mumble rap), and many other aspects of modern rap that The Supreme Kings of Yesterday hope to turn the clock back on. Above just a diss track, my favorite thing about track is that it is really a positive track that is about being yourself. He isn’t really hating on people for using the popular style to make some money, but he is calling them out for not being themselves, and if nothing else, S.K.Y. is going to be uniquely themselves. I really love how a lot of the track is filled with 90s style turntable scratching, and multiple voices with multiple flows. It makes me feel comfortable, like I’m a kid again listening to The Chronic or OutKast (not that the style is exactly the same).

Bio: The Supreme Kings of Yesterday, The S.K.Y. (comprised of brothers Cise & Classy Touch – Next Latest – Single from the forthcoming sel-titled project, based in Los Angeles & Oakland CA. Fresh vibes await with clear and concise lyrics, precision instrumentation and drum break accuracy. You seek the best from your imagination, you Look Up To The S.K.Y.

Sauce is Matisse – “Socially Inept”

It’s not exactly the same, but the flow on this song really reminded me of some early Eminem. Especially around The Slim Shady LP or so. Considering that’s one of my favorite albums, I hope that’s an okay connection. Sauce is Matisse has his own unique lyrical style that seems to focus on being an outcast “As in socially inept.” And this song at it’s heart seems to be a celebration of those who aren’t necessarily the most popular or cool. It’s an unapologetic beating of the chest saying that it’s okay to be comfortable in your own skin, regardless of how popular or not it makes you.

Bio: Depression. Social anxiety. Peer-diagnosed Asperger’s. Add a nerdy passion for artistic creation to this walking contradiction and you’ve got Sauce is Matisse, the D.C.-born rap artist currently based in Charlottesville, VA.

After being professionally described as a mental paradox in his teens, Sauce was given the advice to “contain” said paradox in order to allow all competing sides of himself to coexist.
He has done so through music.

Sauce is Matisse draws inspiration from both underground and mainstream music across all genres, and his work showcases a sound between raw hip-hop and the most technical heavy metal outfits. Over the years, he has worked with and learned from several established names (and some not so established) in the multi-genre underground. Sauce is always evolving as an artist and refining his sound and visuals, tightening them into progressively visceral polished works of art.

Eventually, Sauce realized that he could not only save himself through music, but he could reach others as well. Listen and you’ll hear that this paradox has effectively been contained, and it’s tastier than ever.

 

Liion Gamble – “Solitude”

This song is just gorgeous and haunting. The female vocals really even out the whole thing, and I’m really moved by the consciousness of the lyrics, that range from melancholy to hopeful. The lyrics discuss police brutality, violence, struggling to make the art you want, relationships, divinity, and hope that there is a purpose behind all of this struggling and solitude. It’s really a wonderfully grounded song of hope and overcoming adversity.

Bio: Liion Gamble was raised in Raleigh, NC but born in St. Andrew, Jamaica. His musical influence can be traced all the way back to his Grandfather. With conscious content we are almost always drawn to assume the nature of the music will be a bit dull and somewhat preachy. Liion bridges the gap between substance and style in a major way. Melodic hooks and bridges, paired with quotable lyrics and stylistic flow, highlight this artist’s versatility.

With a growing social media presence Liion released his first official single, “Solitude” on all streaming platforms May of 2018 and has delivered an EP entitled Grand Re-Opening July 27th of 2018. Driven to cut out the middle man, he has become a student of production and audio engineering in order to take the quality of his sound to the next level. Building a hit record from the ground up is a big goal of his right now but only one of many in the pursuit of becoming a complete artist.

 

Datta Boy – “Keep Drinking (Prod. by Epik The Dawn)”

“FOR THE PEOPLE OF THE PEOPLE BY THE PEOPLE LETHAL

STAB US WITH THE SHARPEST NEEDLE

THEY SWEAR THEY PROVE IT IN THE PENALS

BREAK A NIGGA BACK YOU KOW THIS IS A FACT LIKE WAR MACHINE TO DON CHEADLE

NIGGAS STANDING STILL TARGET PRACTICE KILLS MANAQUINS BLACK BEATLES

I DON’T REALLY KNOW”

This song is full of really intense lyrics, but this was my favorite section. It really dives into the way that the system is corrupt and broken, by beautiful evoking constitutional language, to describe how they break someone. I also like the War Machine reference, which sees a black man being used for profit, but only as a secondary character. As far as the “keep drinking” hook goes, it kind of reminds me of “Swimming Pools” by Kendrick Lamar. It doesn’t seem like the drinking is a real solution, but it is a way to cope with how bad things can get. It takes on a somber tone of some sort of plead to find a way to numb all the pain surrounding the struggle, which is evidenced by the artists description of the song: “A man blames the world for his problems and heres a voice in his head telling him to keep drinking”

Bio:  Datta Boy is a multifaceted artist from Los Angeles California. He began rapping at the age of 11 and ever since then he has had a love for music. He took a break from music to pursue a career in football. He played college football at The University Of Nevada Reno where he Played Fullback for the Wolf-Pack and also played for Southern Utah University where he was a hybrid blocker for the Thunder Birds (T-Birds). After he graduated from Southern Utah University, He played a year professional football and called it quits. He returns to his love of music. He has one mix-tape out called “Black Ink” and 3 music video out called Fell So Far, A Wave Of My Own Prod. & Feat. Ronny Bueller and THREAT which were all directed by Ralph Laurence Mariano and his assistant director Jose “No-Face” Quintanilla. Datta Boy is cousins with actress and R&B Singer Rhyon (Surviving Compton, Lincoln Heights,Get Rich or Die Tryin’) who has a hit single on the radio “California” and her older sister R&B Singer RaVaughn( Better Be Good, Best Friend).

 

Rageouz – “Bridging”

The video expresses my contentedness with my surroundings, with my day-to-day life around family and friends, being what I value most”  – Rageouz

This is really a fascinating video with a first person walk through a life, with some really inventive effects. At its heart, it’s a really calming look at a day in the life of someone who is “alright.” There’s not a ton of trauma or drama, it just feels right. I think we can all learn to look around and appreciate our lives for what they are: a good time with some friends, time spent with family, a pretty drive. “How could I complain?”

Bio: Hailing from the stomping grounds of East London’s Canning Town, Rageouz’s musical journey began at the age of just 11. Raised on a healthy diet of UK Rap legends and inspired by the likes of Kano and Dizzee Rascal, his curiosity was sparked. Bursting through with his debut ‘Outchea’ followed by his freshman mixtape Hell’s Angel, Rageouz has displayed an unwavering work rate. His innate hunger and skill at delivering has led him to be featured on GRM Daily’s ‘Next Gen 10’ alongside artist such as Avelino, Bonkaz and A2 and he has released a string of successful projects including ‘East Side’, his ‘Ethos’ EP, collaborative project ‘Back 2 Da Future’ with Preacher Soul and ‘On The House’.

Contagiously creative and enthrallingly enigmatic join Rageouz on his latest pursuit and get to know the exciting new prospect of UK music.

 

-Caleb

Want to hear more? Check out these songs and more on our August TOTD Playlist. 

We also just released a new podcast today, you can check that out here: Episode 18: Existentialism (Part 1)

 

Episode 18: Existentialism (Part 1)

Stitcher

Soundcloud

iTunes

TuneIn Radio

Google Play

 

Join Seth and Caleb (who had some sound issues) as they discuss free will, Ghosts, Omniscience, tyranny inspired punk, and as always, the best new music you’ve never heard of.

Intro – Alpine Blizzard – Stranger feat. Jenny Ridgeway
@alpineblizzard

Strange Neighbors – Ghost
*StrangeneighborsGhost
*bsideguys.com/2018/06/19/strange-neighbors/

Esbie Fonte – Ace’s High
www.youtube.com/watch?v=sFcH6xKy8jw
bsideguys.com/2018/06/12/esbie-fonte/

Indian Askin – I Feel Something
www.youtube.com/watch?v=QnlBSFwjc-Y
bsideguys.com/2018/06/21/the-flo…addle-hugo-fowler/

Glass Lungs – Casting Stones
www.youtube.com/watch?v=77FaaognfnY
bsideguys.com/2018/05/28/mid-day…gs-casting-stones/

Robin Hayes – Autopilot Hijack
TherobinhayesAutopilot-highjack
bsideguys.com/2018/06/10/robin-hayes/

Fort Hill – Marks
User-764965945Marks
bsideguys.com/2018/06/01/totd-fort-hill-marks/

The Flock: Singer-Songwriter: Ben Foerg, Jacko Hooper, Deer Fellow, Moncrieff, Emina Sonnad

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

This is a new edition of The Flock. People who love Singer-Songwriters are going to find so much good content in this post. What is The Flock, you ask? The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fan base more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

Ben Foerg – “Around The Bend”

This song does an excellent job of world building in such a small space. I felt like I was playing Red Dead Redemption or something with the rich imagery of the the lyrics. Let’s dive into a couple:

“on the day the fire burned he rolled around in the embers
cackling like a wild animal with ticks beneath its fur
his horse vanished with the smoke
the rider just laughed at the joke
and so he stood and walked on into the woods”

There are several verses with a similar sentiment that seem to be “laughing the face of despair”. No matter what life throws at the protagonist of this song, he meets it with a smirk. It’s really the best parts of who we hope we are. The parts of humanity that shine when faced with trying times and difficulties. The speaker is the anti-hero that we hope is lurking beneath the surface in all of us, and that we often hope we never really have to find out about. Yet:

“if you listen close, you’ll hear the echoes of his ghost
laughing madly through the night but never coming into sight
it’s a sound that will chill your bones
while you were busy skipping stones
the city raged and silently turned the page

it’s the same now as it was then, everyone’s waiting for the end
that moment when we make amends and put it all together again
like somehow we got off course
like somehow we lost our horse
but the river bends and so it will bend again”

So maybe that’s a big part of what is missing in our spirit right now. We’ve become so disconnected from the tests of nature that allowed us to rise as the dominant species on the planet that we no longer feel purposeful. From an objective angle, maybe we never were, but at least on the ground, with a rock in our hand, we felt like we were moving forward and that it was good.

Bio: Released November 2017, “Around the Bend” is the title track from so-named EP.

Ben Foerg is the lead singer of LA rock band The Absurd, here offering a different twist on his writing capabilities. Produced in the bedroom with what lo-fi equipment was available, “Around the Bend” is a testament to Foerg’s lyrical abilities, as well as his interest in fusing the worlds of electronic and folk music.

Jacko Hooper – “All I Deserve, Is Not You”

Did you make it to the breakdown at 1:25? That’s really where this song and video started to completely capture me to the point that I couldn’t look away. The vocals have a bit of a Rainbow Kitten Surprise feel (which if you know me, you know that’s one of the best compliments I can give.) This song seems to be about the feeling you get when you find someone so absurdly perfect that it doesn’t seem right that you deserve it. You are waiting on the shoe to drop. This really becomes apparent with the chorus:

“Oh i deserve to be let down by you
If you’re the rays then i’m the gloom
Desperately searching for two
Oh i deserve to be let down by you”

I really connected with the line: “if you’re the rays then I’m the gloom” because I often feel that way about a lot of positive people in my life, and definitely my SO. I’ve worked through a lot of those issues in therapy over the years, but I still can’t help but feel like Eeyore bringing the mood down when I get hit with a bad day. Aside from the relatable lyrics, the music in this song is unquestionable diverse and beautiful. There are dissonant guitars, gorgeous swelling horns, and drums that know exactly when to emphasize and when to lay off. The whole thing gives me chills, no matter how many times I hear it.

Bio: This track is part of the 4 track split EP out via Folklore Sessions on 7″ vinyl and digitally on all major outlets.

As part of a split EP with George Ogilvie, Bess Atwell and Oktoba.

 

Deer Fellow – “Beautiful Gray”

“Black and white
Ruled my life ‘till I found you
Now I’m living
In this limbo built for two
Late nights talking
Tightrope walking rendezvous
For now I’ll be
Happy just to be close to you

‘Till then
I’ll love you
In this sad but happy state
Beautiful gray”

I love how wonderfully this song works in the title “Beautiful Gray” into the entirety of the lyrics. After spending an entire life in Black and White, it takes a gray area to show the speaker true beauty. Beauty isn’t being happy all the time. Beauty isn’t stark tragedy. Beauty is found in the gray areas between. The gray area also seems to suggest a lover that’s not fully yours. Someone you’re willing to wait on, even though things may not be exactly where you want them right now. It is an appreciation of exactly where you are, even though you probably have to fight the thoughts of where they may one day go. The vocal harmonies themselves give the song the same sort of quality. Where the female vocals seem to be in the front of the mix, but the male vocals echo in the background, filling the empty space.

Bio: Deer Fellow is an indie alt-soul group out of Austin, TX. The band began as an acoustic duo between Matt Salois (vocals, guitar) and Alyssa Kelly (vocals, keys, violin), before expanding to its current 4-member lineup that includes drummer, Joel Klaus, and bassist, John Wilhelm. Deer Fellow performs in several arrangements, whether duo, trio, or electrified full band. Their vocal harmonies seamlessly blend indie with a serving of soul.

Moncrieff – “Serial Killer”

Speaking on the lyrical meaning behind the new single, Moncrieff said: “I wrote Serial Killer a few months after coming out of what was a pretty intense relationship; to put it lightly. It’s nuts how you never seem to notice how your perspective changes when you’re in deep with someone. You lose the ability to be objective as infatuation paints over traits in a person that would otherwise serve as warning signs.”

I’m not going to dive too deeply into the specific lyrics, because we will do that at length on an upcoming podcast episode (maybe 4 weeks or so?). I am going to talk about how great the production on this track is. It builds in the best possible way. It uses vocal distortion and echo to create a darkness that belies the seemingly upbeat melody. And it ultimately ends up with a breakdown that would fit in any EDM mix.

Bio:  Moncrieff’s reputation as a phenomenal live act continues to spread, with upcoming performances confirmed at The Great Escape (having been chosen to be one of the festival’s “First Fifty”), Live At Leeds, and more. Add to that, strong airplay from BBC Radio 16 Music, and Beats 1, along with a 13 week stint on the European Border Breakers Chart – this is only the start of what is set to be an incredibly exciting 12 months for Moncrieff.

Facebook: facebook.com/moncrieffmusic

Twitter: twitter.com/moncrieffmusic

Instagram: instagram.com/moncrieffmusic

 

Emina Sonnad – “Pretending to See Stars”

“So close your eyes
And we’ll pretend to see stars
In a world where the light has to hide behind
The smoke coming out of cars
And we’ll pretend all the planets are our
And I can see (you’re lying next to me)
As we lie in bed (I love you, please don’t leave)
The most beautiful things are the ones we imagine in our heads.

Did you hear the spaceships flying by
(happiness consumes you all night long)
Cause all I see are light shows in the sky
(you always take the pill I guess the real thing’s not as strong)
But don’t you sometimes want something to keep?
Wish I could wake you up, you look so lonely in your sleep. ”

Man, these lyrics give me chill throughout. I don’t usually post this many of them, but it’s like poetry. This perfectly captures the way I feel about our place as humans in a society that has mostly realized our existence is meaningless. (That’s not to say you can’t find meaning, or that I judged you if you find it through older conventional means/religions). To me though, we know enough now to know that we are a tiny speck, on a tiny speck, that seemingly evolved to realize that fact, but not enough to find out what it all means, or if it all means anything. This song does a great job capturing that lonely feeling that comes along with that realization. It also does a great job of capturing the way that relationships fit into that feeling. I have a SO that I want to spend the rest of my life with, and I think we will, but ultimately that ends, and ultimately, we all die alone. “(I love you, please don’t leave)”. It immediately reminds me of the Typhoon song “Common Sentiments” which leaves you with this little existential threat: “They say you want to hear something that you already know
If it comes from above, well this one comes from below
It says, “You are sleeping together, but you will die alone.”

Bio: Emina Sonnad is an indie-pop singer-songwriter based in Los Angeles, California. She made her performing debut recently while living abroad in Madrid, Spain, where she gained recognition for her ability to pair simple melodies with complex and strikingly relatable lyrics. In the style of artists such as Regina Spektor, Lana Del Rey, and Ingrid Michaelson, Emina’s songs take on a narrative and dynamic form, switching from dreamlike to bluntly honest as she tells stories about the people and places she’s known or imagined.

 

-Caleb (sorry for the darkness)

Did you like this? We have these songs and more on our August Spotify TOTD Playlist.

Did any of these songs make you feel Existential? We just recorded part one of our Existentialism episode for our Podcast. It will be live on Monday, August 13th.

Video of the Day: Sea High – “Luv.”

I love the visual style of this video. Parts of it remind me of those old flash videos on NewGrounds.com and part of it is a genius multimedia project that combines pictures, live drawn art, and movement. It’s really beautiful. The other really essential element to this song is the lyrics. Let’s dive into what makes them so effective:

“And I’m ever grown in a wood of gold
And I can’t be told when to call or fold
And I’m always talking and I can’t shut up
And I’m awful flawed but I’ve mastered stuff
And I think you’re cool.. you’re.. you’re.. you’re really nice like”

The whole song mixes a sense of poetry (as you can see in the repetition and anaphora) and conversational tone ( as you can see with the seeming stutter). This gives the song an understandable but simultaneously complex and abstract vibe. The whole first half of the song seems to be a listing off of shortcomings or anxieties, while the last half is a thank you letter:

“And it’s you that was constant you killed my concerns
It was you that was constant you killed my concerns
You should know you resurrected my trust
It was you that was constant this love is a must
(Spoken)
And if you were my only fan I’d never stop making music,
And you’re the only one pulling me through this
And I really should be saying this out loud but I can’t and
For now I’m just a ghost I’m just a phantom … ”

This whole section seems like it’s leading into a love note, but then we get the subversion of that at the end, and we see that he hasn’t said this to this person at all. He’s just a “ghost” or a “phantom”. I also really like that we get that classic movie moment in the video, when it ends with a girl picking up the phone trying to connect, but he’s already gone. It’s a very relatable theme of Unrequited Love (which we did a podcast episode on).

 

Bio: Sea High is a multi instrumentalist rapper and singer-songwriter from Ireland, using homegrown beats made by himself and O’B1 from Off Key Collective, a grassroots label that they co-founded

Sea High takes hip hop and uses it to convey abstract, conceptual themes of love, hate and everything inbetween.

LUV. Is an unsent message to a special someone that takes your breath, words and worries away.

 

-Caleb

Want to hear more music? We’ve added this song and more to our August TOTD Spotify Playlist. 

TOTD: Caicos – “Promised Lands”

“Sands fallen through hands
Make new promised lands”

This song from Caicos is a really interesting look at opportunities and change. The image of sand shifting through fingers, like if you picked up a handful at the beach, is a nice metaphor for many aspects of life. I can’t say I necessarily have the right interpretation, but here at B-Side Guys, we like to give you our take, with the thought that art has two important pieces, the artist and the observer. So, the line that is repeated above to me is talking about the things that slip away from you, and that you think at the time is a tragedy. Maybe a relationship doesn’t work out, maybe you lose your job, etc. Given enough time, those opportunities missed, can make “new promised lands” that take your life in directions that you couldn’t imagine back when you were trying to hold onto a handful of sand.

“Arms and ears
Mouth in gears
Rewired and sore
But well enough to get
One foot out the door
Prepared for what had met
Me at the threshold
Between the new and old”

I think this section really emphasizes what I said above, when he describes “the threshold between the new and old.” Even though you’ve grown comfortable with the way things are, nothing lasts forever, and to continue, you’re going to have to adjust, and maybe even go through some growing pains :”rewired and sore, but well enough to get one foot out  the door.” As someone who has had several major life changes that on the surface sounded like a negative, but ultimately turned into a positive, I really love the message of this song and the stoic philosophy it relates.

Bio:  Alex Frenkel was one of the principle songwriters in the New York-based band Gospels ( http://www.nylon.com/articles/song-premiere-gospels-sleepwalkers https://www.interviewmagazine.com/music/discovery-gospels ) and is a collaborator with Gabriel Garzon-Montano (appearing on a couple of tracks on his recent LP out on Stones Throw Records).

He is in the process of completing three of his own records to be released under the pseudonym Caicos. The first of these records is called Promised Lands, and is out on veryjazzed records/Frenchkiss Label Group on August 10th. The title track from the forthcoming album is the second single.

-Caleb

Want to hear more music? Check out our August TOTD Spotify Playlist.

Don’t forget to check out our podcast on iTunes, Stitcher, Google Play, etc. Here’s our newest episode: Episode 17: Idols

 

TOTD: Emily Brown – Beautiful Baby

If you’ve listened to the podcast/followed along with the blog for at least a couple of weeks, you know how much we love this song. We’ve had a live interview with her, her music was on episode 17 of the podcast, and now I want to do a proper review of it. Caleb and I are both better at writing our feelings than articulating them in conversation, so to give this song the credit it is due, we had to bring it up one more time.

This is one of the most interesting tracks I’ve heard in a long time. The lyrics are both empowering and poignant, giving power to women everywhere while evoking a sense of regret and introspection from the men in the audience. Before we go any further, I want to make sure you’re tracking what the lyrics mean.

“Beautiful Baby responds to an old love song by Harry Warren and Johnny Mercer called ‘You Must Have Been A Beautiful Baby.’ It speaks to the heartbreak and disillusionment of women who have been infantilized or treated with lightness in highly emotional relationships.”

As a woman, (which I’m not, and luckily we had an interview with her that kept us from mansplaining too much, that is going to be posted as a bonus podcast episode this weekend) this is the kind of song that gives you support and aids you if you’re in a relationship where it feels like you’re treated as more of an accessory or lesser-than. As a man, it makes me think about past interactions and relationships, and makes me a little sad. I was a different guy than I am now, especially in high school. I can’t recall a time where I knowingly treated a relationship or emotions lightly due to the fact that the other party was female, but I definitely can’t rule it out.

It is easy enough to have an unhealthy power dynamic in a relationship, but when that power dynamic stems from a sexist ideal that women are cute little butterflies that don’t have real thoughts, goals, dreams, beyond however they relate to yourself, that’s more a reflection on your worldview than on the relationship you are in right now.

-Seth (with a small assist from Caleb, whatever part you didn’t like, it was Caleb)

You can find this song and more on our August TOTD Spotify playlist.

We also premiered this song for the first time on our newest podcast episode.