Critics give Skying a B-Side Breakdown of 80 (B-), from 10 reviews at outlets we track. Scores run 70 to 88.
The verdict on Skying
9 of 10 critics liked it, and they mostly agree.
- Highest 88 Los Angeles Times and The A.V. Club
- Lowest 70 Spin
- By the numbers The best-reviewed album of The Horrors's career on B-Side Breakdowns, ahead of Strange House (70).
| The gist | ||||
|---|---|---|---|---|
| Los Angeles Times via Wikipediaby Matt Diehl | 3.5/4 | 88 | 2011 | “This article was originally on a blog post platform and may be missing photos, graphics or links.” |
| The A.V. Club via Wikipediaby Caroline Siede | B+ | 88 | 2022 | “The A.V. Club digs deep into film, TV, music, games, books and more.” |
| Q via Wikipedia | 4/5 | 80 | 2011 | |
| Mojo via Wikipedia | 4/5 | 80 | 2011 | |
| NME via Wikipediaby Louise Brailey | 8/10 | 80 | 2011 | “There’s nothing like sticking it to your naysayers. After being dropped from their record label and written off by critics, [a]The Horrors[/a] had two options: they could have sacked off…” |
| The Independent via Wikipediaby Andy Gill | 4/5 | 80 | 2011 | “The supposed charms of The Horror's previous two albums, Strange House and the Mercury-nominated Primary Colours, I freely admit, escaped me with a vengeance. They seemed to be far too…” |
| The Guardian via Wikipediaby Dorian Lynskey | 4/5 | 80 | 2011 | “You don't have to play spot the influences to enjoy the Horrors' new album, writes Dorian Lynskey” |
| AllMusic via Wikipediaby Heather Phares | 4/5 | 80 | ||
| Pitchfork via Wikipediaby Eric Grandy | 7.5/10 | 75 | 2011 | “The Horrors tone down the experiments of Primary Colours for a record with obvious stylistic debts and impeccable taste.” |
| Spin via Wikipediaby Stacey Anderson | 7/10 | 70 | 2011 | “Coachella denizens may remember the Horrors' petulant set a couple of years ago, during which the Brits griped that they'd rather be watching My Bloody” |
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More from The Horrors
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.




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