Anything in Return

Toro y Moi – Anything in Return: B-Side Breakdown 70 (Keeper) from 15 critic reviews.

Album cover for Anything in Return by Toro y Moi
Released January 16, 2013
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Toro y Moi

Anything in Return

70
B-Side BreakdownKeeper · 15 critics · 73% approval
B-Side Breakdown70Keeper
Approval73%11 of 15 critics scored it 70 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 16 points of each other

Critics give Anything in Return a B-Side Breakdown of 70 (Keeper), from 15 reviews at outlets we track. Scores run 55 to 80.

The verdict on Anything in Return

11 of 15 critics liked it. A mixed reception.

020406080100The A.V. Club: 55Spin: 60NME: 60Clash: 60musicOMH: 70DIY: 70PopMatters: 70The Line of Best Fit: 70Rolling Stone: 70Drowned in Sound: 70Beats Per Minute: 77Pitchfork: 79Paste: 80The Guardian: 80AllMusic: 80 Breakdown 70
The gist
Paste via Wikipediaby Jeff Gonick 8.0/10 80 2013 “Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums and films.”
The Guardian via Wikipediaby Maddy Costa 4/5 80 2013 “Chaz Bundick, aka Toro Y Moi, returns to his disco-party mode on this beautifully inventive and complex album, writes Maddy Costa”
AllMusic via Wikipediaby Tim Sendra 4/5 80
Pitchfork via Wikipediaby Ian Cohen 7.9/10 79 2013 “Serving as a synopsis of everywhere he's taken Toro Y Moi to date, Chaz Bundick's third full-length is also the longest and loudest of his releases. Here's silky R&B, roller-rink…”
Beats Per Minuteby Joshua Pickard 77% 77 2013 “Music News, Reviews, Interviews, Videos and MP3s”
musicOMHby Christopher Monk 3.5/5 70 2013 “Chaz Bundick – the 26-year-old South Carolinian who plies his trade under the name Toro Y Moi – knows how to manoeuvre his way out of a tight spot. His”
DIYby Kyle Forward 3.5/5 70 2013 “This is unlike anything Chaz, or his chillwave contemporaries, have ever even nudged toward before.”
PopMattersby Tom Fenwick 7/10 70 2013 “Modern music is a confusing landscape. With so much innovation, the boundaries of what we once felt comfortable with have blurred. Obviously, it's natural”
The Line of Best Fitby El Hunt 7/10 70 2013 “At its best where it showcases pop music rather than making fun of it, Anything In Return possesses its own oddball charm.”
Rolling Stone via Wikipediaby Will Hermes 3.5/5 70 2013 “Check out our album review of Artist's Anything in Return on Rolling Stone.com.”
Drowned in Sound via Wikipediaby Tim Peyton 7/10 70 2013 “Anything In Return is best when it settles for what it is: classy mood-setting music.”
Spin via Wikipediaby Dan Weiss 6/10 60 2013 “6SPIN Rating: 6 of 10Release Date: January 22, 2013Label: CarparkIf, a couple years back, you expected the word "chillwave" to be long gone by 2013, well,”
NME via Wikipediaby David Renshaw 6/10 60 2013 “Chazwick Bundick, aka Toro Y Moi, is 1) bosom buddies with Tyler, The Creator; and 2) owner of the world’s coolest name. If his music was as impressive as either…”
Clash via Wikipediaby Paddy Hughes 6/10 60 2013 “ClashMusic: Read an album review of Toro Y Moi's Anything In Return album. It is the producer Chaz Bundick's third album, reviewed in Issue 81 of Clash Magazine.”
The A.V. Club via Wikipediaby Chase Hutchinson C+ 55 2022 “The A.V. Club digs deep into film, TV, music, games, books and more.”

Anything in Return in Toro y Moi's catalog

70Causers of This (2010): 7070Anything in Return (2013): 7070This oneMahal (2022): 747420102022
Toro y Moi's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every Toro y Moi album, ranked

More from Toro y Moi

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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