Critics give I’m New Here a B-Side Breakdown of 79 (Keeper), from 10 reviews at outlets we track. Scores run 60 to 90.
The verdict on I’m New Here
9 of 10 critics liked it, and they mostly agree.
- Highest 90 NME
- Lowest 60 Rolling Stone
- Career #3 of Gil Scott-Heron's 7 albums with a Breakdown
- By the numbers Gil Scott-Heron's best-reviewed album here since Winter in America (1974). The third best-reviewed R&B & Soul album of 2010 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| NME via Wikipediaby Emily Mackay | 9/10 | 90 | 2010 | “There’s something satisfying about XL, which has been home to UK hip-hop acts [a]Dizzee Rascal[/a] and [a]MIA[/a], signing [a]Gil Scott-Heron[/a], one of the genre’s biggest stylistic influences. It still remains…” |
| Pitchfork via Wikipediaby Nate Patrin | 8.5/10 | 85 | 2010 | “The influential singer-songwriter returns after many years with a powerful album that mixes spoken word, folk, and blues over roughed-up sonics.” |
| Q via Wikipediaby Rupert Howe | 4/5 | 80 | 2010 | |
| Mojo via Wikipediaby Paul Trynka | 4/5 | 80 | 2010 | |
| The Independent via Wikipediaby Andy Gill | 4/5 | 80 | 2010 | “Like the man himself, Gil Scott-Heron's new album is far from perfect. For starters, there's not much of it, little more than 28 minutes.” |
| The Telegraph via Wikipediaby Neil McCormick | 4/5 | 80 | 2010 | |
| The Guardian via Wikipediaby Dave Simpson | 4/5 | 80 | 2010 | “The poet-musician's first album in 16 years is blistering, redemptive stuff, says Dave Simpson” |
| AllMusic via Wikipediaby Thom Jurek | 4/5 | 80 | ||
| Spin via Wikipediaby Andy Beta | 7/10 | 70 | 2010 | “7SPIN Rating: 7 of 10Release Date: February 09, 2010Label: XLWhile author/poet/activist/proto-rapper Gil Scott-Heron hasn't released an album in 13 years,” |
| Rolling Stone via Wikipediaby Will Hermes | 3/5 | 60 | 2010 |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
I’m New Here in Gil Scott-Heron's catalog
How these critics usually treat Gil Scott-Heron
- AllMusic About usual for them2 points above the other critics here. Usually 5 points above on Gil Scott-Heron's other albums (6).
More from Gil Scott-Heron
More R&B & Soul from around 2010
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.








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