The Flock: Caleb’s Weekly Favorites Oct. 16th: Pkwy, Charles Edison, Farewell Company

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we post several artists in one big post. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

Pkwy – “Punisher”

“Slackers are acting tough
Born in Los Angeles
Light up a Camel Crush just for fun
Poems on bathroom stalls
High as shit playing Smash Bros Brawl
Throwing a bowling ball down the road”

This song is super chill. It reminds me a ton of college. I took up the bad habit of smoking, and my go to (other than cloves) were Camel Crush. I picked those because you could crush them for people who wanted menthols. It was completely about the social aspect. This song is just so simply beautiful. It captures the fun, insecurity, and rebelliousness of youth in a way that takes itself the perfect amount of seriously. The band says that the song actually reflects the story of the band somewhat. They all met in their teens, and have fond memories, including throwing a literal bright orange bowling ball down the road with the word “PUNISHER” written on it. If you can’t relate to this song, we probably wouldn’t have been friends in high school.

Also, the EP that Punisher is included on is now out! Released this last Tuesday: pkwy.bandcamp.com/album/giant-2. You guys should definitely go give these guys some money, so they can buy Camel Crush cigs. Those bitches get expensive.

 

Charles Edison – “My Mother”

“I can’t make a track and say I’m paying for your house
But Hopefully you hear this still and it’ll make you proud
I ain’t made it yet but I bet you think I could
I hope you worry less now that I’m safe and living good
You said you felt like you must’ve gone wrong
But you showed me how to raise a child – you knew it all along,”

I always get emotional with “momma” songs. I guess that’s not really a genre, but I think you know what I mean. This song is so deeply heartfelt. There’s a moment in the first verse where he says, “as far as I’m concerned, you ain’t never been a step mum”, and you can tell that’s true because up until that point, it seemed like he was talking about a connection as deep as any I’ve ever heard. It’s obvious the woman has made a huge impact on him, and he feels guilty for the ways he hasn’t lived up to her example or expectations. Now that he’s becoming a parent himself, it seems obvious that this is causing him to reflect about his own hopes and dreams for a child, how they can go awry, and how their are still plenty of positives instilled in him, even if he made mistakes. It’s really a beautiful sentiment. That’s not even to mention the excellent sample and background vocals. This song is just incredible.

Bio: Charles is a producer & rapper from South London, pairing intricately layered, immersive beats with a raw & honest vocal style that has seen him be compared to other British Urban music acts such as Akala, Beardyman, Mike Skinner, and Loyle Carner. Charles often draws on his experiences with mental health and addiction to result in refreshingly honest and relatable hip-hop.

Friede Merz – “ALBION”

“Albion, Albion
You made me wanna carpe the fuck out of this diem”

Well you can’t beat that opening. This video is really interesting. I especially like the Elvis costume, but the whole thing works nicely on a budget. It’s a good way to lean into a scatter plot ode to a place, by representing various aspects, both seriously, and mostly ironically. There’s definitely a lot to like from Friede, who does everything on this song, from instrumentals, to singing, to production. The artist describes the vibe as: “Whatever you do feels good to me.” That’s the spirit.”

Check out more here:

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Farewell Company – “Gulf Breeze Motel”

“I ain’t living right, I’m barely keeping the pace
And I’m so far from you now
I know I’m gonna be late
Well take your time no one’s waiting on you to change
No one’s waiting on anything

Hey what’s the hurry
Time’s keeping you locked down so tight babe
I know you work, just make it something worth your life
What’s the use in finding the truth if you’re gonna go and waste the news
I’ll be singing ‘bout a brand new day til I turn blue”

This song has been on several of my playlists for a couple of months now. It’s beautifully twangy and existential. What I really like about the existential aspect is that it doesn’t quite waver into despair. It is constantly mentioning a “brand new day” in a hopeful way that promises a better tomorrow, despite whatever negative may be going on in front of you right now. It kind of seems to put a sense of worth on personal responsibility. “No one’s waiting on you to change.” It’s up to us to care about what we do with our time here, not anyone else. It’s really a beautiful message, packaged in a catchy blues song.

Bio: Formed in early 2017 by a few close friends and siblings living in Nashville, TN, Farewell Company is a soulful, southern rock ’n’ roll band.

In just three days, the six piece recorded their first LP ‘Waiting On Anything’ to analog tape at a gem of a studio in East Nashville called The Bomb Shelter.

 

-Caleb

 

Morning Commute – Heartless – “Project Window”

“There’s so much poverty up in the ghetto take my words and and imagine your life getting better

I was like you little homie believe matter fact these words is you speaking through me

thinking about all the things you going through now

food low and you breaking your first package down

You got
visions of being a superstar
but you know to accomplish you gotta sell hard ”

 

Let’s start off your Thursday with a song you can listen to at work. This song is a positive message about making something of yourself out of a bad situation, and it doesn’t have any profanity at all in the lyrics. Now, as someone who curses very frequently, that’s not something I look for specifically in music, but I am definitely struck by it when I notice it. It’s difficult to capture the darker parts of reality without using profanity, but I think that’s exactly what Heartless has accomplished here, and it’s really impressive. I also think I understand the rationale. If his goal is to be a positive voice for the next generation, he is placing an importance on that voice being clean, but also authentic. I think he accomplishes that goal here.

Bio: Lendell Black, ubiquitously known as Heartless, is an American rapper and hip-hop artist. Hailing from Pittsburgh, Heartless is popularly known for his profanity-free and upbeat music, and according to some is another “Bone Crusher” in the making. However, according to Black, ” I have my own style”, which is rightly so as his music is known to strike a chord, thus making it a fulfilling yet exciting experience for his audience.

-Caleb

Looking for more? We’ve added this song and more to our September TOTD Playlist.

Morning Commute: The 502s – “Olivia”

This song is so perfect for your morning commute. I don’t know about you guys, but Tuesday mornings are hard for me. I’m tired from one day of work, and I can’t really see the light at the end of the tunnel of the week yet. I drink an extra cup of coffee, and I try to find something to motivate me. This song fits into that category with it’s infectious energy and fun vibes. The lyrics themselves seem to focus on a girl, and wondering if the way they feel about her is real love or just lust. But the instrumentals, especially the horns and the rambling drum beat are perfect for putting me in the right head space this sleepy Tuesday morning.

Image result for the 502s

Bio: Listening to their lighthearted gang vocals and buoyant trumpet lines, you could certainly slap The 502s with an ambiguous indie label. Their loosely boondock, on-the-road-again acoustic tenor makes them a fit with the Americana crowd. And with their big, open strumming patterns, fingerpicked banjo, and mildly twangy vocal flair, it would be easy to call them a folk band, throw on a plaid shirt, and compare them to The Lumineers or The Avett Brothers.

Looking through a bigger lens, however – one that takes into account all aspects of their collective persona – The 502s are best described as the sound of a celebration: a wild, friendly shindig down the street that everyone wants to attend.

And the Orlando-based six-piece (Ed Isola, Jonathan Ruiz, Jake Isola, Matthew Tonner, Kaleigh LeBeau, and Tristan Smith) know that they’re ready to host. Operating within a city that sees thousands upon thousands of entertainment-hungry visitors every day has led the band to embrace their need to delight, to amuse, and to create the party for which they’re already providing the soundtrack.

The 502s’ forthcoming album Because We Had To is a lesson in finding what feels good – both in music and in life. Recorded in 36 hours over Memorial Day Weekend, it’s the kind of album you could take on a road trip, or one you might hear at a raucous New Year’s Eve Party where the lead singer smashes a pint of Guinness onstage (true story). “It’s the sound of a big rowdy party,” laughs singer/songwriter Ed Isola.

-Caleb

Looking for more? We’ve added this song and more to our September TOTD Playlist.

Morning Commute: Spitty the Sequel – “Smokin and Walking”

“often get ahead of myself/a dead head wit said cred we all bled red/white and blue feelings/mixed emotions potion and healing/high pitched squealing keep dealing ya dummies/ we got lights here riot gear/protection for those effected by my affection its an infection we no detection”

The thing I’m immediately struck by in this song is how clever the word play is. There is a nice mix of consistent meter with absolutely insane internal rhyme. I especially like the last line that I pasted above. He also really uses enjambment to his advantage. If you remember that word from high school English class, it’s when you put a line break in a clever place in the middle of a thought. Like this: “Carolina reaper and its gets deeper then in too deep wit a pool stick when its greased up/freak fuck the law the cops and all” In hip hop, it’s less about the placement on the page and more about the way it’s said. So coming off the greased up pool stick, we see “freak fuck” enjambed with “fuck the law, the cops and all. It’s all really so clever.

Here is a bonus video of the song for you guys:

Be sure to check out Spitty the Sequel on social media: Facebook 

Instagram

-Caleb

Looking for more? We’ve added this song and more to our Spotify TOTD Playlist for September. 

 

 

New Release Friday: Saba Abraha, Caleb Kopta

Hey guys! Happy New Release Friday. We have two new tracks for you today from some amazing artists! Check back every Friday for new releases. Don’t forget to support all the artists if you like what you hear!

Saba Abraha – “Utopia”

I absolutely love this song. It grabs me immediately with the interesting spoken word intro, followed by uncanny syncopated beats. The artist describes the lyrics as “a new world where an empress loses her crown and is forced to battle the harsh realities of the world on her road to redemption. “Sweet Mirage” awaits…”

To me, the production on this song is some of the best I have ever heard. It perfectly blends elements that sound modern and classic, in an absolutely unique creation. Don’t forget to check out the rest of the EP: Sweet Mirage.

Caleb Kopta – “Anything”

“I’ve been passing out with the ashtray,
I’ve been choking on the cavalier
we were two kids finding love inside of the hallway,
isn’t it a shame,
We didn’t make it anyway,”

This song has such a classic vibe to it. It reminds me a lot of high school, and how intense every emotion and relationship seemed at the time. When he repeats in the pre-chorus, “I’d do anything for you,” I don’t know how you can’t relate to that. We’ve all been in that spot where we desperately thought that if we just loved someone with everything we had, that would eventually be enough. As we age, we see that sometimes it’s not that simple, but this song reminds me of the times that we wished it was.

Bio: Inspired by the Rock and Roll greats that came before him, and motivated by the stories that we all encounter on a daily basis, Caleb Kopta is crafting a niche for himself in the modern alternative rock landscape with honest lyrics, driving guitars and a desire to craft the soundtrack to life’s everyday experiences.

Born the son of a music minister in small-town Pennsylvania, music has fueled Caleb as long as he can remember. From attending his first concert at only two months old to sharing the stage with such bands as Motherfolk, PHANGS, Michigander and Corey Killgannon, Caleb has devoted his life to creating meaningful, resonate music that can impact the world around him.

Often drawing comparisons to The Killers, Bruce Springsteen and Bleachers, Kopta’s music is a unique blending of the Rock, New Wave and Singer / Songwriter genres. He excels at delivering powerful, anthemic choruses while still allowing the song to feel personal and complementary to the story at hand.

 

-Caleb (the blogger, not the artist)

Want to hear more? We’ve added both these songs and more to our August Spotify TOTD Playlist.

 

TOTD: Strawberry Mountain – “Zookeeper Submarine”

How fun is this song? I wish I had all the lyrics for it, but it definitely has some existential sort of questions that I can pick up throughout it. It has a nice mix of trippy Tame Impala sort of elements, along with some indie riffs that make this 5 minute song, feel like a 2 minute power ballad. I’d listen to it constantly even if it was a 10 minute song. I also love the breakdown to a focus on the lyrics around 3:30, complete with an Empire Strikes Back reference. Basically, I’m saying that this is one of the most unique songs I’ve heard in a while and I’m so stoked for the full album: Vegetative to come out.

Bio:Zookeeper Submarine is the first track the band wrote and recorded for their upcoming record, Vegetative, and is the first total collaboration between its members. It was composed, arranged, and recorded by all members of the current lineup. As such, the track tangibly marks the transition of the group from a vessel releasing home recorded audio experiments to a touring live group, writing, producing, performing and creating songs together.”

-Caleb

Want to hear more? We’ve added this track and many more to our August TOTD Playlist on Spotify. 

 

 

The Flock: Hip-Hop: The Supreme Kings of Yesterday, Sauce is Matisse, Liion Gamble, Datta Boy, Rageouz

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

This is a new edition of The Flock. People who love Hip-Hop are going to find so much good content in this post. What is The Flock, you ask? The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fan base more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

The Supreme Kings of Yesterday – “Next Latest”

I love the sample at the beginning, especially the faked out Trap style stuff that makes fun of “Migos and all those guys that sound the same.” It really sets the stage for a throwback style hip-hop track that puts the people who throw together tracks in a few days, rappers who have no flow (i.e. mumble rap), and many other aspects of modern rap that The Supreme Kings of Yesterday hope to turn the clock back on. Above just a diss track, my favorite thing about track is that it is really a positive track that is about being yourself. He isn’t really hating on people for using the popular style to make some money, but he is calling them out for not being themselves, and if nothing else, S.K.Y. is going to be uniquely themselves. I really love how a lot of the track is filled with 90s style turntable scratching, and multiple voices with multiple flows. It makes me feel comfortable, like I’m a kid again listening to The Chronic or OutKast (not that the style is exactly the same).

Bio: The Supreme Kings of Yesterday, The S.K.Y. (comprised of brothers Cise & Classy Touch – Next Latest – Single from the forthcoming sel-titled project, based in Los Angeles & Oakland CA. Fresh vibes await with clear and concise lyrics, precision instrumentation and drum break accuracy. You seek the best from your imagination, you Look Up To The S.K.Y.

Sauce is Matisse – “Socially Inept”

It’s not exactly the same, but the flow on this song really reminded me of some early Eminem. Especially around The Slim Shady LP or so. Considering that’s one of my favorite albums, I hope that’s an okay connection. Sauce is Matisse has his own unique lyrical style that seems to focus on being an outcast “As in socially inept.” And this song at it’s heart seems to be a celebration of those who aren’t necessarily the most popular or cool. It’s an unapologetic beating of the chest saying that it’s okay to be comfortable in your own skin, regardless of how popular or not it makes you.

Bio: Depression. Social anxiety. Peer-diagnosed Asperger’s. Add a nerdy passion for artistic creation to this walking contradiction and you’ve got Sauce is Matisse, the D.C.-born rap artist currently based in Charlottesville, VA.

After being professionally described as a mental paradox in his teens, Sauce was given the advice to “contain” said paradox in order to allow all competing sides of himself to coexist.
He has done so through music.

Sauce is Matisse draws inspiration from both underground and mainstream music across all genres, and his work showcases a sound between raw hip-hop and the most technical heavy metal outfits. Over the years, he has worked with and learned from several established names (and some not so established) in the multi-genre underground. Sauce is always evolving as an artist and refining his sound and visuals, tightening them into progressively visceral polished works of art.

Eventually, Sauce realized that he could not only save himself through music, but he could reach others as well. Listen and you’ll hear that this paradox has effectively been contained, and it’s tastier than ever.

 

Liion Gamble – “Solitude”

This song is just gorgeous and haunting. The female vocals really even out the whole thing, and I’m really moved by the consciousness of the lyrics, that range from melancholy to hopeful. The lyrics discuss police brutality, violence, struggling to make the art you want, relationships, divinity, and hope that there is a purpose behind all of this struggling and solitude. It’s really a wonderfully grounded song of hope and overcoming adversity.

Bio: Liion Gamble was raised in Raleigh, NC but born in St. Andrew, Jamaica. His musical influence can be traced all the way back to his Grandfather. With conscious content we are almost always drawn to assume the nature of the music will be a bit dull and somewhat preachy. Liion bridges the gap between substance and style in a major way. Melodic hooks and bridges, paired with quotable lyrics and stylistic flow, highlight this artist’s versatility.

With a growing social media presence Liion released his first official single, “Solitude” on all streaming platforms May of 2018 and has delivered an EP entitled Grand Re-Opening July 27th of 2018. Driven to cut out the middle man, he has become a student of production and audio engineering in order to take the quality of his sound to the next level. Building a hit record from the ground up is a big goal of his right now but only one of many in the pursuit of becoming a complete artist.

 

Datta Boy – “Keep Drinking (Prod. by Epik The Dawn)”

“FOR THE PEOPLE OF THE PEOPLE BY THE PEOPLE LETHAL

STAB US WITH THE SHARPEST NEEDLE

THEY SWEAR THEY PROVE IT IN THE PENALS

BREAK A NIGGA BACK YOU KOW THIS IS A FACT LIKE WAR MACHINE TO DON CHEADLE

NIGGAS STANDING STILL TARGET PRACTICE KILLS MANAQUINS BLACK BEATLES

I DON’T REALLY KNOW”

This song is full of really intense lyrics, but this was my favorite section. It really dives into the way that the system is corrupt and broken, by beautiful evoking constitutional language, to describe how they break someone. I also like the War Machine reference, which sees a black man being used for profit, but only as a secondary character. As far as the “keep drinking” hook goes, it kind of reminds me of “Swimming Pools” by Kendrick Lamar. It doesn’t seem like the drinking is a real solution, but it is a way to cope with how bad things can get. It takes on a somber tone of some sort of plead to find a way to numb all the pain surrounding the struggle, which is evidenced by the artists description of the song: “A man blames the world for his problems and heres a voice in his head telling him to keep drinking”

Bio:  Datta Boy is a multifaceted artist from Los Angeles California. He began rapping at the age of 11 and ever since then he has had a love for music. He took a break from music to pursue a career in football. He played college football at The University Of Nevada Reno where he Played Fullback for the Wolf-Pack and also played for Southern Utah University where he was a hybrid blocker for the Thunder Birds (T-Birds). After he graduated from Southern Utah University, He played a year professional football and called it quits. He returns to his love of music. He has one mix-tape out called “Black Ink” and 3 music video out called Fell So Far, A Wave Of My Own Prod. & Feat. Ronny Bueller and THREAT which were all directed by Ralph Laurence Mariano and his assistant director Jose “No-Face” Quintanilla. Datta Boy is cousins with actress and R&B Singer Rhyon (Surviving Compton, Lincoln Heights,Get Rich or Die Tryin’) who has a hit single on the radio “California” and her older sister R&B Singer RaVaughn( Better Be Good, Best Friend).

 

Rageouz – “Bridging”

The video expresses my contentedness with my surroundings, with my day-to-day life around family and friends, being what I value most”  – Rageouz

This is really a fascinating video with a first person walk through a life, with some really inventive effects. At its heart, it’s a really calming look at a day in the life of someone who is “alright.” There’s not a ton of trauma or drama, it just feels right. I think we can all learn to look around and appreciate our lives for what they are: a good time with some friends, time spent with family, a pretty drive. “How could I complain?”

Bio: Hailing from the stomping grounds of East London’s Canning Town, Rageouz’s musical journey began at the age of just 11. Raised on a healthy diet of UK Rap legends and inspired by the likes of Kano and Dizzee Rascal, his curiosity was sparked. Bursting through with his debut ‘Outchea’ followed by his freshman mixtape Hell’s Angel, Rageouz has displayed an unwavering work rate. His innate hunger and skill at delivering has led him to be featured on GRM Daily’s ‘Next Gen 10’ alongside artist such as Avelino, Bonkaz and A2 and he has released a string of successful projects including ‘East Side’, his ‘Ethos’ EP, collaborative project ‘Back 2 Da Future’ with Preacher Soul and ‘On The House’.

Contagiously creative and enthrallingly enigmatic join Rageouz on his latest pursuit and get to know the exciting new prospect of UK music.

 

-Caleb

Want to hear more? Check out these songs and more on our August TOTD Playlist. 

We also just released a new podcast today, you can check that out here: Episode 18: Existentialism (Part 1)