Critics give The Shepherd’s Dog a B-Side Breakdown of 81 (B-), from 10 reviews at outlets we track. Scores run 70 to 91.
The verdict on The Shepherd’s Dog
8 of 10 critics liked it, and they mostly agree.
- Highest 91 Entertainment Weekly
- Lowest 70 Rolling Stone and NME
- By the numbers The best-reviewed album of Iron & Wine's career on B-Side Breakdowns, ahead of The Creek Drank the Cradle (81). The fourth best-reviewed Folk, Country & Americana album of 2007 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| Entertainment Weekly via Wikipediaby Simon Vozick-Levinson | A- | 91 | 2007 | |
| AllMusic via Wikipediaby Tim Sendra | 4.5/5 | 90 | ||
| Pitchfork via Wikipediaby Joe Tangari | 8.6/10 | 86 | 2007 | “After expanding his palette on both the superb Woman King EP and 2005's full-band collaboration with Calexico, In the Reins, Sam Beam finally completes his gradual journey from lo-fi home…” |
| The A.V. Club via Wikipediaby Brian Tallerico | B- | 81 | 2022 | “The A.V. Club digs deep into film, TV, music, games, books and more.” |
| Uncut via Wikipediaby Alastair McKay | 4/5 | 80 | 2007 | |
| Spin via Wikipediaby Stacey Anderson | 4/5 | 80 | 2007 | |
| Q via Wikipedia | 4/5 | 80 | 2007 | |
| Blender via Wikipediaby Will Hermes | 4/5 | 80 | ||
| Rolling Stone via Wikipediaby David Fricke | 3.5/5 | 70 | 2007 | |
| NME via Wikipedia | 7/10 | 70 | 2007 | “Forget about its dodgy foreign policy and vacuous celebs, people like Sam ‘Iron & Wine’ Beam are what America is really about. This is multi-layered eclectic pop, dipped in folk,…” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
The Shepherd’s Dog in Iron & Wine's catalog
How these critics usually treat Iron & Wine
- Pitchfork Kinder than usual6 points above the other critics here. Usually 5 points below on Iron & Wine's other albums (6).
- AllMusic About usual for them10 points above the other critics here. Usually 6 points above on Iron & Wine's other albums (7).
- Uncut About usual for them1 point below the other critics here. Usually 1 point above on Iron & Wine's other albums (4).
More from Iron & Wine
← Earlier Our Endless Numbered Days (2004)Later → Ghost on Ghost (2013)
More Folk, Country & Americana from around 2007
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.










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