Ghetto Music: The Blueprint of Hip Hop

Boogie Down Productions – Ghetto Music: The Blueprint of Hip Hop: B-Side Breakdown 86 (B) from 5 critic reviews.

Album cover for Ghetto Music: The Blueprint of Hip Hop by Boogie Down Productions
Released 1989
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Boogie Down Productions

Ghetto Music: The Blueprint of Hip Hop

86
B-Side BreakdownGrade B · 5 critics · 80% approval
B-Side Breakdown86Grade: B
Approval80%4 of 5 critics scored it 75 or higher
DivisivenessSome debateHow close the scores are: most critics land within 20 points of each other

Early reviews. Critics give Ghetto Music: The Blueprint of Hip Hop an early B-Side Breakdown of 86 (B), from 5 reviews so far. It will settle as more outlets weigh in.

The verdict on Ghetto Music: The Blueprint of Hip Hop

4 of 5 critics liked it, with some disagreement on how much.

020406080100Los Angeles Times: 70Rolling Stone: 80Robert Christgau: 88AllMusic: 90Sputnikmusic: 100 Breakdown 86
The gist
Sputnikmusic via Wikipedia 5/5 100 1989 “Boogie Down Productions – Ghetto Music: The Blueprint Of Hip Hop review: One of the best albums by Boogie Down Productions.”
AllMusic via Wikipediaby Steve Huey 4.5/5 90
Robert Christgau via Wikipediaby Robert Christgau B+ 88 2006
Rolling Stone via Wikipediaby David Fricke 4/5 80 1989
Los Angeles Times via Wikipediaby Duff Marlowe 3.5/5 70 1989 “Since the release of BDP's first album in 1987, Chris Parker, the self-described "Blastmaster" KRS-One, has become something of an underground superstar among urban youth.”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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