I Am a Bird Now

ANOHNI and the Johnsons – I Am a Bird Now: B-Side Breakdown 86 (B) from 9 critic reviews.

Album cover for I Am a Bird Now by ANOHNI and the Johnsons
Released February 1, 2005
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ANOHNI and the Johnsons

I Am a Bird Now

86
B-Side BreakdownGrade B · 9 critics · 89% approval
B-Side Breakdown86Grade: B
Approval89%8 of 9 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 18 points of each other

Based on 9 reviews from outlets we track. Scores run 70 to 100.

By the numbers: The fifth best-reviewed album of 2005 we've tracked. 8 of 9 critics liked it, with NME the lone holdout at 70.

020406080100NME: 70Rolling Stone: 80The Guardian: 80AllMusic: 80Pitchfork: 86Los Angeles Times: 88Entertainment Weekly: 88Mojo: 100Drowned in Sound: 100 Breakdown 86
The gist
Mojo via Wikipedia 5/5 100 2005
Drowned in Sound via Wikipediaby DiS Archive 10/10 100 2005 “Antony And The Johnsons are led by New Yorker Antony – actor (he played an androgynous convict in Steve Buscemi’s Animal Factory), artist, but abov…”
Los Angeles Times via Wikipediaby Richard Cromelin 3.5/4 88 2005 “Mary Gauthier "Mercy Now" (Lost Highway) *** 1/2 This fortysomething's resume doesn't prepare you for the intensity and depth of her stark, weather-beaten songs — at least not the part…”
Entertainment Weekly via Wikipediaby Kristina Feliciano B+ 88 2005
Pitchfork via Wikipediaby Brandon Stosuy 8.6/10 86 2005
Rolling Stone via Wikipediaby David Fricke 4/5 80
The Guardian via Wikipediaby Betty Clarke 4/5 80 2005
AllMusic via Wikipediaby James Christopher Monger 4/5 80
NME via Wikipedia 7/10 70 2005

More Pop from around 2005

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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