Critics give Pre Pleasure a B-Side Breakdown of 80 (Keeper), from 9 reviews at outlets we track. Scores run 70 to 90.
The verdict on Pre Pleasure
9 of 9 critics liked it, and they mostly agree.
- Highest 90 Uncut and Exclaim!
- Lowest 70 The Line of Best Fit and Clash
- Career #2 of Julia Jacklin's 2 albums with a Breakdown
- By the numbers Julia Jacklin's best-reviewed album here since Crushing (2019).
| The gist | ||||
|---|---|---|---|---|
| Uncut via Wikipediaby Jim Wirth | 9/10 | 90 | 2022 | |
| Exclaim! via Wikipediaby Emilie Hanskamp | 9/10 | 90 | 2022 | |
| Paste via Wikipediaby Ellen Johnson | 8.3/10 | 83 | 2022 | “Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums and films.” |
| Mojo via Wikipediaby Victoria Segal | 4/5 | 80 | 2022 | |
| The Independent via Wikipediaby Mark Beaumont | 4/5 | 80 | 2022 | “The Australian musician’s latest album is one of those rare records that reveals the whole artist, cheap kicks and all” |
| AllMusic via Wikipediaby Marcy Donelson | 4/5 | 80 | ||
| Pitchfork via Wikipediaby Quinn Moreland | 7.4/10 | 74 | 2022 | |
| The Line of Best Fit via Wikipediaby Bella Fleming | 7/10 | 70 | 2022 | |
| Clash via Wikipediaby Alex Rigotti | 7/10 | 70 | 2022 | “At 31, Julia Jacklin has managed to secure herself as one of Australia’s most well-known singer-songwriters with just two albums. Blending folk and indie” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
More from Julia Jacklin
More Indie & Alternative from around 2022
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.




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