Kintsugi

Death Cab for Cutie – Kintsugi: B-Side Breakdown 68 (D+) from 10 critic reviews.

Album cover for Kintsugi by Death Cab for Cutie
Released March 27, 2015
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Death Cab for Cutie

Kintsugi

68
B-Side BreakdownGrade D+ · 10 critics · 30% approval
B-Side Breakdown68Grade: D+
Approval30%3 of 10 critics scored it 75 or higher
DivisivenessSome debateHow close the scores are: most critics land within 20 points of each other

Critics give Kintsugi a B-Side Breakdown of 68 (D+), from 10 reviews at outlets we track. Scores run 55 to 88.

By the numbers: Death Cab for Cutie's best-reviewed album here since Narrow Stairs (2008).

020406080100Pitchfork: 55Spin: 60Q: 60The Guardian: 60Mojo: 60Rolling Stone: 70AllMusic: 70Chicago Tribune: 75Entertainment Weekly: 81The A.V. Club: 88 Breakdown 68
The gist
The A.V. Club via Wikipediaby Chase Hutchinson B+ 88 2022 “The A.V. Club digs deep into film, TV, music, games, books and more.”
Entertainment Weekly via Wikipediaby Kyle Anderson B- 81 2015
Chicago Tribune via Wikipediaby Greg Kot 3/4 75
Rolling Stone via Wikipediaby Kory Grow 3.5/5 70 2015 “Check out our album review of Artist's Kintsugi on Rolling Stone.com.”
AllMusic via Wikipediaby Stephen Thomas Erlewine 3.5/5 70
Spin via Wikipediaby Rachel Brodsky 6/10 60 2015 “6SPIN Rating: 6 of 10Release Date: March 31, 2015Label: Atlantic"There is beauty in a failure," Ben Gibbard sings pensively on "Black Sun," the lead”
Q via Wikipediaby Tom Doyle 3/5 60 2015
The Guardian via Wikipediaby Lanre Bakare 3/5 60 2015 “Marked by departures, this is an understandably sombre record, and its epic indie rock is occasionally overwrought”
Mojo via Wikipedia 3/5 60 2015
Pitchfork via Wikipediaby Ian Cohen 5.5/10 55 2015 “Kintsugi is Death Cab's first album without Chris Walla. It was produced by Rich Costey, who has worked with Muse and Foster the People, and though it has been framed…”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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