Orphans: Brawlers, Bawlers & Bastards

Tom Waits – Orphans: Brawlers, Bawlers & Bastards: B-Side Breakdown 87 (B+) from 9 critic reviews.

Album cover for Orphans: Brawlers, Bawlers & Bastards by Tom Waits
Released November 17, 2006
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Tom Waits

Orphans: Brawlers, Bawlers & Bastards

87
B-Side BreakdownGrade B+ · 9 critics · 100% approval
B-Side Breakdown87Grade: B+
Approval100%9 of 9 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 14 points of each other

Critics give Orphans: Brawlers, Bawlers & Bastards a B-Side Breakdown of 87 (B+), from 9 reviews at outlets we track. Scores run 80 to 100.

The verdict on Orphans: Brawlers, Bawlers & Bastards

9 of 9 critics liked it, and they mostly agree.

020406080100Spin: 80Rolling Stone: 80NME: 80The Guardian: 80Pitchfork: 84AllMusic: 90The A.V. Club: 91Entertainment Weekly: 95Los Angeles Times: 100 Breakdown 87
The gist
Los Angeles Times via Wikipediaby Richard Cromelin 4/4 100 2006 “The dusty hipster piles it on for three hours, including 30 new songs — a beautiful mess.”
Entertainment Weekly via Wikipediaby Will Hermes A 95 2006
The A.V. Club via Wikipediaby Dennis Perkins A- 91 2022 “The A.V. Club digs deep into film, TV, music, games, books and more.”
AllMusic via Wikipediaby Thom Jurek 4.5/5 90
Pitchfork via Wikipediaby Rob Mitchum 8.4/10 84 2006 “This 3xCD box set is compartmentalized into style-segregated discs and features 30 new songs alongside a smattering of outtakes, soundtrack cuts, and other rarities.”
Spin via Wikipediaby Aaron Burgess 4/5 80 2006
Rolling Stone via Wikipediaby Robert Christgau 4/5 80 2006 “Check out our album review of Artist's Orphans: Brawlers, Bawlers & Bastards on Rolling Stone.com.”
NME via Wikipedia 8/10 80 2006
The Guardian via Wikipediaby Sylvie Simmons 4/5 80 2006

Orphans: Brawlers, Bawlers & Bastards in Tom Waits's catalog

75Closing Time (1973): 79The Heart of Saturday Night (1974): 77Nighthawks at the Diner (1975): 80Small Change (1976): 86Foreign Affairs (1977): 68Blue Valentine (1978): 73Heartattack and Vine (1980): 76One from the Heart (1982): 82Swordfishtrombones (1983): 96Rain Dogs (1985): 100Franks Wild Years (1987): 74Bone Machine (1992): 90The Black Rider (1993): 68Mule Variations (1999): 81Blood Money (2002): 82Alice (2002): 83Real Gone (2004): 74Orphans: Brawlers, Bawlers & Bastards (2006): 8787This oneBad as Me (2011): 8419732011
Tom Waits's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every Tom Waits album, ranked

How these critics usually treat Tom Waits

  • Pitchfork Harsher than usual3 points below the other critics here. Usually 7 points above on Tom Waits's other albums (13).
  • AllMusic About usual for them4 points above the other critics here. Usually 3 points below on Tom Waits's other albums (18).
  • Los Angeles Times About usual for them15 points above the other critics here. Usually 9 points above on Tom Waits's other albums (6).
  • The Guardian About usual for them8 points below the other critics here. Usually 5 points below on Tom Waits's other albums (5).
  • Rolling Stone About usual for them8 points below the other critics here. Usually 7 points below on Tom Waits's other albums (11).
  • Entertainment Weekly About usual for them9 points above the other critics here. Usually 10 points above on Tom Waits's other albums (7).

From B-Side Guys

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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