Born in the U.S.A.

Bruce Springsteen – Born in the U.S.A.: B-Side Breakdown 87 (Heavy Rotation) from 9 critic reviews.

Album cover for Born in the U.S.A. by Bruce Springsteen
Released May 1984
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Bruce Springsteen

Born in the U.S.A.

87
B-Side BreakdownHeavy Rotation · 9 critics · 78% approval
B-Side Breakdown87Heavy Rotation
Approval78%7 of 9 critics scored it 70 or higher
DivisivenessContentiousHow close the scores are: most critics land within 42 points of each other

Critics give Born in the U.S.A. a B-Side Breakdown of 87 (Heavy Rotation), from 9 reviews at outlets we track. Scores run 40 to 100.

The verdict on Born in the U.S.A.

Critics split on this one: 7 of 9 liked it.

020406080100Q: 40Encyclopedia of Popular Music: 60MusicHound Rock: 80The Rolling Stone Album Guide: 100Pitchfork: 100Chicago Tribune: 100AllMusic: 100Rolling Stone: 100Los Angeles Times: 100 Breakdown 87
The gist
The Rolling Stone Album Guide via Wikipedia 5/5 100 2002
Pitchfork via Wikipediaby Sam Sodomsky 10/10 100 2021
Chicago Tribune via Wikipediaby Greg Kot 4/4 100 1992 “Springsteen on disc: Greetings From Asbury Park, N.J. (1973) (STAR)(STAR) 1/2: Springsteen takes the ”new Dylan” hype to its wordy, if sometimes scruffy and charming, extreme. The Wild, the Innocent…”
AllMusic via Wikipediaby William Ruhlmann 5/5 100
Rolling Stone via Wikipediaby Debby Miller 5/5 100 1984 “Check out our album review of Artist's Born in the U.S.A. on Rolling Stone.com.”
Los Angeles Times via Wikipedia 4/4 100
MusicHound Rock via Wikipedia 4/5 80 2002
Encyclopedia of Popular Music via Wikipedia 3/5 60
Q via Wikipediaby Richard Williams 2/5 40 1989

Born in the U.S.A. in Bruce Springsteen's catalog

70Greetings from Asbury Park, N.J. (1973): 70The Wild, the Innocent & the E Street Shuffle (1973): 86Born to Run (1975): 95Darkness on the Edge of Town (1978): 89The River (1980): 89Nebraska (1982): 81Born in the U.S.A. (1984): 8787This oneTunnel of Love (1987): 92Lucky Town (1992): 69Human Touch (1992): 52The Ghost of Tom Joad (1995): 76The Rising (2002): 82Devils & Dust (2005): 87We Shall Overcome: The Seeger Sessions (2006): 78Magic (2007): 84Working on a Dream (2008): 71Wrecking Ball (2012): 73High Hopes (2014): 66Chapter and Verse (2016): 76Western Stars (2019): 82Letter to You (2020): 82Only the Strong Survive (2022): 6919732022
Bruce Springsteen's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every Bruce Springsteen album, ranked

How these critics usually treat Bruce Springsteen

  • Q Harsher than usual53 points below the other critics here. Usually 5 points below on Bruce Springsteen's other albums (11).
  • Encyclopedia of Popular Music Harsher than usual30 points below the other critics here. Usually 3 points below on Bruce Springsteen's other albums (7).
  • Chicago Tribune Kinder than usual15 points above the other critics here. Usually 10 points below on Bruce Springsteen's other albums (11).
  • Pitchfork Kinder than usual15 points above the other critics here. Usually 3 points below on Bruce Springsteen's other albums (19).
  • AllMusic Kinder than usual15 points above the other critics here. Usually 1 point above on Bruce Springsteen's other albums (21).
  • The Rolling Stone Album Guide Kinder than usual15 points above the other critics here. Usually 3 points above on Bruce Springsteen's other albums (7).

More from Bruce Springsteen

See all Bruce Springsteen albums ranked

More Rock from around 1984

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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