Based on 10 reviews from outlets we track. Scores run 40 to 80.
By the numbers: Scissor Sisters's best-reviewed album here since Ta-Dah (2006). Scores ran from 40 (Drowned in Sound) to 80 (Slant).
| The gist | ||||
|---|---|---|---|---|
| Slantby Jonathan Keefe | 4/5 | 80 | 2010 | “By matching their sound so adriotly to the content of their songs, Scissor Sisters makes Night Work an album of real structural sophistication.” |
| Pitchfork via Wikipediaby Matthew Perpetua | 7.6/10 | 76 | 2010 | “Latest from the NYC band beloved across the pond shifts thematic focus from camp to overt sexuality and has a darker, more 1980s-informed sound.” |
| NME via Wikipediaby Dan Martin | 7/10 | 70 | ||
| AllMusic via Wikipedia | 3.5/5 | 70 | 2010 | |
| musicOMHby Christopher Monk | 3.5/5 | 70 | 2010 | “Scissor Sisters' still-great eponymous 2004 debut was, in the best possible sense, all over the place. It featured Elton John-style honky-tonk piano pop” |
| Spectrum Cultureby Michael Merline | 3.5/5 | 70 | 2010 | “Scissor Sisters Night Work Rating: 3.5/5.0 Label: Downtown Records For New York’s Scissor Sisters- even more so than the various glam and rock acts that came before them – love…” |
| Rolling Stone via Wikipediaby Christian Hoard | 3/5 | 60 | 2010 | “Check out our album review of Artist's Night Work on Rolling Stone.com.” |
| Spin via Wikipediaby Written by | 6/10 | 60 | 2010 | “Scissor Sisters' playfully campy 2004 self-titled debut sailed over American heads straight to the top of the European charts. Follow-up Ta-Dah jiggered” |
| PopMatters | 5/10 | 50 | 2010 | “There is an overall lack of animating passion to be found on Night Work, the third Scissor Sisters album, some barely tangible quality that would otherwise” |
| Drowned in Sound via Wikipediaby DiS Archive | 4/10 | 40 | 2010 | “Nightlife is a pastiche of Scissors Sisters’ former glories that sees the band desperately sewing together the leftover scraps of their idols in a…” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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