Critics give Finding Shore a B-Side Breakdown of 74 (C), from 8 reviews at outlets we track. Scores run 60 to 90.
The verdict on Finding Shore
4 of 8 critics liked it. A mixed reception.
- Highest 90 The Line of Best Fit
- Lowest 60 Record Collector, The Independent and Drowned in Sound
- Career Tied for #21 of Brian Eno's 31 albums with a Breakdown
- By the numbers The fifth best-reviewed Electronic album of 2017 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| The Line of Best Fit via Wikipediaby Dave Beech | 9/10 | 90 | 2017 | “Pianist Tom Rogerson teams up with ambient royalty on a record that's slow to reveal its beauty, but utterly beguiling when it does.” |
| The A.V. Club via Wikipediaby Erik Adams | B+ | 88 | 2017 | “Here are the albums you should know about this week” |
| Pitchfork via Wikipediaby Robert Ham | 8.0/10 | 80 | 2017 | “A collaboration between an improvising pianist and the ambient icon yields an unusual fusion of acoustic and electronic ideas—a meeting of minds that is full of rewarding surprises.” |
| Exclaim! via Wikipediaby Daniel Sylvester | 8/10 | 80 | 2017 | |
| AllMusic via Wikipediaby Paul Simpson | 3.5/5 | 70 | ||
| Record Collector via Wikipediaby Sue Matiz | 3/5 | 60 | 2018 | “After two albums as one third of super-skilled noise instrumentalists Three Trapped Tigers, classically trained pianist Tom Rogerson upholds the power of” |
| The Independent via Wikipediaby Andy Gill | 3/5 | 60 | 2017 | “Also Mike Love – Unleash The Love, Serpent Power – Electric Looneyland, and Chris Thile – Thanks For Listening” |
| Drowned in Sound via Wikipediaby Benjamin Bland | 6/10 | 60 | 2017 | “A record straight out of the early Eno ambient series playbook” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
Finding Shore in Brian Eno's catalog
How these critics usually treat Brian Eno
- The Independent Harsher than usual15 points below the other critics here. Usually 8 points above on Brian Eno's other albums (5).
- Drowned in Sound Harsher than usual15 points below the other critics here. Usually level with the others on Brian Eno's other albums (6).
- Record Collector Harsher than usual15 points below the other critics here. Usually 4 points below on Brian Eno's other albums (3).
- Pitchfork About usual for them7 points above the other critics here. Usually 2 points above on Brian Eno's other albums (30).
- AllMusic About usual for them4 points below the other critics here. Usually 1 point above on Brian Eno's other albums (30).
- The A.V. Club About usual for them17 points above the other critics here. Usually 13 points above on Brian Eno's other albums (5).
More from Brian Eno
← Earlier The Ship (2016)Later → FOREVERANDEVERNOMORE (2022)
More Electronic from around 2017
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.










Leave a Reply