Want Two

Rufus Wainwright – Want Two: B-Side Breakdown 82 (B-) from 10 critic reviews.

Album cover for Want Two by Rufus Wainwright
Released November 16, 2004
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Rufus Wainwright

Want Two

82
B-Side BreakdownGrade B- · 10 critics · 90% approval
B-Side Breakdown82Grade: B-
Approval90%9 of 10 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 18 points of each other

Critics give Want Two a B-Side Breakdown of 82 (B-), from 10 reviews at outlets we track. Scores run 60 to 100.

The verdict on Want Two

9 of 10 critics liked it, and they mostly agree.

  • Highest 100 Los Angeles Times
  • Outlier 60 Pitchfork, 20 points below the next-lowest score
  • By the numbers The best-reviewed album of Rufus Wainwright's career on B-Side Breakdowns, ahead of Poses (79). The second best-reviewed Pop album of 2004 we've tracked.
020406080100Pitchfork: 60Rolling Stone: 80Q: 80The Guardian: 80AllMusic: 80Robert Christgau: 81Spin: 81Entertainment Weekly: 85NME: 90Los Angeles Times: 100 Breakdown 82
The gist
Los Angeles Times via Wikipediaby Robert Hilburn 4/4 100 2004 “Rufus Wainwright "Want Two" (DreamWorks/Geffen) **** Recorded at the same time as his engrossing 2003 album, "Want One," the 12 songs in this collection were left off that album because…”
NME via Wikipediaby Julian Marshall 9/10 90 2005
Entertainment Weekly via Wikipediaby David Browne B 85 2004
Robert Christgau via Wikipediaby Robert Christgau B- 81 2005
Spin via Wikipediaby Jon Caramanica B- 81 2005
Rolling Stone via Wikipediaby Barry Walters 4/5 80 2004
Q via Wikipedia 4/5 80 2004
The Guardian via Wikipediaby Alexis Petridis 4/5 80 2005
AllMusic via Wikipediaby Matt Collar 4/5 80
Pitchfork via Wikipediaby Stephen M. Deusner 6.0/10 60 2004 “This is the second entry in Rufus Wainwright's Want series, which pairs his dreamy voice and droll lyrics to audaciously over-the-top orchestration.”

More from Rufus Wainwright

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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