Pure Comedy

Father John Misty – Pure Comedy: B-Side Breakdown 87 (B+) from 10 critic reviews.

Album cover for Pure Comedy by Father John Misty
Released April 7, 2017
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Father John Misty

Pure Comedy

87
B-Side BreakdownGrade B+ · 10 critics · 100% approval
B-Side Breakdown87Grade: B+
Approval100%10 of 10 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 18 points of each other

Based on 10 reviews from outlets we track. Scores run 76 to 100.

By the numbers: The best-reviewed album of Father John Misty's career on B-Side Breakdowns, ahead of I Love You, Honeybear (87). The fourth best-reviewed album of 2017 we've tracked.

020406080100Pitchfork: 76Q: 80Rolling Stone: 80The Independent: 80AllMusic: 80The A.V. Club: 88Entertainment Weekly: 88Mojo: 100NME: 100The Guardian: 100 Breakdown 87
The gist
Mojo via Wikipediaby Tom Doyle 5/5 100
NME via Wikipediaby Leonie Cooper 5/5 100 2017 “Father John Misty’s third album is a beautiful, illuminating masterpiece. Get the NME verdict on 'Pure Comedy”
The Guardian via Wikipediaby Alexis Petridis 5/5 100 2017 “Josh Tillman’s dark pronouncements, set to luscious, 70s-style orchestration, update the idea of the confessional singer-songwriter for the post-truth era”
The A.V. Club via Wikipediaby Monica Castillo B+ 88 2022 “The A.V. Club digs deep into film, TV, music, games, books and more.”
Entertainment Weekly via Wikipediaby Jonathan Bernstein B+ 88
Q via Wikipediaby Simon Price 4/5 80 2017
Rolling Stone via Wikipediaby Will Hermes 4/5 80 2017 “Our take on the neo-folk ironist's latest.”
The Independent via Wikipediaby Andy Gill 4/5 80 2017 “Also Ulver, The New Pornographers, and Timber Timbre”
AllMusic via Wikipediaby Stephen Thomas Erlewine 4/5 80
Pitchfork via Wikipediaby Jazz Monroe 7.6/10 76 2017 “Father John Misty is a consummate entertainer. On Pure Comedy, he questions the value of entertainment, capitalism, and everything else in a grueling odyssey through the psyche of Josh Tillman.”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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