All Jacked Up

Gretchen Wilson – All Jacked Up: B-Side Breakdown 70 (C-) from 8 critic reviews.

Album cover for All Jacked Up by Gretchen Wilson
Released September 27, 2005
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Gretchen Wilson

All Jacked Up

70
B-Side BreakdownGrade C- · 8 critics · 63% approval
B-Side Breakdown70Grade: C-
Approval63%5 of 8 critics scored it 75 or higher
DivisivenessContentiousHow close the scores are: most critics land within 52 points of each other

Critics give All Jacked Up a B-Side Breakdown of 70 (C-), from 8 reviews at outlets we track. Scores run 20 to 100.

The verdict on All Jacked Up

Critics split on this one: 5 of 8 liked it.

020406080100Slant: 20Rolling Stone: 40PopMatters: 60Spin: 78AllMusic: 80Stylus Magazine: 88Entertainment Weekly: 91Los Angeles Times: 100 Breakdown 70
The gist
Los Angeles Times via Wikipediaby Robert Hilburn 4/4 100 2005 “Gretchen Wilson "All Jacked Up" (Epic) * * * * IT was easy to dismiss this late bloomer from Illinois when she exploded onto the country music scene last year…”
Entertainment Weekly via Wikipediaby Will Hermes A- 91 2005
Stylus Magazine via Wikipediaby Thomas Inskeep B+ 88 2005
AllMusic via Wikipediaby Johnny Loftus 4/5 80 2006
Spin via Wikipediaby Jon Caramanica C+ 78 2005 “Mainstream country music has always been popular, but last year it got idiosyncratic, with songs that quoted OutKast, video cameos from Kid Rock, and a”
PopMatters via Wikipediaby Roger Holland 6/10 60 2005
Rolling Stone via Wikipediaby Rob Sheffield 2/5 40 2005
Slant via Wikipediaby Jonathan Keefe 1/5 20 2005 “Gretchen Wilson’s All Jacked Up sounds like a collection of b-sides and outtakes from last year’s Here For The Party.”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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