Early reviews. Critics give Smilewound an early B-Side Breakdown of 70 (Keeper), from 7 reviews so far. It will settle as more outlets weigh in.
The verdict on Smilewound
5 of 7 critics liked it. A mixed reception.
- Highest 80 Slant, The Line of Best Fit and PopMatters
- Lowest 53 Beats Per Minute
- Career #3 of Múm's 6 albums with a Breakdown
- By the numbers Múm's best-reviewed album here since Finally We Are No One (2002).
| The gist | ||||
|---|---|---|---|---|
| Slantby Sal Cinquemani | 4/5 | 80 | 2013 | “For the first time in years, Múm has served up something we can really sink our teeth into.” |
| The Line of Best Fitby Christian Cottingham | 8/10 | 80 | 2013 | “The Icelandic band's sixth album is a curiously joyous affair, but the smiles suit them more than you might imagine.” |
| PopMattersby Benjamin Hedge Olson | 8/10 | 80 | 2013 | “It was my 21st birthday, and I was driving from Reykjavik to the small village of Vik on the south central coast of Iceland. I was doing a year-long study” |
| AllMusic via Wikipediaby Heather Phares | 3.5/5 | 70 | ||
| musicOMHby Chris White | 3.5/5 | 70 | 2013 | “Few nationalities have a musical DNA quite as distinctive as the Icelandic. From their frozen isle in the far flung north-west fringes of Europe, a” |
| Pitchfork via Wikipediaby Brian Howe | 5.7/10 | 57 | 2013 | “Blending classical and rock instrumentation with glitchy beats, ambient electronics, and stagy vocals, the Icelandic band Múm's music taps into a spirit of childlike wonder. The best songs on Smilewound,…” |
| Beats Per Minuteby Ray Finlayson | 53% | 53 | 2013 | “Music News, Reviews, Interviews, Videos and MP3s” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
Smilewound in Múm's catalog
How these critics usually treat Múm
- AllMusic Harsher than usualLevel with the other critics here. Usually 8 points above on Múm's other albums (5).
- Pitchfork About usual for them15 points below the other critics here. Usually 11 points below on Múm's other albums (5).
More from Múm
More Electronic from around 2013
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.









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