High as Hope

Florence + the Machine – High as Hope: B-Side Breakdown 72 (Keeper) from 13 critic reviews.

Album cover for High as Hope by Florence + the Machine
Released June 9, 2018
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Florence + the Machine

High as Hope

72
B-Side BreakdownKeeper · 13 critics · 54% approval
B-Side Breakdown72Keeper
Approval54%7 of 13 critics scored it 70 or higher
DivisivenessSome debateHow close the scores are: most critics land within 24 points of each other

Critics give High as Hope a B-Side Breakdown of 72 (Keeper), from 13 reviews at outlets we track. Scores run 57 to 100.

The verdict on High as Hope

7 of 13 critics liked it. A mixed reception.

  • Outlier 100 The Telegraph, 20 points above the next-highest score
  • Lowest 57 Pitchfork
  • By the numbers The lowest score of Florence + the Machine's 6 albums with a Breakdown.
020406080100Pitchfork: 57Consequence: 59NME: 60The Guardian: 60AllMusic: 60The A.V. Club: 65Rolling Stone: 70The Line of Best Fit: 80The Independent: 80Q: 80Spill Magazine: 80Clash: 80The Telegraph: 100 Breakdown 72
The gist
The Telegraph via Wikipediaby Neil McCormick 5/5 100 2018
The Line of Best Fitby Pip Williams 8/10 80 2018 “It’s not that Welch isn’t scared any more; it’s that she’s made her peace with that, and in turn one of her strongest records to date.”
The Independent via Wikipediaby Roisin O'Connor 4/5 80 2018 “Florence Welch looks back on her youth with a mix of fondness and regret, and takes as stripped-back an approach as seems possible”
Q via Wikipediaby Laura Barton 4/5 80 2018
Spill Magazine 8.0/10 80 2018 “Florence + the Machine High As Hope Virgin EMI There are few, if any, voices more distinctive or powerful than that of Florence Welch. Famed for her ability to channel…”
Clash 8/10 80 “Florence + The Machine are a band with a certain identity, often typecast alongside imagery of nature and the mystique; perhaps it’s something about”
Rolling Stone via Wikipediaby Will Hermes 3.5/5 70 2018 “Florence Welch drops confessional truth bombs all over an ambitious, experimental LP”
The A.V. Club via Wikipediaby Katie Rife B 65 2018 “Florence + The Machine, Gorillaz, and more albums to know about this week”
NME via Wikipediaby Andrew Trendell 3/5 60 2018 “The NME review of Florence + The Machine's fourth album 'High As Hope' – free of much of the bombast and bluster of her past work”
The Guardian via Wikipediaby Alexis Petridis 3/5 60 2018 “Florence Welch’s fourth album is most powerful when focused on the small, telling details of encroaching adulthood”
AllMusic via Wikipediaby Neil Z. Yeung 3/5 60
Consequence B- 59 “The only limits on Welch's talent are the risks she sometimes fails to take.”
Pitchfork 5.7/10 57 2018 “Another relatively stripped-down album featuring the titanic voice of Florence Welch is troubled by its overwhelmingly beige production.”

High as Hope in Florence + the Machine's catalog

70Lungs (2009): 7878Ceremonials (2011): 7676How Big, How Blue, How Beautiful (2015): 7676High as Hope (2018): 7272This oneDance Fever (2022): 8282Everybody Scream (2025): 818120092025
Florence + the Machine's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every Florence + the Machine album, ranked

How these critics usually treat Florence + the Machine

  • The Telegraph Kinder than usual31 points above the other critics here. Usually 12 points above on Florence + the Machine's other albums (4).
  • AllMusic Harsher than usual13 points below the other critics here. Usually 4 points above on Florence + the Machine's other albums (5).
  • NME Harsher than usual13 points below the other critics here. Usually 1 point above on Florence + the Machine's other albums (5).
  • The Independent Kinder than usual9 points above the other critics here. Usually level with the others on Florence + the Machine's other albums (3).
  • Pitchfork About usual for them16 points below the other critics here. Usually 10 points below on Florence + the Machine's other albums (5).
  • The Guardian About usual for them13 points below the other critics here. Usually 8 points below on Florence + the Machine's other albums (4).

More from Florence + the Machine

See all Florence + the Machine albums ranked

More Indie & Alternative from around 2018

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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