Before Hollywood

The Go-Betweens – Before Hollywood: B-Side Breakdown 78 (Keeper) from 9 critic reviews.

Album cover for Before Hollywood by The Go-Betweens
Released March 1983
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The Go-Betweens

Before Hollywood

78
B-Side BreakdownKeeper · 9 critics · 78% approval
B-Side Breakdown78Keeper
Approval78%7 of 9 critics scored it 70 or higher
DivisivenessSome debateHow close the scores are: most critics land within 22 points of each other

Critics give Before Hollywood a B-Side Breakdown of 78 (Keeper), from 9 reviews at outlets we track. Scores run 60 to 90.

The verdict on Before Hollywood

7 of 9 critics liked it, with some disagreement on how much.

020406080100Select: 60The Rolling Stone Album Guide: 60Robert Christgau: 75Spin Alternative Record Guide: 80Q: 80NME: 80Entertainment Weekly: 85Uncut: 90AllMusic: 90 Breakdown 78
Uncut via Wikipedia 4.5/5 90 2000
AllMusic via Wikipediaby Ned Raggett 4.5/5 90
Entertainment Weekly via Wikipediaby Rob Brunner A- 85 2002
Spin Alternative Record Guide via Wikipediaby Eric Weisbard 8/10 80 1995
Q via Wikipedia 4/5 80
NME via Wikipedia 8/10 80 1996
Robert Christgau via Wikipediaby Robert Christgau B+ 75 1984
Select via Wikipediaby Andrew Male 3/5 60 1996
The Rolling Stone Album Guide via Wikipediaby Douglas Wolk 3/5 60 2004

Before Hollywood in The Go-Betweens's catalog

70Before Hollywood (1983): 7878This oneSpring Hill Fair (1984): 8383Liberty Belle and the Black Diamond Express (1986): 8686Tallulah (1987): 818116 Lovers Lane (1988): 8383The Friends of Rachel Worth (2000): 7777Bright Yellow Bright Orange (2003): 7878Oceans Apart (2005): 83832005
The Go-Betweens's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every The Go-Betweens album, ranked

How these critics usually treat The Go-Betweens

  • Select Harsher than usual20 points below the other critics here. Usually 4 points above on The Go-Betweens's other albums (3).
  • AllMusic Kinder than usual14 points above the other critics here. Usually level with the others on The Go-Betweens's other albums (7).
  • Robert Christgau Harsher than usual3 points below the other critics here. Usually 6 points above on The Go-Betweens's other albums (6).
  • Entertainment Weekly About usual for them8 points above the other critics here. Usually 2 points above on The Go-Betweens's other albums (4).
  • Uncut About usual for them14 points above the other critics here. Usually 8 points above on The Go-Betweens's other albums (6).
  • Spin Alternative Record Guide About usual for them3 points above the other critics here. Usually 4 points below on The Go-Betweens's other albums (3).

More from The Go-Betweens

See all The Go-Betweens albums ranked

More Indie & Alternative from around 1983

Would you spin it again?

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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