Critics give The Futureheads a B-Side Breakdown of 80 (Keeper), from 11 reviews at outlets we track. Scores run 70 to 100.
The verdict on The Futureheads
11 of 11 critics liked it, and they mostly agree.
- Highest 100 Alternative Press
- Lowest 70 Slant
- By the numbers The best-reviewed album of The Futureheads's career on B-Side Breakdowns, ahead of News and Tributes (77). The fourth best-reviewed Rock album of 2004 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| Alternative Press via Wikipedia | 5/5 | 100 | 2005 | |
| Pitchfork via Wikipediaby Sam Ubl | 8.3/10 | 83 | 2004 | “Like 70s post-punks Wire, British rockers The Futureheads show little regard for traditional verse/chorus/verse structure, yet still manage to come away with irresistably hook-laden songs that cover an immense amount…” |
| Q via Wikipedia | 4/5 | 80 | 2005 | |
| Rolling Stone via Wikipediaby Barry Walters | 4/5 | 80 | 2004 | |
| The Guardian via Wikipediaby David Peschek | 4/5 | 80 | 2004 | |
| NME via Wikipediaby Pat Long | 8/10 | 80 | 2005 | “Hang out the bunting! Yes, the tenth anniversary of Britpop is almost upon us, heralded by a rumoured Menswear reformation, some [a]Oasis[/a] reissues and a load of windy cultural commentators…” |
| AllMusic via Wikipediaby Heather Phares | 4/5 | 80 | ||
| Robert Christgau via Wikipediaby Robert Christgau | B+ | 75 | 2005 | |
| Spin via Wikipedia | B+ | 75 | 2004 | |
| Entertainment Weekly via Wikipediaby Brian M. Raftery | B+ | 75 | 2004 | |
| Slantby Jonathan Keefe | 3.5/5 | 70 | 2010 | “The Futureheads demonstrate meaningful growth on The Chaos.” |
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The Futureheads in The Futureheads's catalog
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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