Mosquito

Yeah Yeah Yeahs – Mosquito: B-Side Breakdown 73 (C) from 9 critic reviews.

Album cover for Mosquito by Yeah Yeah Yeahs
Released January 1, 2013
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Yeah Yeah Yeahs

Mosquito

73
B-Side BreakdownGrade C · 9 critics · 44% approval
B-Side Breakdown73Grade: C
Approval44%4 of 9 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 18 points of each other

Critics give Mosquito a B-Side Breakdown of 73 (C), from 9 reviews at outlets we track. Scores run 60 to 88.

By the numbers: Yeah Yeah Yeahs's best-reviewed album here since It’s Blitz! (2009).

020406080100Slant: 60Pitchfork: 60Rolling Stone: 70NME: 70AllMusic: 70Spin: 80The Guardian: 80Entertainment Weekly: 81The A.V. Club: 88 Breakdown 73
The gist
The A.V. Club via Wikipediaby Genevieve Koski B+ 88 2013 “Yeah Yeah Yeahs: Mosquito”
Entertainment Weekly via Wikipediaby Melissa Maerz B- 81
Spin via Wikipediaby Joe Gross 8/10 80 2013 “8SPIN Rating: 8 of 10Release Date: April 16, 2013Label: InterscopeThe quasi-spring weather, the adrenaline of SXSW, the music: It's downright astonishing”
The Guardian via Wikipediaby Alexis Petridis 4/5 80 2013 “Not even flirting with roots reggae can derail a confident return for the alt rock veterans, after their failed assault on the charts, writes Alexis Petridis”
Rolling Stone via Wikipediaby Will Hermes 3.5/5 70 2013 “Check out our album review of Artist's Mosquito on Rolling Stone.com.”
NME via Wikipediaby Lucy Jones 7/10 70 2013 “They’ve always been a mischievous bunch of minxes, Yeah Yeah Yeahs. For all the stormy weather Karen O, Nick Zinner and Brian Chase have endured over the years, when it…”
AllMusic via Wikipediaby Heather Phares 3.5/5 70
Slant via Wikipediaby Jesse Cataldo 3/5 60 2013 “The Yeah Yeah Yeahs’s latest is a messy, forceful expression of creative restlessness.”
Pitchfork via Wikipediaby Lindsay Zoladz 6.0/10 60 2013 “For the Yeah Yeah Yeahs' fourth album, they returned to the casual creative processes that produced their first demo and electrifying debut album, yet they struggle to recapture their early…”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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