Liberty Belle and the Black Diamond Express

The Go-Betweens – Liberty Belle and the Black Diamond Express: B-Side Breakdown 86 (Heavy Rotation) from 10 critic reviews.

Album cover for Liberty Belle and the Black Diamond Express by The Go-Betweens
Released March 10, 1986
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The Go-Betweens

Liberty Belle and the Black Diamond Express

86
B-Side BreakdownHeavy Rotation · 10 critics · 90% approval
B-Side Breakdown86Heavy Rotation
Approval90%9 of 10 critics scored it 70 or higher
DivisivenessSome debateHow close the scores are: most critics land within 24 points of each other

Critics give Liberty Belle and the Black Diamond Express a B-Side Breakdown of 86 (Heavy Rotation), from 10 reviews at outlets we track. Scores run 60 to 100.

The verdict on Liberty Belle and the Black Diamond Express

Most critics loved it: 9 of 10 liked it.

  • Highest 100 Uncut, Select and NME
  • Outlier 60 The Rolling Stone Album Guide, 20 points below the next-lowest score
  • By the numbers The best-reviewed album of The Go-Betweens's career on B-Side Breakdowns, ahead of 16 Lovers Lane (83). The fifth best-reviewed Indie & Alternative album of 1986 we've tracked.
020406080100The Rolling Stone Album Guide: 60Spin Alternative Record Guide: 80PopMatters: 80Mojo: 80Blender: 80Robert Christgau: 85AllMusic: 90Uncut: 100Select: 100NME: 100 Breakdown 86
Uncut via Wikipedia 5/5 100 2004
Select via Wikipediaby Andrew Male 5/5 100 1996
NME via Wikipedia 10/10 100 1996
AllMusic via Wikipediaby Kristi Coulter 4.5/5 90
Robert Christgau via Wikipediaby Robert Christgau A- 85 1987
Spin Alternative Record Guide via Wikipediaby Eric Weisbard 8/10 80 1995
PopMatters via Wikipediaby Jason MacNeil 8/10 80 2005
Mojo via Wikipediaby Peter Paphides 4/5 80 2004
Blender via Wikipediaby Dennis Lim 4/5 80
The Rolling Stone Album Guide via Wikipediaby Douglas Wolk 3/5 60 2004

Liberty Belle and the Black Diamond Express in The Go-Betweens's catalog

70Before Hollywood (1983): 7878Spring Hill Fair (1984): 8383Liberty Belle and the Black Diamond Express (1986): 8686This oneTallulah (1987): 818116 Lovers Lane (1988): 8383The Friends of Rachel Worth (2000): 7777Bright Yellow Bright Orange (2003): 7878Oceans Apart (2005): 838319832005
The Go-Betweens's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every The Go-Betweens album, ranked

How these critics usually treat The Go-Betweens

  • Select Kinder than usual16 points above the other critics here. Usually 8 points below on The Go-Betweens's other albums (3).
  • NME Kinder than usual16 points above the other critics here. Usually 5 points below on The Go-Betweens's other albums (4).
  • Mojo Harsher than usual6 points below the other critics here. Usually 12 points above on The Go-Betweens's other albums (3).
  • The Rolling Stone Album Guide Harsher than usual28 points below the other critics here. Usually 16 points below on The Go-Betweens's other albums (3).
  • Blender Harsher than usual6 points below the other critics here. Usually 4 points above on The Go-Betweens's other albums (4).
  • Uncut Kinder than usual16 points above the other critics here. Usually 7 points above on The Go-Betweens's other albums (6).

More from The Go-Betweens

See all The Go-Betweens albums ranked

More Indie & Alternative from around 1986

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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