Critics give Utopia Parkway a B-Side Breakdown of 72 (Keeper), from 8 reviews at outlets we track. Scores run 50 to 93.
The verdict on Utopia Parkway
Critics split on this one: scores run from 50 (NME) to 93 (Entertainment Weekly).
- Highest 93 Entertainment Weekly
- Lowest 50 NME
- Career #4 of Fountains of Wayne's 5 albums with a Breakdown
- Reputation 67 80 at release, then five or more years later
- By the numbers The fourth best-reviewed Pop album of 1999 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| Entertainment Weekly via Wikipediaby Chris Willman | A | 93 | 1999 | |
| Spin via Wikipediaby Eric Weisbard | 8/10 | 80 | 1999 | |
| Melody Maker via Wikipedia | 4/5 | 80 | 2004 | |
| Alternative Press via Wikipedia | 4/5 | 80 | 2004 | |
| AllMusic via Wikipediaby Stephen Thomas Erlewine | 4/5 | 80 | ||
| Rolling Stone via Wikipediaby Greg Kot | 3/5 | 60 | 1999 | |
| Pitchfork via Wikipediaby Brent DiCrescenzo | 5.1/10 | 51 | 1999 | “A local Top 40 radio station preferred by the data entry ladies in Keds recently held a ridiculous contest. Four …” |
| NME via Wikipediaby David Stubbs | 5/10 | 50 | 1999 |
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Utopia Parkway in Fountains of Wayne's catalog
How these critics usually treat Fountains of Wayne
- Entertainment Weekly Kinder than usual24 points above the other critics here. Usually 2 points above on Fountains of Wayne's other albums (3).
- Pitchfork Harsher than usual24 points below the other critics here. Usually 10 points below on Fountains of Wayne's other albums (3).
- Rolling Stone Harsher than usual13 points below the other critics here. Usually 2 points below on Fountains of Wayne's other albums (3).
- AllMusic Kinder than usual9 points above the other critics here. Usually 1 point below on Fountains of Wayne's other albums (4).
More from Fountains of Wayne
← Earlier Fountains of Wayne (1996)Later → Welcome Interstate Managers (2003)
More Pop from around 1999
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.








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