Tom Fenwick’s album reviews that count toward B-Side Breakdowns: 3 reviews, going back to 2013, each next to the album’s Breakdown.
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Drowned in Sound 2013–2014 · 2 reviews- PopMatters 2013 · 1 review
What they review
- Hip-Hop & Rap 33%
- Indie & Alternative 33%
- Electronic 33%
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More numbers (how close they land to the other critics, release-week calls) appear once we track 15 of their reviews.
Every review
| Outlet | ||||
|---|---|---|---|---|
 LizzoLizzobangers | Drowned in Sound via Wikipedia | 80 8/10 | 79 | 2014 |
 Miles KaneDon’t Forget Who You Are“Miles Kane’s enthusiasm pushes the album along at a relentlessly breathless rate, but enthusiasm can only take you so far and soon tolerance for hi…” | Drowned in Sound via Wikipedia | 50 5/10 | 70 | 2013 |
 Toro y MoiAnything in Return“Modern music is a confusing landscape. With so much innovation, the boundaries of what we once felt comfortable with have blurred. Obviously, it's natural” | PopMatters | 70 7/10 | 70 | 2013 |
Is this you? Send a correction. Scores marked via Wikipedia come from the album’s Wikipedia ratings box, which names the critic in its citation. All critics · B-Side Breakdowns home