Critics give Synthetica a B-Side Breakdown of 75 (C), from 10 reviews at outlets we track. Scores run 60 to 100.
The verdict on Synthetica
5 of 10 critics liked it. A mixed reception.
- Highest 100 The Telegraph
- Lowest 60 The Independent and The Guardian
- By the numbers The best-reviewed album of Metric's career on B-Side Breakdowns, ahead of Old World Underground, Where Are You Now? (73).
| The gist | ||||
|---|---|---|---|---|
| The Telegraph via Wikipediaby Neil McCormick | 5/5 | 100 | 2012 | |
| The A.V. Club via Wikipediaby James Grebey | B | 85 | 2022 | “The A.V. Club digs deep into film, TV, music, games, books and more.” |
| Spin via Wikipediaby Josh Modell | 8/10 | 80 | 2012 | “8SPIN Rating: 8 of 10Release Date: June 12, 2012Label: Mom + PopUnlike Broken Social Scene — her besties in the very social scene from which she” |
| AllMusic via Wikipediaby Tim Sendra | 4/5 | 80 | ||
| Los Angeles Times via Wikipediaby Todd Martens | 3/4 | 75 | 2012 | “This article was originally on a blog post platform and may be missing photos, graphics or links.” |
| Rolling Stone via Wikipediaby Maura Johnston | 3.5/5 | 70 | 2012 | “Check out our album review of Artist's Synthetica on Rolling Stone.com.” |
| Pitchfork via Wikipediaby Matthew Perpetua | 7.0/10 | 70 | 2012 | |
| NME via Wikipediaby Hayley Avron | 7/10 | 70 | 2012 | |
| The Independent via Wikipediaby Andy Gill | 3/5 | 60 | 2012 | “It's easy to see why David Cronenberg was attracted to his fellow Canadian electropop outfit as contributors to the soundtrack to his recent film Cosmopolis.” |
| The Guardian via Wikipediaby Maddy Costa | 3/5 | 60 | 2012 | “Emily Haines is still an intriguing singer and lyricist, but Metric's music sounds a bit ordinary here, writes Maddy Costa” |
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Synthetica in Metric's catalog
How these critics usually treat Metric
- Pitchfork About usual for them6 points below the other critics here. Usually 4 points below on Metric's other albums (3).
- AllMusic About usual for them6 points above the other critics here. Usually 6 points above on Metric's other albums (3).
More from Metric
← Earlier Old World Underground, Where Are You Now? (2003)Later → Pagans in Vegas (2015)
More Indie & Alternative from around 2012
Would you spin it again?
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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