Critics give The Drop a B-Side Breakdown of 56 (F), from 9 reviews at outlets we track. Scores run 0 to 90.
The verdict on The Drop
Critics split on this one: 3 of 9 liked it.
- Highest 90 PopMatters
- Outlier 0 NME, 36 points below the next-lowest score
- Career #30 of Brian Eno's 31 albums with a Breakdown
- Reputation 38 65 at release, then five or more years later
| PopMatters via Wikipediaby Rhea Rollmann | 9/10 | 90 | 2014 |
| Entertainment Weekly via Wikipedia | B | 85 | |
| Robert Christgau via Wikipediaby Robert Christgau | C | 75 | 1997 |
| Drowned in Sound via Wikipedia | 7/10 | 70 | 2014 |
| Rolling Stone via Wikipedia | 3/5 | 60 | |
| AllMusic via Wikipedia | 2.5/5 | 50 | |
| The Guardian via Wikipedia | 2/5 | 40 | 1997 |
| Pitchfork via Wikipediaby Douglas Wolk | 3.6/10 | 36 | 2014 |
| NME via Wikipediaby Mark Beaumont | 0/10 | 0 | 1997 |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
The Drop in Brian Eno's catalog
How these critics usually treat Brian Eno
- NME Harsher than usual63 points below the other critics here. Usually 3 points below on Brian Eno's other albums (4).
- PopMatters Kinder than usual38 points above the other critics here. Usually 11 points above on Brian Eno's other albums (8).
- Pitchfork Harsher than usual23 points below the other critics here. Usually 3 points above on Brian Eno's other albums (30).
- Entertainment Weekly Kinder than usual32 points above the other critics here. Usually 8 points above on Brian Eno's other albums (10).
- Drowned in Sound Kinder than usual16 points above the other critics here. Usually 5 points below on Brian Eno's other albums (6).
- Robert Christgau Kinder than usual21 points above the other critics here. Usually 8 points above on Brian Eno's other albums (6).
More from Brian Eno
More Electronic from around 1997
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.










Leave a Reply