All Visible Objects

Moby – All Visible Objects: B-Side Breakdown 61 (D-) from 7 critic reviews.

Album cover for All Visible Objects by Moby
Released May 15, 2020
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Moby

All Visible Objects

61
B-Side BreakdownGrade D- · 7 critics · 29% approval
B-Side Breakdown61Grade: D-
Approval29%2 of 7 critics scored it 75 or higher
DivisivenessDividedHow close the scores are: most critics land within 32 points of each other

Early reviews. Critics give All Visible Objects an early B-Side Breakdown of 61 (D-), from 7 reviews so far. It will settle as more outlets weigh in.

The verdict on All Visible Objects

Critics split on this one: scores run from 40 (The Guardian and 1 other) to 80 (Sputnikmusic and 1 other).

020406080100The Guardian: 40The Arts Desk: 40Pitchfork: 58musicOMH: 60Exclaim!: 70Sputnikmusic: 80AllMusic: 80 Breakdown 61
The gist
Sputnikmusic via Wikipediaby Raul Stanciu 4/5 80 “Moby – All Visible Objects review: Eco-friendly nostalgia party…”
AllMusic via Wikipediaby Neil Z. Yeung 4/5 80
Exclaim! via Wikipediaby Dylan Barnabe 7/10 70 2020
musicOMH via Wikipediaby Ben Hogwood 3/5 60 2020 “An acceptance that, 27 years on, not only is everything still wrong, but that a redoubling of efforts is required”
Pitchfork via Wikipediaby Chal Ravens 5.8/10 58 2020 “Richard Melville Hall is back to doing what he does best: making soaring electronic music for billboard-sized emotions. Introspection? Not so much.”
The Guardian via Wikipediaby Rachel Aroesti 2/5 40 2020 “Seeming to prefer penning candid memoirs to exploring new musical material, Moby’s 17th album has vitality but no novelty”
The Arts Desk via Wikipediaby Thomas H. Green 2/5 40 “Moby is perhaps better known these days for his two ultra-candid biographies, Porcelain and Then It Fell Apart, than he is for his massive album successes of two decades ago.…”

All Visible Objects in Moby's catalog

75Moby (1992): 82Ambient (1993): 67Everything Is Wrong (1995): 89Animal Rights (1996): 63The End of Everything (1996): 64Play (1999): 8418 (2002): 65Baby Monkey (2004): 55Hotel (2005): 54Last Night (2008): 67Wait for Me (2009): 69Destroyed. (2011): 60Innocents (2013): 61These Systems Are Failing (2016): 68More Fast Songs About the Apocalypse (2017): 65Everything Was Beautiful, and Nothing Hurt (2018): 70All Visible Objects (2020): 6161This oneReprise (2021): 70Always Centered at Night (2024): 66Future Quiet (2026): 7619922026
Moby's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every Moby album, ranked

How these critics usually treat Moby

  • The Guardian Harsher than usual25 points below the other critics here. Usually 3 points below on Moby's other albums (9).
  • AllMusic Kinder than usual22 points above the other critics here. Usually 2 points above on Moby's other albums (19).
  • Pitchfork Kinder than usual4 points below the other critics here. Usually 21 points below on Moby's other albums (10).
  • Sputnikmusic Kinder than usual22 points above the other critics here. Usually 8 points above on Moby's other albums (4).
  • musicOMH About usual for them1 point below the other critics here. Usually 1 point below on Moby's other albums (7).

More from Moby

See all Moby albums ranked

More Electronic from around 2020

Would you spin it again?

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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