Critics give Tallulah a B-Side Breakdown of 82 (B-), from 9 reviews at outlets we track. Scores run 70 to 100.
The verdict on Tallulah
7 of 9 critics liked it, and they mostly agree.
- Highest 100 Blender
- Lowest 70 The Rolling Stone Album Guide and AllMusic
- Career Tied for #5 of The Go-Betweens's 8 albums with a Breakdown
| The gist | ||||
|---|---|---|---|---|
| Blender via Wikipediaby Dennis Lim | 5/5 | 100 | ||
| Robert Christgau via Wikipediaby Robert Christgau | A | 95 | 2006 | |
| Select via Wikipediaby Andrew Male | 4/5 | 80 | 2006 | |
| Spin Alternative Record Guide via Wikipediaby Eric Weisbard | 8/10 | 80 | 2006 | |
| PopMatters via Wikipediaby Jason MacNeil | 8/10 | 80 | 2005 | |
| Mojo via Wikipediaby Peter Paphides | 4/5 | 80 | 2006 | |
| NME via Wikipedia | 8/10 | 80 | 2006 | |
| The Rolling Stone Album Guide via Wikipediaby Douglas Wolk | 3.5/5 | 70 | 2004 | “Previously published as: Rolling Stone album guide” |
| AllMusic via Wikipediaby Thom Jurek | 3.5/5 | 70 |
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Tallulah in The Go-Betweens's catalog
How these critics usually treat The Go-Betweens
- Blender Kinder than usual21 points above the other critics here. Usually 5 points below on The Go-Betweens's other albums (4).
- AllMusic Harsher than usual13 points below the other critics here. Usually 2 points above on The Go-Betweens's other albums (7).
- Mojo Harsher than usual2 points below the other critics here. Usually 9 points above on The Go-Betweens's other albums (3).
- The Rolling Stone Album Guide Kinder than usual13 points below the other critics here. Usually 22 points below on The Go-Betweens's other albums (3).
- Robert Christgau About usual for them15 points above the other critics here. Usually 9 points above on The Go-Betweens's other albums (6).
- Select About usual for them2 points below the other critics here. Usually 3 points below on The Go-Betweens's other albums (3).
More from The Go-Betweens
← Earlier Liberty Belle and the Black Diamond Express (1986)Later → 16 Lovers Lane (1988)
More Indie & Alternative from around 1987
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.










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