Spring Hill Fair

The Go-Betweens – Spring Hill Fair: B-Side Breakdown 83 (B) from 9 critic reviews.

Album cover for Spring Hill Fair by The Go-Betweens
Released 1984
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The Go-Betweens

Spring Hill Fair

83
B-Side BreakdownGrade B · 9 critics · 89% approval
B-Side Breakdown83Grade: B
Approval89%8 of 9 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 16 points of each other

Critics give Spring Hill Fair a B-Side Breakdown of 83 (B), from 9 reviews at outlets we track. Scores run 70 to 95.

The verdict on Spring Hill Fair

8 of 9 critics liked it, and they mostly agree.

020406080100The Rolling Stone Album Guide: 70Uncut: 80Select: 80Spin Alternative Record Guide: 80Q: 80AllMusic: 80Chicago Tribune: 88Robert Christgau: 95Entertainment Weekly: 95 Breakdown 83
Robert Christgau via Wikipediaby Robert Christgau A 95 1996
Entertainment Weekly via Wikipediaby Rob Brunner A 95 2002
Chicago Tribune via Wikipediaby Rick Reger 3.5/4 88 1996
Uncut via Wikipedia 4/5 80 2000
Select via Wikipediaby Andrew Male 4/5 80 1996
Spin Alternative Record Guide via Wikipediaby Eric Weisbard 8/10 80 1995
Q via Wikipedia 4/5 80
AllMusic via Wikipediaby Ned Raggett 4/5 80
The Rolling Stone Album Guide via Wikipediaby Douglas Wolk 3.5/5 70 2004

Spring Hill Fair in The Go-Betweens's catalog

75Before Hollywood (1983): 8080Spring Hill Fair (1984): 8383This oneLiberty Belle and the Black Diamond Express (1986): 8686Tallulah (1987): 828216 Lovers Lane (1988): 8383The Friends of Rachel Worth (2000): 7878Bright Yellow Bright Orange (2003): 8282Oceans Apart (2005): 858519832005
The Go-Betweens's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every The Go-Betweens album, ranked

How these critics usually treat The Go-Betweens

  • Uncut Harsher than usual4 points below the other critics here. Usually 9 points above on The Go-Betweens's other albums (6).
  • The Rolling Stone Album Guide About usual for them15 points below the other critics here. Usually 22 points below on The Go-Betweens's other albums (3).
  • Entertainment Weekly About usual for them13 points above the other critics here. Usually 9 points above on The Go-Betweens's other albums (4).
  • AllMusic About usual for them4 points below the other critics here. Usually 1 point above on The Go-Betweens's other albums (7).
  • Robert Christgau About usual for them13 points above the other critics here. Usually 9 points above on The Go-Betweens's other albums (6).
  • Q About usual for them4 points below the other critics here. Usually 2 points below on The Go-Betweens's other albums (3).

More from The Go-Betweens

See all The Go-Betweens albums ranked

More Indie & Alternative from around 1984

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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