Based on 9 reviews from outlets we track. Scores run 40 to 90.
By the numbers: Scores ran from 40 (Spill Magazine) to 90 (Louder Than War).
| The gist | ||||
|---|---|---|---|---|
| Louder Than War | 9/10 | 90 | “Skrillex has been quiet of late. He’s been putting his debut album together and you know what? The boy done good.” | |
| Consequence via Wikipediaby Derek Staples | C+ | 78 | 2014 | “Proof he can leave the LED gloves behind and thrive outside of clubland.” |
| Rolling Stone via Wikipediaby Christopher R. Weingarten | 3.5/5 | 70 | 2014 | “Check out our album review of Artist's Recess on Rolling Stone.com.” |
| Spin via Wikipediaby Philip Sherburne | 7/10 | 70 | 2014 | “7SPIN Rating: 7 of 10Release Date: March 18, 2014Label: OWSLA/Big Beat/Atlantic"Dance like it hurts to stand still," sings Chance the Rapper on "Coast Is” |
| Los Angeles Times via Wikipediaby August Brown | 2.5/4 | 63 | 2014 | “Add "being in on the joke" to the long list of things that Skrillex does well.” |
| AllMusic via Wikipedia | 3/5 | 60 | ||
| Pitchfork via Wikipediaby Nate Patrin | 5.7/10 | 57 | 2014 | “Skrillex is a festival-circuit megastar who’s already put an indelible sonic imprint on the early stretch of this decade, but Recess is his first proper album. It's a mix of…” |
| PopMatters | 5/10 | 50 | “It’s been impossible to ignore the recent meteoric rise of EDM juggernaut Skrillex (aka Sunny Moore). Along with other producers like Avicii and Swedish House” | |
| Spill Magazine | 4.0/10 | 40 | “Skrillex & Kill The Noise Recess Remixes Asylum Meh. The remixes were meh. At first, when I saw Fatman Scoop AND Skrillex, I was excited to turn up the volume…” |
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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