Morning Commute: Nate Smith – “None of These Things”

“The weather man says it’s gonna rain
The TV man says the world is full of pain. Oh
The white man comes and the white man goes
He takes what he takes and he never lets go. Oh

I know a girl who don’t care about none of these things –
She talks to the birds and she learns about what they sing –
All of her memories are turning into dreams – ”

 

This song is so classic. I feel like it could fit into almost any era in the past 60 years, and it would give whoever is listening to it chills. To me it seems like it’s a classic sense of disenfranchisement. There are a million voices to listen to, in the media, from those in power, and it can get pretty dark if you are paying attention. But also, we have the option to focus on nature, personal growth, creativity. We could all be like the girl “who don’t care about none of these things.” It’s a really inspiring message overlaying a classic blues guitar riff. I really can’t get enough of it. One last note of praise: I LOVE the weird sample that comes in at the end of the song. I can’t make out all of it, but it fits perfectly with the vibe that’s being created.

Bio: With nearly twenty years of song writing experience under his belt, Nate Smith has evolved into a beacon of honesty and real life experiences especially when it comes to the process of composing lyrics. Harboring a belief that all artists are most often struggling poets, Nate strives to create songs that take people on an emotional and reflective journey that can only be described as both gripping and beautiful. Check out more here: The Nate Smith Band.

-Caleb

Want to hear more? We’ve added this song and more to our September TOTD Playlist.

Morning Commute: The 502s – “Olivia”

This song is so perfect for your morning commute. I don’t know about you guys, but Tuesday mornings are hard for me. I’m tired from one day of work, and I can’t really see the light at the end of the tunnel of the week yet. I drink an extra cup of coffee, and I try to find something to motivate me. This song fits into that category with it’s infectious energy and fun vibes. The lyrics themselves seem to focus on a girl, and wondering if the way they feel about her is real love or just lust. But the instrumentals, especially the horns and the rambling drum beat are perfect for putting me in the right head space this sleepy Tuesday morning.

Image result for the 502s

Bio: Listening to their lighthearted gang vocals and buoyant trumpet lines, you could certainly slap The 502s with an ambiguous indie label. Their loosely boondock, on-the-road-again acoustic tenor makes them a fit with the Americana crowd. And with their big, open strumming patterns, fingerpicked banjo, and mildly twangy vocal flair, it would be easy to call them a folk band, throw on a plaid shirt, and compare them to The Lumineers or The Avett Brothers.

Looking through a bigger lens, however – one that takes into account all aspects of their collective persona – The 502s are best described as the sound of a celebration: a wild, friendly shindig down the street that everyone wants to attend.

And the Orlando-based six-piece (Ed Isola, Jonathan Ruiz, Jake Isola, Matthew Tonner, Kaleigh LeBeau, and Tristan Smith) know that they’re ready to host. Operating within a city that sees thousands upon thousands of entertainment-hungry visitors every day has led the band to embrace their need to delight, to amuse, and to create the party for which they’re already providing the soundtrack.

The 502s’ forthcoming album Because We Had To is a lesson in finding what feels good – both in music and in life. Recorded in 36 hours over Memorial Day Weekend, it’s the kind of album you could take on a road trip, or one you might hear at a raucous New Year’s Eve Party where the lead singer smashes a pint of Guinness onstage (true story). “It’s the sound of a big rowdy party,” laughs singer/songwriter Ed Isola.

-Caleb

Looking for more? We’ve added this song and more to our September TOTD Playlist.

The Flock: Hip-Hop: The Supreme Kings of Yesterday, Sauce is Matisse, Liion Gamble, Datta Boy, Rageouz

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

This is a new edition of The Flock. People who love Hip-Hop are going to find so much good content in this post. What is The Flock, you ask? The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fan base more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

The Supreme Kings of Yesterday – “Next Latest”

I love the sample at the beginning, especially the faked out Trap style stuff that makes fun of “Migos and all those guys that sound the same.” It really sets the stage for a throwback style hip-hop track that puts the people who throw together tracks in a few days, rappers who have no flow (i.e. mumble rap), and many other aspects of modern rap that The Supreme Kings of Yesterday hope to turn the clock back on. Above just a diss track, my favorite thing about track is that it is really a positive track that is about being yourself. He isn’t really hating on people for using the popular style to make some money, but he is calling them out for not being themselves, and if nothing else, S.K.Y. is going to be uniquely themselves. I really love how a lot of the track is filled with 90s style turntable scratching, and multiple voices with multiple flows. It makes me feel comfortable, like I’m a kid again listening to The Chronic or OutKast (not that the style is exactly the same).

Bio: The Supreme Kings of Yesterday, The S.K.Y. (comprised of brothers Cise & Classy Touch – Next Latest – Single from the forthcoming sel-titled project, based in Los Angeles & Oakland CA. Fresh vibes await with clear and concise lyrics, precision instrumentation and drum break accuracy. You seek the best from your imagination, you Look Up To The S.K.Y.

Sauce is Matisse – “Socially Inept”

It’s not exactly the same, but the flow on this song really reminded me of some early Eminem. Especially around The Slim Shady LP or so. Considering that’s one of my favorite albums, I hope that’s an okay connection. Sauce is Matisse has his own unique lyrical style that seems to focus on being an outcast “As in socially inept.” And this song at it’s heart seems to be a celebration of those who aren’t necessarily the most popular or cool. It’s an unapologetic beating of the chest saying that it’s okay to be comfortable in your own skin, regardless of how popular or not it makes you.

Bio: Depression. Social anxiety. Peer-diagnosed Asperger’s. Add a nerdy passion for artistic creation to this walking contradiction and you’ve got Sauce is Matisse, the D.C.-born rap artist currently based in Charlottesville, VA.

After being professionally described as a mental paradox in his teens, Sauce was given the advice to “contain” said paradox in order to allow all competing sides of himself to coexist.
He has done so through music.

Sauce is Matisse draws inspiration from both underground and mainstream music across all genres, and his work showcases a sound between raw hip-hop and the most technical heavy metal outfits. Over the years, he has worked with and learned from several established names (and some not so established) in the multi-genre underground. Sauce is always evolving as an artist and refining his sound and visuals, tightening them into progressively visceral polished works of art.

Eventually, Sauce realized that he could not only save himself through music, but he could reach others as well. Listen and you’ll hear that this paradox has effectively been contained, and it’s tastier than ever.

 

Liion Gamble – “Solitude”

This song is just gorgeous and haunting. The female vocals really even out the whole thing, and I’m really moved by the consciousness of the lyrics, that range from melancholy to hopeful. The lyrics discuss police brutality, violence, struggling to make the art you want, relationships, divinity, and hope that there is a purpose behind all of this struggling and solitude. It’s really a wonderfully grounded song of hope and overcoming adversity.

Bio: Liion Gamble was raised in Raleigh, NC but born in St. Andrew, Jamaica. His musical influence can be traced all the way back to his Grandfather. With conscious content we are almost always drawn to assume the nature of the music will be a bit dull and somewhat preachy. Liion bridges the gap between substance and style in a major way. Melodic hooks and bridges, paired with quotable lyrics and stylistic flow, highlight this artist’s versatility.

With a growing social media presence Liion released his first official single, “Solitude” on all streaming platforms May of 2018 and has delivered an EP entitled Grand Re-Opening July 27th of 2018. Driven to cut out the middle man, he has become a student of production and audio engineering in order to take the quality of his sound to the next level. Building a hit record from the ground up is a big goal of his right now but only one of many in the pursuit of becoming a complete artist.

 

Datta Boy – “Keep Drinking (Prod. by Epik The Dawn)”

“FOR THE PEOPLE OF THE PEOPLE BY THE PEOPLE LETHAL

STAB US WITH THE SHARPEST NEEDLE

THEY SWEAR THEY PROVE IT IN THE PENALS

BREAK A NIGGA BACK YOU KOW THIS IS A FACT LIKE WAR MACHINE TO DON CHEADLE

NIGGAS STANDING STILL TARGET PRACTICE KILLS MANAQUINS BLACK BEATLES

I DON’T REALLY KNOW”

This song is full of really intense lyrics, but this was my favorite section. It really dives into the way that the system is corrupt and broken, by beautiful evoking constitutional language, to describe how they break someone. I also like the War Machine reference, which sees a black man being used for profit, but only as a secondary character. As far as the “keep drinking” hook goes, it kind of reminds me of “Swimming Pools” by Kendrick Lamar. It doesn’t seem like the drinking is a real solution, but it is a way to cope with how bad things can get. It takes on a somber tone of some sort of plead to find a way to numb all the pain surrounding the struggle, which is evidenced by the artists description of the song: “A man blames the world for his problems and heres a voice in his head telling him to keep drinking”

Bio:  Datta Boy is a multifaceted artist from Los Angeles California. He began rapping at the age of 11 and ever since then he has had a love for music. He took a break from music to pursue a career in football. He played college football at The University Of Nevada Reno where he Played Fullback for the Wolf-Pack and also played for Southern Utah University where he was a hybrid blocker for the Thunder Birds (T-Birds). After he graduated from Southern Utah University, He played a year professional football and called it quits. He returns to his love of music. He has one mix-tape out called “Black Ink” and 3 music video out called Fell So Far, A Wave Of My Own Prod. & Feat. Ronny Bueller and THREAT which were all directed by Ralph Laurence Mariano and his assistant director Jose “No-Face” Quintanilla. Datta Boy is cousins with actress and R&B Singer Rhyon (Surviving Compton, Lincoln Heights,Get Rich or Die Tryin’) who has a hit single on the radio “California” and her older sister R&B Singer RaVaughn( Better Be Good, Best Friend).

 

Rageouz – “Bridging”

The video expresses my contentedness with my surroundings, with my day-to-day life around family and friends, being what I value most”  – Rageouz

This is really a fascinating video with a first person walk through a life, with some really inventive effects. At its heart, it’s a really calming look at a day in the life of someone who is “alright.” There’s not a ton of trauma or drama, it just feels right. I think we can all learn to look around and appreciate our lives for what they are: a good time with some friends, time spent with family, a pretty drive. “How could I complain?”

Bio: Hailing from the stomping grounds of East London’s Canning Town, Rageouz’s musical journey began at the age of just 11. Raised on a healthy diet of UK Rap legends and inspired by the likes of Kano and Dizzee Rascal, his curiosity was sparked. Bursting through with his debut ‘Outchea’ followed by his freshman mixtape Hell’s Angel, Rageouz has displayed an unwavering work rate. His innate hunger and skill at delivering has led him to be featured on GRM Daily’s ‘Next Gen 10’ alongside artist such as Avelino, Bonkaz and A2 and he has released a string of successful projects including ‘East Side’, his ‘Ethos’ EP, collaborative project ‘Back 2 Da Future’ with Preacher Soul and ‘On The House’.

Contagiously creative and enthrallingly enigmatic join Rageouz on his latest pursuit and get to know the exciting new prospect of UK music.

 

-Caleb

Want to hear more? Check out these songs and more on our August TOTD Playlist. 

We also just released a new podcast today, you can check that out here: Episode 18: Existentialism (Part 1)

 

New Release Friday: Jamie Sloan, Tenjin, Couch Jackets, Helenor, Thumpasaurus, Charlie Phllps, Terrell Morris

These are our favorite new songs of the past couple days. Every song has been released within the last 48 hours, so you can tell your friends about not only new artists, but their new songs that they’ve never heard.

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

 

*Click on the artist name to visit their website*

 

Jamie Sloan – New Orleans Queen

This song is so good on so many levels. It’s the first single off his upcoming album No Fairytale Stories and he says this song is about knowing you’re soul mate is out there but having no idea who or where they might be. Hence the line “I hope I’ll find you soon.” The song mostly lays out this ideal person, and a hopefulness that pervades throughout. He saids, “no fairytale stories, we will make our own.” and “are you lonely like I am?” It’s a brutally honest and optimistic song that I think most of us can empathize with, either currently, or at certain times in our lives. I hope that he’s able to “find her soon”, and I’m so glad to have found this track.

Tenjin – Mama Don’t Know

“Got plenty friends no friend zones, I get benefits…Dental

Man I got a flow to spit coast to coast go boating tits

Then I pose up a photo click

And then compose a prose of cold flows that’ll go with this”

The defining characteristic of this song has to be just how smooth the flow is in the verses, and how fun some of the word play is. The hook repeats, “What momma don’t know won’t kill her,” which of course is a classic line that we’ve all heard before. It’s particularly fitting for this song after all the debauchery described in this song. There’s random sex, drinking and partying, drugs, fighting, and many of things I suppose you wouldn’t want your mom to know about. I really can’t get enough of just how tight the flow is on this song.

Couch Jackets – Don’t Think Just Breathe

Time to put your trippy pants on. This song is Car Seats Headrest meets Pink Floyd and the video adds a layer of Children of Men meets 2001: A Space Odyssey. If you dig it, they are releasing a full LP on July 27 called Go To Bed. The video itself is such an interesting concept, mixing a strange dinner with the band members, and a constantly changing TV that shows news and chaos. It’s a video that could probably get a full thesis written on it: from the random “Emotional dissonance” that shows up mid breakdown, to the hijinks at the dinner table. I’m not entirely sure what to make of all of it, but I really dig it. Also, the music itself is just phenomenal. It ultimately sounds like its 4 songs in one, with all the key shifts and breakdowns that flow seamless throughout the song. The band describes themselves as “a rock band from central Arkansas making wacky noise.” And I really just can’t get enough, and can’t wait to see what other wacky sounds are on the full album next week.

Helenor – Ocean State

As someone who lives in the “Ocean State”  I have a particularly affinity for this song haha. But really what drew me in was the droney sounding synths and dissonance that gets created by them when the first musical interlude comes in. The second thing I really loved was the lyrics, that seem to suggest a love/hate relationship with the place you inhabit.

“Ocean state is
a state of mind
Older neighbor’s
second lease on life
She named her dog
from multi culture night
Sawed my arm while they took
Paris flights”

This song does an excellent job of mixing the surreal and cynical at the same time. The artist mentioned being influenced by Beck, and I can’t think of someone who does the same thing better. It’s a perfect descriptor.

Background: ““Helenor” is the musical moniker for Boston based visual artist David DiAngelis. The premiere LP “something twice” was written and recorded at home in 2017 as a solo project. Drums were provided by Seth Kasper (Mass GothicChristopher OwensHooray for EarthWild LightAir Traffic Controller) who also co-produced the album. “something twice” is scheduled for release Fall 2018 with accompanying live set.”

 

Thumpasaurus – Flamingo Song

Let’s keep it weird up in here. If you can’t figure out how the video relates to the title in the first few minutes, I’ll give you a hint: it’s all the pink. I love how silly the band members dance around, sometimes acting like a boy band, sometimes just freestyling completely. This is juxtaposed with the lead singer having an emotional conversation with a doll where he seems to be having a break up conversation. I never thought it could make me feel emotional, but when you kind of listen to the lyrics and imagine it being said to an actual love interest, it does get a little melancholy. But the best part about the pace of this song and video, is it doesn’t linger in it. It continues to be absurd, and to meander instrumentally with a walking horn, until you can’t really be sad while listening. Also, I have to share their bio, because there is an amazing karate story in it, overall, they are such a fun band that I will be keeping up with all the future hijinks.

Bio:Los Angeles-based Thumpasaurus are a gang of five superbly-skilled young American musicians taking hugely divergent influences and channelling them into something uniquely Thumpasaurian.  

 

Thumpasaurus offer up their own unique punk/funk stew wherein, hidden in plain sight and sound, you’ll find traces of Zappa, Beefheart, James Chance, Funkadelic/Parliament, Morphine, Devo, Talking Heads and Prince, as well as some rocking heavy metal, free jazz, musical theatre and even some light opera references thrown in for good measure.
Lead singer and guitarist Lucas Tamaren’s alter ego, Sensei Boland, recently achieved web notoriety by challenging the world to bring him something he can’t karate chop. A promotional meme for “Mental Karate” resulted in Buzzfeed picking up on the video & the band’s music being shared by the likes of Alt-J, Shakey Graves, and Rob Thomas amongst others. See here: http://whatichopped.com

Charlie Phllps – Memory

Check out this single from Charlie Phllps upcoming album Pendulum which is due out August 10th. If you are in the New York area there will be a release party at Rockwood Music Hall at 11 pm on that day. For tickets visit  http://www.ticketfly.com/event/1719729

“I could swim
been kicking all along
Has there ever been
a change in a person
Same story now
same story now
I’ve got the staying power of a feather
But you don’t remember
you don’t remember

Is there love in the ditch?
I’m waving my fist
Tell me do I exist, now?”

I love the lyrics here. Especially, “I’ve got the staying power of a feather.” There seems to be a emphasis on memories, being remembered, and offsetting those with how temporary and fleeting everything really is. When you first hear the song, you probably don’t notice how existential it really is, because it’s hidden behind an upbeat tone and vocal style. “Tell me do I exist now?” is the first really moment where you may start to be like, oh, this is saying something real. I always love when a song can have your feet tapping and then blindside you with a deeper message.

Terrell Morris – Field Test

And last, but certainly never least. Terrell Morris has done it again. The mixing of jazzy instrumentals, and smooth flow that isn’t afraid to fluctuate tonality and tempo to emphasize the strongest emotional swings in the song, make this one of my favorite up and coming artists. This song seems to be about that change up from a relationship that is somewhat casual to something that is more serious. The “Field Test” is over, and now it’s time to admit true feelings and vulnerability.

Bio: “Hailing from the west-end of Toronto, To date Terrell has released 3 singles from his upcoming colaborative project titled Molasses. Amassing over 4.3 million plays on The Right Song a single from production duo Free n Losh’s 5th & Ghost EP. Terrell decided to team with them again, bringing on Steph Verschuren (Allan Rayman, Keys n Krates) to handle the creative direction Terrell is on the cusp of releasing his project and cementing his place amongst the greats.”

TOTD: Van El – “Japanese Garden”

I immediately got early Fleet Foxes vibe from this song. It has this excellent space to it that mixes folk musings and reverberating vocals that sound like they are being belted from one mountain top to another. The whole song, instrumentally and lyrically, feels so relaxing and peaceful. I imagine I’ll go back to this song a lot in the fall, just like I do with Fleet Foxes, because it’s so fitting to listen to this style of music when I’m driving through the mountains for a big hike, or a camping trip.

“Waterfall, koi fish pond,

I’m singing in the garden.”

Like I said, the lyrics really add to the peaceful vibe that’s created here. I can’t wait to get a full copy of the lyrics before we feature this on the podcast eventually, but the bits I gathered just from listening seem to find a speaker that is at peace, both externally and internally. Externally his surroundings are peaceful, hence the name, Japanese Garden. And internally, they seem self assured, with the repetition of the line: “I think I know, where to go.” I don’t know about you guys, but there have been very few times in my life that I have felt that, but the few that I have, the clarity is unreal. I imagine this speaker is having one of those moments, where everything just seems like it’s inevitably headed in a certain direction, and you just have to execute.

This song is the first song off of a four song EP that Van El plans to release in about a month, so if you liked this song (I know you did) then keep your eyes peeled for that. And like I mentioned before, we are hoping to eventually feature the song on an upcoming podcast episode.

-Caleb

Want to hear more? This song and many others have been added to our July TOTD Playlist on Spotify.  

 

 

Episode 15: Addiction

Links:

Stitcher

Soundcloud

iTunes

Youtube

Show Notes:

Join Seth and Caleb as they discuss strange Addictions, what kind of drunks they are, stumbling through their first livestream, an excellent interview with Aaron B. Thompson, and tons of music you’ve never heard before.

Full Video Version, warts and al: www.youtube.com/watch?v=_L4mdmwqcn4&t=10s

INTRO: Leon Stapleton – Lima
Leonstapleton – Lima

Brother Toaster – Bupropion Blues
brothertoaster.bandcamp.com/track/bupropion-blues

Riley Catherall – Watered Down Man (submithub/email)
The-same-tune – Rileycatherallwatereddownman

Aaron B Thompson – Middle of My Own Nowhere (submithub/email)
Aaronbthompson1 – 07-aaron-b-thomspon-midde-of
Youtube of Interview: www.youtube.com/watch?v=wgPVCP1Ya6M&t=174s

Johnny Raincloud – White Noize (submithub/email)
www.youtube.com/watch?v=mZTHMZzp-…&feature=youtu.be

Little Sain+ – Remedy (submithub/email)
Tniaselttil – Little-sain-feat-marger-remedyprod-by-sibling

Thanks to Juliana Strangelove for participating in the live stream: bsideguys.com/2018/07/06/the-flo…-macdougall-skout/

The Flock: Singer/Songwriter: Simon Lewis & Onk Lou, Martha Hill, keatsu, Kaiak, Boyce Avenue, David Madras

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Simon Lewis & Onk Lou – “Home 2.0”

The way this was described when it was sent to us was simply: “Two incredible voices in one song that couldn’t be more variant.” When I first started listening to the music, I was like, okay, this first guy has a beautiful voice; I’m sure the other guy does too, but how variant could they really be? And then the second guy came in; and I immediately started to type my response about wanting to feature this song on the blog. Then they harmonize together and I had to stop typing and just listen to the rest of the song before I responded. I was trying to think of who they reminded me of; and I couldn’t come up with anyone that they actually sounded like. They remind me slightly of Middle Brother in the sense that they have very different voices and beautiful lyricism, but these guys have much better voices than Middle Brother (not hating, I love Middle Brother). Let’s dive in briefly to the beautiful lyricism I mentioned:

“I dig a hole in the woods and I grow with the roots and I go with the flood as life tells me so, I let go of the mess created in my head because,
Home is where the heart is and that’s wherever I go.
bridge:
I close my eyes to feel the moment, I walk this path made out of cobblestone, I take a breath before I let it go, when stars collide they fall apart but in the end there’ll always be a start, till than I’ll dance beneath the waterfall”

I could’ve really picked any section of the song and found something to talk about, but I particularly like the message of home being different for different people. In particular; it doesn’t have to be a place with roots stuck in one place, it can also be a flooded river you float down. “Home is where the heart is, and that’s wherever I go.”

Martha Hill – “Spiders”

Do you ever feel like you’re losing your mind? Well this song perfectly describes exactly what that feels like:

“One head two minds

Hands pressing glass from separate sides

Three seconds till I dive

1 2 3 stop

CHORUS

The spiders in my head they just won’t leave me alone

I pick the legs off while I wait for the seconds to slow ”

There’s something about the lyrics that remind me a bit of the short story “The Yellow Wall Paper”, a story where a woman being shut in the house by her husband, becomes increasingly crazy; which causes her husband to shut her in even more for…being crazy.

The beautiful instrumentals that have a nice beat throughout, and then go off the rails like a Pink Floyd bridge at the 2 minutes mark only add to Martha’s haunting vocals that carry you right up to the very last second of the very last “1, 2, 3, stop.” It’s a song that strikes a perfect balance between catchy and disorienting; and I really can’t get enough of it.

Bio: “Martha Hill is a an alternative pop artist based in Newcastle upon Tyne.

After growing up as one of six siblings on a remote Scottish peninsula, where the only link to the mainland was via ferry, she left home at 17 and spent two years touring across Europe as a street musician.

Eventually relocating to north-east England and falling in with a local ‘scene’ for the first time, Martha and her band have spent the past year touring all over the UK – supporting the likes of Holy Moly & The Crackers and Let’s Eat Grandma at venues such as Borderline, The Cluny etc. – with two DIY tours of Europe falling in between. Her most recent gig was for BBC Introducing, supporting Atlantic-signed Mahalia on The Biggest Weekend Fringe Tour.”

keatsu – “Feel Good”

I realize this isn’t necessarily what you might initially think of as “Singer/Songwriter”, but keatsu is basically a one man show, and it’s my blog, so don’t worry about it. Also, if you only listened to the first little bit, you’d assume the whole thing was just a normal lo-fi project with a guy with an acoustic guitar, and then you quickly see it advance and evolve from there into a beautiful call and response with himself that repeats “I just feel good on the dance floor.” This is something you’d expect to be said by Justin Timberlake with a break beat behind it, but is instead said with lo-fi effects and an a minimalistic guitar. The irony and self awareness of keatsu is my favorite thing about all his projects. He’s one of my favorite artists out the moment. On his full-length, he references everything from Nirvana, to Linkin Park, to pop songs, and it all just works. Literally go throw a dart at his Spotify page and you’ll find 3 new favorite songs. We can get you started with our Spotify link at the bottom of this page (don’t skip down there yet, still plenty of good music to hear).

Kaiak – “No Regrets”

I really could see this song making waves on some mainstream channels in the summer months. The thing that really solidified this song for me, other than the beautiful production and vocals, was the interesting use of horns during the later half of the song. It really was a nice surprise for me that took this song from a nice sounding song that I would listen to again, to a song I immediately saved to all of my Spotify playlists. “Lesson learned, passed the test, life goes on, no regrets.” It’s a message that we’ve all heard before, but gets solidified by the pretty package that Kaiak has presented it in here.

Boyce Avenue – “Ride The Wave”

I immediately thought this looked like an advertisement. I guess that might come off as a bad thing; but I mean like a Super Bowl Ad. It’s one of those heartfelt ones that you expect from Budweiser or something. It’s just so beautifully shot, and the music itself fits the vibe that it’s created so well.

“The tide will rise and fall; some days you will feel small, but ride a wave, I’ll ride it in with you.”

I don’t have kids, but that sentiment is just so beautiful to me. It’s both a lesson and a show of support, an acknowledgment of the harshness of the world, but also saying “I have your back as long as I can.” This message mixed with the family fun and love shown in the video can melt the coldest of hearts. Trust me on that.

David Madras – “Me & You”

And last, but certainly not least. Do you like Phosphorescent? Who doesn’t? David Madras’ voice reminds me so much of Phosphorescent. I’m really excited to announce that this song will be a part of our upcoming podcast episode that focuses on Existentialism. Oh you didn’t know we had a podcast? Check it out here. Since we are focusing on it on the podcast, I don’t want to spoil too much here, but let’s dive briefly into one of the lines.

“She said she had a little revelation, about the way the clouds appear, and how a day becomes a year. She said she had a little realization, about everything she’s ever feared, and suddenly it’s drawing near.”

I don’t know about you guys, but I connect to the “she” in this song so strongly. The existentialism episode is going to talk about it at length, but basically the idea is that you suddenly feel and question how tiny and insignificant you are in the cosmos; and this song perfectly captures that feeling. Is that a bad feeling? Yeah, sometimes. But it can also be empowering. “She says, we are young, me and you, there’s so much that I don’t know and I’m never going to. We are young, there’s so much left to do, all the wonders of the world for a boy and girl like me and you.”

 

-Caleb

Did you like these songs? Good, me too. Want to hear them again? They are all on our July TOTD Playlist on Spotify.