Codes and Keys

Death Cab for Cutie – Codes and Keys: B-Side Breakdown 67 (D+) from 9 critic reviews.

Album cover for Codes and Keys by Death Cab for Cutie
Released May 27, 2011
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Death Cab for Cutie

Codes and Keys

67
B-Side BreakdownGrade D+ · 9 critics · 33% approval
B-Side Breakdown67Grade: D+
Approval33%3 of 9 critics scored it 75 or higher
DivisivenessDividedHow close the scores are: most critics land within 32 points of each other

Critics give Codes and Keys a B-Side Breakdown of 67 (D+), from 9 reviews at outlets we track. Scores run 40 to 95.

The verdict on Codes and Keys

Critics split on this one: scores run from 40 (PopMatters) to 95 (Entertainment Weekly).

020406080100PopMatters: 40Pitchfork: 50Slant: 60The Guardian: 60Rolling Stone: 70NME: 70Spin: 80AllMusic: 80Entertainment Weekly: 95 Breakdown 67
The gist
Entertainment Weekly via Wikipedia A 95 2011
Spin via Wikipediaby Mikael Wood 8/10 80 2011 “8SPIN Rating: 8 of 10Release Date: May 31, 2011Label: AtlanticAs recently as three years ago, it would've been difficult to imagine an unlikelier title”
AllMusic via Wikipedia 4/5 80 2011
Rolling Stone via Wikipediaby Will Hermes 3.5/5 70 2011 “Check out our album review of Artist's Codes and Keys on Rolling Stone.com.”
NME via Wikipedia 7/10 70 2011 “Almost 15 years into their career, [a]Death Cab For Cutie[/a] have earned the right to do as they please. Arguably they earned it a while back, but having navigated from…”
Slant via Wikipediaby Matthew Cole 3/5 60 2011 “Thanks in no small part to Death Cab, there’s now a permanent niche for indie pop that’s smart, sad, and refined, and Codes and Keys fills it nicely.”
The Guardian via Wikipediaby Alexis Petridis 3/5 60 2011 “Winsome US indie has a hard time grabbing British audiences. Could this be the album that changes all that, asks Alexis Petridis”
Pitchfork via Wikipediaby Larry Fitzmaurice 5.0/10 50 2011 “Death Cab are experimenting on their latest full-length, focusing less on tunes and melody and more on electronic sound.”
PopMatters via Wikipedia 4/10 40

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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