Nerve Net

Brian Eno – Nerve Net: B-Side Breakdown 75 (C) from 8 critic reviews.

Album cover for Nerve Net by Brian Eno
Released September 1992
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Brian Eno

Nerve Net

75
B-Side BreakdownGrade C · 8 critics · 50% approval
B-Side Breakdown75Grade: C
Approval50%4 of 8 critics scored it 75 or higher
DivisivenessDividedHow close the scores are: most critics land within 30 points of each other

Critics give Nerve Net a B-Side Breakdown of 75 (C), from 8 reviews at outlets we track. Scores run 50 to 100.

The verdict on Nerve Net

Critics split on this one: scores run from 50 (AllMusic) to 100 (Select).

020406080100AllMusic: 50Q: 60NME: 70Entertainment Weekly: 71Pitchfork: 77Drowned in Sound: 80PopMatters: 90Select: 100 Breakdown 75
The gist
Select via Wikipedia 5/5 100
PopMatters via Wikipediaby Rhea Rollmann 9/10 90 2014 “The Shutov Assembly has long been my favorite Brian Eno album. It’s hard to convey the elusive charm of this release, whose tentative opening notes build into”
Drowned in Sound via Wikipedia 8/10 80 2014 “None of the Enos we knew and loved ever went away.”
Pitchfork via Wikipediaby Douglas Wolk 7.7/10 77 2014 “Brian Eno had a busy decade in the 1990s, including working on U2's Achtung Baby and Zooropa and David Bowie's Outside, scoring Neil Gaiman's TV series Neverwhere, and recording the…”
Entertainment Weekly via Wikipedia C- 71 1992
NME via Wikipediaby Betty Page 7/10 70 2006
Q via Wikipedia 3/5 60 2006
AllMusic via Wikipedia 2.5/5 50 2006

Nerve Net in Brian Eno's catalog

75Here Come the Warm Jets (1973): 91Taking Tiger Mountain (By Strategy) (1974): 89Another Green World (1975): 99Discreet Music (1975): 84Cluster & Eno (1977): 75Before and After Science (1977): 93Ambient 1: Music for Airports (1978): 83After The Heat (1978): 75Music for Films (1978): 78Fourth World, Vol. 1: Possible Musics (1980): 85My Life in the Bush of Ghosts (1981): 92Ambient 4: On Land (1982): 79Apollo: Atmospheres and Soundtracks (1983): 87Thursday Afternoon (1985): 92Nerve Net (1992): 7575This oneThe Shutov Assembly (1992): 67Neroli (1993): 81Spinner (1995): 63The Drop (1997): 56Drawn from Life (2001): 67Another Day on Earth (2005): 74Everything That Happens Will Happen Today (2008): 78Small Craft on a Milk Sea (2010): 72Drums Between the Bells (2011): 70Lux (2012): 76Someday World (2014): 69High Life (2014): 71The Ship (2016): 77Finding Shore (2017): 74FOREVERANDEVERNOMORE (2022): 77Secret Life (2023): 5519732023
Brian Eno's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every Brian Eno album, ranked

How these critics usually treat Brian Eno

  • AllMusic Harsher than usual28 points below the other critics here. Usually 2 points above on Brian Eno's other albums (30).
  • Entertainment Weekly Harsher than usual4 points below the other critics here. Usually 12 points above on Brian Eno's other albums (10).
  • Q Harsher than usual17 points below the other critics here. Usually 2 points below on Brian Eno's other albums (8).
  • NME Kinder than usual5 points below the other critics here. Usually 18 points below on Brian Eno's other albums (4).
  • Drowned in Sound Kinder than usual6 points above the other critics here. Usually 3 points below on Brian Eno's other albums (6).
  • PopMatters About usual for them17 points above the other critics here. Usually 13 points above on Brian Eno's other albums (8).

More from Brian Eno

See all Brian Eno albums ranked

More Electronic from around 1992

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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