Early reviews. Critics give Woodstock an early B-Side Breakdown of 69 (D+), from 7 reviews so far. It will settle as more outlets weigh in.
The verdict on Woodstock
3 of 7 critics liked it. A mixed reception.
- Highest 80 PopMatters
- Lowest 50 Slant
- Career #2 of Portugal. The Man's 2 albums with a Breakdown
- By the numbers Portugal. The Man's best-reviewed album here since Evil Friends (2013).
| The gist | ||||
|---|---|---|---|---|
| PopMatters via Wikipediaby Jordan Blum | 8/10 | 80 | 2017 | “Alaskan outfit Portugal. The Man has always excelled at melding multiple styles into a delightfully varied, distinctive, and pleasurable sound. While they’ve” |
| The A.V. Club via Wikipediaby Matt Williams | C+ | 78 | 2017 | “The Drums, Portugal. The Man, Ride, and more in this week’s music reviews” |
| Paste via Wikipediaby Ryan J. Prado | 7.6/10 | 76 | 2017 | “Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums and films.” |
| AllMusic via Wikipediaby Thom Jurek | 3.5/5 | 70 | ||
| Pitchfork via Wikipediaby Evan Rytlewski | 6.6/10 | 66 | 2017 | “The Alaska psych-pop group have embraced modern-rock glitz and EDM bombast, while trying to write an album that speaks to the times. But their attempts at topicality are clumsy.” |
| Mojo via Wikipedia | 3/5 | 60 | 2017 | |
| Slant via Wikipediaby Josh Goller | 2.5/5 | 50 | 2017 | “Portugal. The Man aims squarely at the 21st-century mainstream with their eighth album, Woodstock.” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
From B-Side Guys
- More on Portugal. The ManSong Review: Madge – “TALL GRASS” feat. Portugal. The Man
More from Portugal. The Man
More Electronic from around 2017
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.





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