American Recordings

Johnny Cash – American Recordings: B-Side Breakdown 97 (A+) from 5 critic reviews.

Album cover for American Recordings by Johnny Cash
Released April 26, 1994
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Johnny Cash

American Recordings

97 A-Side: the critics' top tier
B-Side BreakdownGrade A+ · 5 critics · 100% approval
B-Side Breakdown97Grade: A+
Approval100%5 of 5 critics scored it 75 or higher
DivisivenessUnanimousHow close the scores are: most critics land within 8 points of each other

An early A-Side. It earned the badge from its first 5 reviews. More outlets are still weighing in, and if their scores pull it below the line, the badge comes off.

By the numbers: The best-reviewed album of Johnny Cash's career on B-Side Breakdowns, ahead of American V: A Hundred Highways (84). The best-reviewed album of 1994 we've tracked.

020406080100NME: 90Entertainment Weekly: 95Rolling Stone: 100Chicago Tribune: 100Los Angeles Times: 100 Breakdown 97
The gist
Rolling Stone via Wikipedia 5/5 100 2005
Chicago Tribune via Wikipediaby Greg Kot 4/4 100 1994 “Johnny Cash American Recordings (American) (STAR)(STAR)(STAR)(STAR) It’s difficult to improve on the concept: Johnny Cash singing a batch of terrific songs accompanied only by his acoustic guitar. It’s also difficult…”
Los Angeles Times via Wikipediaby Randy Lewis 4/4 100 1994 “It's been ages since anyone of Cash's stature bared himself so completely–and successfully–as the Man in Black does on his first album for Rick Rubin's record label.”
Entertainment Weekly via Wikipediaby David Browne A 95
NME via Wikipedia 9/10 90 2005

From B-Side Guys

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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