Love Travels at Illegal Speeds

Graham Coxon – Love Travels at Illegal Speeds: B-Side Breakdown 82 (B-) from 10 critic reviews.

Album cover for Love Travels at Illegal Speeds by Graham Coxon
Released March 13, 2006
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Graham Coxon

Love Travels at Illegal Speeds

82
B-Side BreakdownGrade B- · 10 critics · 90% approval
B-Side Breakdown82Grade: B-
Approval90%9 of 10 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 14 points of each other

Critics give Love Travels at Illegal Speeds a B-Side Breakdown of 82 (B-), from 10 reviews at outlets we track. Scores run 70 to 100.

The verdict on Love Travels at Illegal Speeds

9 of 10 critics liked it, and they mostly agree.

  • Highest 100 musicOMH
  • Lowest 70 Pitchfork
  • By the numbers The best-reviewed album of Graham Coxon's career on B-Side Breakdowns, ahead of A+E (77). The third best-reviewed Rock album of 2006 we've tracked.
020406080100Pitchfork: 70Q: 80Uncut: 80PopMatters: 80NME: 80Mojo: 80The Guardian: 80Encyclopedia of Popular Music: 80AllMusic: 90musicOMH: 100 Breakdown 82
The gist
musicOMH via Wikipediaby Paul Woloszyn 5/5 100
AllMusic via Wikipediaby Stephen Thomas Erlewine 4.5/5 90
Q via Wikipedia 4/5 80 2005
Uncut via Wikipedia 8/10 80 2005
PopMatters via Wikipediaby Stephen Haag 8/10 80 2006 “After a string of little-heard solo records released while still a member of Blur, Graham Coxon finally broke through with his first post-Blur outing, 2005's”
NME via Wikipediaby Hamish MacBain 8/10 80 2006 “One of the most abiding memories of Britpop, more so than Noel quaffing champers with a fresh-faced Tony Blair and more so than Jarvis’ Jacko-baiting at the Brits, is Blur’s…”
Mojo via Wikipedia 4/5 80 2005
The Guardian via Wikipediaby Alexis Petridis 4/5 80 2006
Encyclopedia of Popular Music via Wikipediaby Colin Larkin 4/5 80 2005
Pitchfork via Wikipediaby William Bowers 7.0/10 70 2006 “Like his underrated Happiness in Magazines, the latest from the former Blur guitarist is more accessible guitar pop than art-rock.”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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