The Flock: Singer/Songwriter: Simon Lewis & Onk Lou, Martha Hill, keatsu, Kaiak, Boyce Avenue, David Madras

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Simone Lewis & Onk Lou – “Home 2.0”

The way this was described when it was sent to us was simply: “Two incredible voices in one song that couldn’t be more variant.” When I first started listening to the music, I was like, okay, this first guy has a beautiful voice; I’m sure the other guy does too, but how variant could they really be? And then the second guy came in; and I immediately started to type my response about wanting to feature this song on the blog. Then they harmonize together and I had to stop typing and just listen to the rest of the song before I responded. I was trying to think of who they reminded me of; and I couldn’t come up with anyone that they actually sounded like. They remind me slightly of Middle Brother in the sense that they have very different voices and beautiful lyricism, but these guys have much better voices than Middle Brother (not hating, I love Middle Brother). Let’s dive in briefly to the beautiful lyricism I mentioned:

“I dig a hole in the woods and I grow with the roots and I go with the flood as life tells me so, I let go of the mess created in my head because,
Home is where the heart is and that’s wherever I go.
bridge:
I close my eyes to feel the moment, I walk this path made out of cobblestone, I take a breath before I let it go, when stars collide they fall apart but in the end there’ll always be a start, till than I’ll dance beneath the waterfall”

I could’ve really picked any section of the song and found something to talk about, but I particularly like the message of home being different for different people. In particular; it doesn’t have to be a place with roots stuck in one place, it can also be a flooded river you float down. “Home is where the heart is, and that’s wherever I go.”

Martha Hill – “Spiders”

Do you ever feel like you’re losing your mind? Well this song perfectly describes exactly what that feels like:

“One head two minds

Hands pressing glass from separate sides

Three seconds till I dive

1 2 3 stop

CHORUS

The spiders in my head they just won’t leave me alone

I pick the legs off while I wait for the seconds to slow ”

There’s something about the lyrics that remind me a bit of the short story “The Yellow Wall Paper”, a story where a woman being shut in the house by her husband, becomes increasingly crazy; which causes her husband to shut her in even more for…being crazy.

The beautiful instrumentals that have a nice beat throughout, and then go off the rails like a Pink Floyd bridge at the 2 minutes mark only add to Martha’s haunting vocals that carry you right up to the very last second of the very last “1, 2, 3, stop.” It’s a song that strikes a perfect balance between catchy and disorienting; and I really can’t get enough of it.

Bio: “Martha Hill is a an alternative pop artist based in Newcastle upon Tyne.

After growing up as one of six siblings on a remote Scottish peninsula, where the only link to the mainland was via ferry, she left home at 17 and spent two years touring across Europe as a street musician.

Eventually relocating to north-east England and falling in with a local ‘scene’ for the first time, Martha and her band have spent the past year touring all over the UK – supporting the likes of Holy Moly & The Crackers and Let’s Eat Grandma at venues such as Borderline, The Cluny etc. – with two DIY tours of Europe falling in between. Her most recent gig was for BBC Introducing, supporting Atlantic-signed Mahalia on The Biggest Weekend Fringe Tour.”

keatsu – “Feel Good”

I realize this isn’t necessarily what you might initially think of as “Singer/Songwriter”, but keatsu is basically a one man show, and it’s my blog, so don’t worry about it. Also, if you only listened to the first little bit, you’d assume the whole thing was just a normal lo-fi project with a guy with an acoustic guitar, and then you quickly see it advance and evolve from there into a beautiful call and response with himself that repeats “I just feel good on the dance floor.” This is something you’d expect to be said by Justin Timberlake with a break beat behind it, but is instead said with lo-fi effects and an a minimalistic guitar. The irony and self awareness of keatsu is my favorite thing about all his projects. He’s one of my favorite artists out the moment. On his full-length, he references everything from Nirvana, to Linkin Park, to pop songs, and it all just works. Literally go throw a dart at his Spotify page and you’ll find 3 new favorite songs. We can get you started with our Spotify link at the bottom of this page (don’t skip down there yet, still plenty of good music to hear).

Kaiak – “No Regrets”

I really could see this song making waves on some mainstream channels in the summer months. The thing that really solidified this song for me, other than the beautiful production and vocals, was the interesting use of horns during the later half of the song. It really was a nice surprise for me that took this song from a nice sounding song that I would listen to again, to a song I immediately saved to all of my Spotify playlists. “Lesson learned, passed the test, life goes on, no regrets.” It’s a message that we’ve all heard before, but gets solidified by the pretty package that Kaiak has presented it in here.

Boyce Avenue – “Ride The Wave”

I immediately thought this looked like an advertisement. I guess that might come off as a bad thing; but I mean like a Super Bowl Ad. It’s one of those heartfelt ones that you expect from Budweiser or something. It’s just so beautifully shot, and the music itself fits the vibe that it’s created so well.

“The tide will rise and fall; some days you will feel small, but ride a wave, I’ll ride it in with you.”

I don’t have kids, but that sentiment is just so beautiful to me. It’s both a lesson and a show of support, an acknowledgment of the harshness of the world, but also saying “I have your back as long as I can.” This message mixed with the family fun and love shown in the video can melt the coldest of hearts. Trust me on that.

David Madras – “Me & You”

And last, but certainly not least. Do you like Phosphorescent? Who doesn’t? David Madras’ voice reminds me so much of Phosphorescent. I’m really excited to announce that this song will be a part of our upcoming podcast episode that focuses on Existentialism. Oh you didn’t know we had a podcast? Check it out here. Since we are focusing on it on the podcast, I don’t want to spoil too much here, but let’s dive briefly into one of the lines.

“She said she had a little revelation, about the way the clouds appear, and how a day becomes a year. She said she had a little realization, about everything she’s ever feared, and suddenly it’s drawing near.”

I don’t know about you guys, but I connect to the “she” in this song so strongly. The existentialism episode is going to talk about it at length, but basically the idea is that you suddenly feel and question how tiny and insignificant you are in the cosmos; and this song perfectly captures that feeling. Is that a bad feeling? Yeah, sometimes. But it can also be empowering. “She says, we are young, me and you, there’s so much that I don’t know and I’m never going to. We are young, there’s so much left to do, all the wonders of the world for a boy and girl like me and you.”

 

-Caleb

Did you like these songs? Good, me too. Want to hear them again? They are all on our July TOTD Playlist on Spotify. 

The Flock: New Release Friday: Dave Cavalier, Juliana Strangelove, Flo, Loneborn, Sarah MacDougall, Skout

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Dave Cavalier: “Snap Out of It”

Have you ever had a relationship that you knew was bad for you, but you continued it anyway? Yeah me too. That’s why I really love this song and video from Dave Cavalier, where we see an alluring relationship slowly fade into both parties leaving dark marks on the other until they are both completely covered. It’s not just the video either, the lyrics lend itself to a similar theme:

“She put something on my tongue in Paris
“20 minutes and you’ll be fine”
Now we’re driving bout hundred seven
Down a back road quarter mile
This street goes straight to heaven
We wanna get lost for a while”

“Rent my gun but ya buying the bullet
I’m a semi automatic tearing through your mind
Whisper like a twister cuz
I’m up to something”

So in both scenarios, they are playing with fire and pushing it as close as they can without getting burned. As we all know, that can only last for so long before things start to deteriorate. Which is why the song ends like this:

“My bad habits
Make me a freak, love
When I’m howling
At the moon
If you wanna
Take em from me
They’ve tried and they’ve tried
Snap out of it”

This song is my new “bad habit” because no matter what, I can’t stop listening to it. Don’t forget to check out all these songs on our July TOTD playlist (it’s linked at the bottom of the post).

Juliana Strangelove – “Far From Moscow”

If you weren’t immediately sucked in with that opening riff, I don’t think we can be friends. Then when the kick drum kicks in, there’s pretty much no way not to tap your foot along. This song completely blew me away when I first heard it. It went from, “oh that’s a great southern/bluegrass riff”, to “oh I didn’t know that Billy Corgan was here”, to “wow these lyrics are so delightfully grungy and aggressive.”

I never knew how to describe these vocals, but luckily, Juliana’s camp explained it to us: “Contra-alto Corner describes it as ‘unique, dark and powerful’, with the heavy richness that makes the Profondo voice such a mesmerizing instrument’. In layman’s terms: Juliana sings in male keys and does it well.” I have to agree completely. If someone had thrown this on without telling me the name, I would’ve assumed it was a guy (specifically Billy Corgan like I mentioned before). It kind of reminds me of my first time hearing Alabama Shakes and then seeing Brittany for the first time and being blown away. I expect a similar come up for Juliana Strangelove, and can’t wait to see what else she creates.

One more fun fact before we move on that proves a little bit more about her badassery: She has another song called “Moscow Heterosexual Blues” which we’ve added to the July TOTD playlist. The video featured men in drag, which in and of itself isn’t all that wild, but then consider where she is from (Russia), and how Putin feels about LGBTQ+ rights and it adds a whole new level of rebellion to her character.

Flo – “Velvet”

“Looking backwards and forwards at once,

finding loopholes for time to start.”

I actually feel like that line describes my feelings on this song pretty well. It is stepping into a tradition of other pop/folk/singer-songwriters but it doesn’t sound like a retread. Flo has her own…flow. I know, I know, dad-jokes. Something you may also find impressive (I did), is that Floraine Hu (Flo), plays guitar and keys along with her beautiful singing voice.

The song title, “Velvet” gets referenced in the opening lines that describe wrapping someone in a velvet cloth to keep them warm, only to have them leave you again soon after recovering. It brings to mind nursing a baby bird back to health, and then letting it take to the skies again. I tend to think it’s more of a metaphor than literal. It seems like a good way to describe a relationship in which one person leans heavily on the other, and then leaves without appreciation. It’s really gut wrenching, yet hidden discretely within Flo’s cherubic vocals.

Loneborn – “Ghosts”

“I see a ghost who’s trying to pretend,

haunting memories of things I never did.

I see a ghost that’s staring back at me,

the echoes of a dream, a door without a key.”

I really love the chorus of this song. I’m not sure I fully understand it, but it feels important. At first when I heard/read it, I thought “haunting memories of things I never did” meant that this ghost was accusing the speaker of things and the speaker was like “no bro, I didn’t do that.” But the more I listened, and thought about it, I think the ghost is haunting the speaker by pointing out missed opportunities. “The echoes of a dream, a door without a key” then becomes those points in our past that we look back and think “what if”, all of those times where maybe we could’ve changed things: new relationships, bad decisions, moments of trauma.

About Loneborn

“Loneborn is an odd-ball collaboration between a producer with years of experience in the industry writing jingles and a graphic designer with brilliantly contagious musical ideas but no traditional musical knowledge. Having originally met in middle school, the duo took on separate career paths throughout the years and lost touch. Raul Garcia, a prolific commercial jingle-writer and indie rock producer, was reacquainted with Jonathan Tuckler, a percussionist & graphic designer on the rise, when the two decided to jam over some beers. When Tuckler began humming melodies and plotting out entire songs using only drums, Garcia decided the two should hit the studio to see how far the ideas could go.”

 

Sarah MacDougall – “Empire”

This is just one of those songs that gives you goosebumps. It has the slow build of an almost acapella first verse, and then those first “woah”s kick in and you can’t help but feel a flood of emotion, just like the singer seems to. And when you dive into the lyrics:

“We destroyed everything

Destroyed everything that was good

We destroyed everything good

Oh oh oh

Is this our empire, Is this our empire?

Oh oh oh

Is this our empire, is this our empire at our feet? ”

It is pretty clear we are singing about a tragedy of epic proportions. It almost reminds me of that line in NIN’s song “Hurt” that mentions “my empire of dirt”. Both songs are thinking about our lives as an empire, and how fleeting those empires are.

“There is so much I could have said And now I’m counting

all the hours I have left to tell you anything

We are born and then we die and in between we

are alive so let the bells ring, let the bells ring”

Now, it does seem to end on a somewhat positive note, even when it’s clouded in realism. We all have a set amount of time here, to say the things we want to say, to see the things we want to see, and that is admittedly tragic. But with the bells ringing out at “in between we are alive”, we can think about all the bells that ring in human lives. Bells of celebration, like a birth, or a wedding, bells of mourning, like a funeral, but all the bells are good bells, because we do get this time at all. What are you doing with yours?

Skout – “Space in Between”

I like putting this song right after the intensity of that last one. It has a similar feel, in the sense that it clearly acknowledges that not everything is rosy all the time. The speaker is desperately looking for “the space in between” to breathe for a while. It seems like at times they are lost in the hustle and bustle of life, and feeling the time slip away. They say, “I don’t need to know where I’ll be in five years.” In a world, especially an America, that says if you aren’t moving you are losing, we often forget how important it is to stop and smell the roses for a moment.

“Where do I go when living is home?”

This refrain has me a little perplexed, but also I find it so beautiful. I guess with what we’ve already said about the song, it is a preponderance on how to find “the space in between”. The ticking clock doesn’t stop, the hustle and need for money doesn’t stop; you can very quickly blink and wake up with years passing you by. Don’t forget to breathe, and look for the spaces that you can hold onto.

 

-Caleb

Want to hear more? These songs and more can be found on our July TOTD playlist right here.

Also, did you know we have a podcast? It’s got enough music and content you’ve never heard to last you for a 30 hour road trip. Check it out and let us know what you think.

Morning Commute: Coyle Girelli – “My Blue Heart”

Happy Fourth of July! Let’s start it off right with some raw Americana that involves both Red and Blue as a mainstay in the lyrics.:”I’ve got a blue, blue, blue heart and it’s bleeding red”. I really can’t get enough of this song. It sounds like it stepped right out of almost any era, with ranges from Johnny Cash to Jason Isbell to Roy Orbison. Let’s dive a bit into the lyrics:

“I’m Mr Nameless
In a town full of ghosts
I’m walking this road alone
Everywhere I go

I’m got a blue, blue blue heart
And it’s bleeding red

I hope tomorrow won’t hurt as much
And all my sorrow be gone gone gone with just a little love

Maybe there’s someone
As lonely as me
Looking out at the moon
Asking for somebody ”

So it’s someone who feels like their entire worldview is blue and doesn’t see much hope. He does seem to hope that one day he can find someone to share his sorrow with, and that maybe they can start to fix each other with that empathy. It’s really a beautiful sentiment, and very romanticized. From experience, two broken people can definitely make each other feel better, even if it’s not the most stable relationship all the time. I’ve never been able to sustain something like that, but it’s definitely a good starting point.

Bio: “The Chevin frontman, Coyle Girelli, releases his second solo single — “My Blue Heart” —

on Friday, June 8. The song, which follows on the heels of the first single “Where’s My Girl?,” is the second from his upcoming debut solo album, “Love Kills,” out in summer 2018.

“My Blue Heart” opens with a dirty guitar riff and stomps with an Americana heartbeat all the way through its two-minute length. The simplicity and straightforwardness of the shortest song on the album is a nod to an era of classic songwriting that inspires Girelli. Like most of the songs on the album, Girelli is the solo songwriter of “My Blue Heart.” Notably, “My Blue Heart” is the only song that he also mixed.

“I loved the rawness of this recording and this song. It’s honest, simple and satisfying like a good plate of mac & cheese,” said Girelli.

The “Love Kills” album will offer up a moody, romantic, cinematic tone, which Girelli labels Modern Noir.”

 

I certainly know if it sounds anything like this song, I’ll be all about it. Want to hear more? Check out this song and more on our July TOTD playlist on Spotify.

 

The Flock: Indie Rock – Raccoon Lagoon, State of Nature, The Color Forty Nine, Werwe, Houston Heard, FINE POINTS

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Raccoon Lagoon – “Tomorrowism”

Starting out this edition of The Flock, we figured we’d show you guys something a little different than what you usually see here. We love psych rock, but not a lot of great psych rock really rolls across our table. I’m not sure why, but those are the facts. Enter: Raccoon Lagoon. The video plays around with one picture for the duration of the song, and it never gets old. With gritty guitar and ethereal keys, Raccoon Lagoon has created a track/video that serves a very specific and trippy purpose.

State of Nature – “Someday Afternoon”

No strangers to the blog, State of Nature hits yet again with a genre bending track that melds funk and indie rock. With funky licks and smooth vocals, State of Nature takes a look at the casual relationship.

You think it’s going to be another love song with the opening line, “I love the way that you can bend and wrap around me much better than my clothes could ever do,” but then it dives into how alcohol influences their decision to meet up and the need to keep an emotional distance. Side note: That opening line is one of the coolest I’ve heard in a while. The lyrics are on point, but the vocal inflection on the word do speaks to the nature of the relationship: playful and definitely sultry. We are only becoming bigger fans of the indie rock band, and they land home with another great song for us.

The Color Forty Nine – “Storyteller”

I’ve watched this video so many times now. I still don’t really know where to start because I’m just so enamored by it. The music itself gives me a lot of different vibes, but the strongest one is probably My Morning Jacket. That said, I truly think this is difficult to classify in a good way, in a this is truly unique sort of way. Before we get to the actual video, let’s dive a bit into the lyrics:

“Ooh, but I have something to say
Feel like something is on the way

Your house of worship has locked the doors
Though many came here, there’s many more
were turned away

Oooh, but I had something to say
Oooh, we’re not worth it in any way

Storyteller, on the fence
Won’t you tell us
How it ends ”

Now these lyrics are very ambiguous. I would say due to the church reference, and the subject of the video itself, there seems to be both a critique of religious people today, and also a question to the Storyteller, who in this scenario could be God, or someone speaking “for God” asking what’s next? How does this all end? There seems to be a definite feeling from the speaker in the song that part of the story seems to be getting lost, or blocked.

Now I definitely want to hear some interpretations from you guys on the video. I see a man getting made up, at first I think in some sort of drag, but then it seems like that’s not quite it. He goes to a closet where he types on a typewriter, which works into the story feeling blocked or hidden trope from before. Then he gets presented on a stage, sings some more, and dances. I think all of that still fits into the questions I asked before, but I also think there’s maybe some sort of meditation on what it takes to get a message out going on here. Can an artist just dress normal and sing his heart out and be heard? Or does he need to be made up, with elaborate backdrops? 20 years ago, you could still presumably just be a good songwriter and rise to the top. Now? I like to think that’s still true, but it seems more and more there has to be an elaborate gimmick to go along with it. Maybe this song is talking about all the storytellers who never get an audience because of shallow reasons? I don’t know. I’ll continue to watch this video many more times into the future. It isn’t an immediate answer, and, I’m so thankful it’s not.

Werwe – “Different Tune”

Ah man guys. How good is this song? This song kind of gives me a mix of Jimmy Eat World and Modest Mouse. I also really dig the lyrics of this song. It seems to be calling up these nostalgic images, which is pretty normal, but then he kind of shows off how he’s different from back then, and he’s going to do his own thing. This works perfectly into his bio:

“Different Tune” is the first single from Werwe’s upcoming Birthday EP to be released on June 19th 2018.

On his new project, Philadelphia based singer-songwriter Steven Martinho set out to create the music he’s always wanted to make – skillfully crafted pop that remains unpretentious and fun.”

So, I never heard what he was creating before, but I’m glad he’s making the music he wants to make, because I’m really connecting with it.

Houston Heard – “My Divine (a little demo guy)”

As mentioned in the title, this is more of a demo than a fully polished album track like some of the others, but his voice shines through excellently anyway. He says he wrote this song about someone in your life who kind of sucks, but you always kind of root for them. Let’s dive into some of the lyrics:

“Would it kill to take some time for what I say, that’s okay
It’ll go in one ear and out the other anyway

My divine
Your kindness will come in time”

I don’t know about you guys but this sort of relationship is one of the most painful many of us will ever experience. It can get increasingly infuriating when you try to give them advice, that they don’t take. It takes a really patient person to stick with them after the first 5 or so times of being ignored. I know I’m not that patient.

FINE POINTS – “Ready and Able”

This song just jumped off the page at us. Or jumped out of the speakers, or whatever you want to call it. This song features Hannah Moriah with absolutely beautiful harmonies. It is the second single off their upcoming album Take Shape, out July 13, 2018 on Dine Alone Records. Their genre is technically described as “Narco Pop” and they’ve landed tours with many in the genre, including: White Fence, The Warlocks, and the Fresh and Only’s. I didn’t really know much about the genre, but apparently it is primary stories set around drugs and drug smugglers, and was originally a primarily Mexican genre? That’s from a quick google search, so it could be wrong. All I know is I love how smooth the vocals work in this song, and it gives me some vibes from a lot of classic rock, with modern indie vibes. I’m pretty much always sold when a rotation of vocals and callbacks can work together and the best play to find that in this song is around 3:00 min mark until the end. If you are on the west coast, don’t miss them in July:

Performance Dates:

July 17 – Olympia, WA  @ Le Voyeur Cafe

July 18 – Seattle, WA  @ Sunset Tavern

July 19 – Portland, OR  @ White Owl Social Club

July 20 – Berkeley, CA  @ The Starry Plough

July 21 – Visalia, CA  @ Cellar Door

July 22 – Los Angeles, CA  @ HiHat

 

-Caleb and Seth

Did you know we do a podcast? It’s true. You can check out the latest episode here.

TOTD: How Great Were The Robins – “Blind Faith”

How great were How Great Were the Robins? Pretty great. Okay, I know, I’m sure most people make that same cheesy joke, I’m almost 30 now; even though I have no kids, my dad jokes are kicking in. It’s so good to hear from How Great Were the Robins again. Again you say? Yeah, again. They were on our podcast back in March for one of our 2 episodes on the theme of Lost. You can find that here: Episode 10: Lost (part 2)

But enough about our past love affair, let’s talk about the present. Their newest track “Blind Faith” has absolutely blown me away. Let’s dive into some of the lyrics.

“Stay close and play a song that I know
It will drive me through the right door
At night we all have our Blind Faith
Be kind, tell me the way before sunrise
We strive and flutter like butterflies when
At night we follow our Blind Faith

We moved to a room in the suburbs
Where there’s room for our minds
You told me to not be afraid of the unknown
Of seeing the edge of the world”

So I like that it’s somewhat ambiguous who is being spoken to in this song. It’s someone the speaker loves and knows, and looks to for guidance. Even in the face of the unknown, or the edge of the world, this person or spirit animal or whatever is calming the speaker into the dark, because in the dark, all we really have is our blind faith. That could be seen religiously, or it could just be seen as all the sorts of negative emotions or thoughts that tend to crop up when the sun goes down.

I think the prettiest sentiment in the whole song is “Stay close and play a song that I know”. I don’t know about you guys, but since you’re reading a music blog, I’m going to assume you have some similar experience; when I am feeling down, or lost, or out of sorts, a familiar song is one of my most important crutches. I am so glad to add this song to my library so that I can also play a song that I know next time the darkness threatens.

-Caleb

Want to hear more? We’ve added this song to our June TOTD Spotify playlist. 

 

TOTD: Miserable Chillers “Un Canto a Galicia”

Anyone here like The Smiths? or The Cure? I hear elements of both in the newest single from Miserable Chillers off their upcoming split with Sun Kin (out July 27). This song features Cat Lopez on vocals. The title of this song seems to be a nod to Julio Iglesias who wrote a song with the same title as a nostalgic remembrance of his home country. The thing you need to know about this upcoming album’s concept, is it’s about real life conversations between Kabir Kumar (Sun Kin) and Miguel Gallego (Miserable chillers). They met online, and shared a lot of the experiences as immigrants and first generation kids in America. You can see some of these sentiments reflected in the lyrics:

“what’s the sun feel like in Spain?
we’re in a cafe, it’s afternoon
i smell fish and lemon.
we can sit in the shade!

Suppose our hearts are unblossomed flowers
and when they bloom what color do
you think we’ll see?
la de da! la de da!

How might it perfume the air?
I can’t wait to kiss you there
will we recognize it?
la de da! la de da!

every night when i sleep
i pray it comes to me in dreams
an image or a vision
something i can keep!”

Without knowing the full background, I would’ve assumed the song was about a long-distance relationship, which it is, but obviously with some more intricacies than that. Miguel describes the record as: “The music they made reflected their own conversations; about anxieties induced by social media, their misgivings and fears about making art in a time where a tidal wave of history seems poised to crash down on us, and the need to hold on to faith that another future, however difficult it may be to imagine, is possible.”

In a time that is both very free artistically, and very conservative and scary socially, this is an album I think we can all empathize with, and it’s off to a great start with this song.

-Caleb

Want more music? Find this song and more on our (almost completed) June TOTD spotify Playlist.

 

New Release Friday Morning Commute: Drona “First Word Problems”

“They got some first world problems
Credit cards to solve ‘em
Daddy’s paying for all their bits
Ivy league and Gucci kicks ”

Good morning first worlders. I hope you’re ready to get potentially triggered haha. We have this excellent single from Drona that really puts first world problems on trial. My favorite part of this song is how dressed up the message is. It’s a relatively upbeat track with smooth vocals that presumably those who are being sung about (if they aren’t listening too closely) would be bumping to. I hope no one finds my next analogy offensive, but this song thematically took me back to middle school and rocking out to “Lifestyles of the Rich and Famous” by Good Charlotte. Yeah, yeah, Good Charlotte sucks, we get it, but when I was 14, that song captured my angst about a subset of people that seemed very villainous to me (and honestly, the 1% still seems pretty villainous to me on the whole).

Press Release: “First World Problems” is a single from Drona’s upcoming EP “The Third World Season.” The song recounts Drona’s experience of moving from India to the U.S. at the age of 17 and the differences in cultures he encountered. Some of the lyrics in the song are direct references to other pop artists (such as “Pills in Ibiza” – Mike Posner, “Lovers from places that you can’t imagine” – Taylor Swift, “Tell me what you want tell me tell me what you want” – Spice Girls) and others are just first world problems that people seemed to have. “First World Problems” is a catchy and playful pop track that seeks to bring a unique perspective to the conversation from a part of the world that is often either ignored and/or stereotyped.

 

Obviously Drona’s background adds a whole new element to the track. In doing some research for this, I actually found out that “first world”=rich countries is actually a misnomer, and it has more to do with location/alliance than anything. Here is a helpful map and brief description from this Quora page:

  1. “First World – American Influenced, Democratic-Industrial Countries.
  2. Second World – Eastern part of the Communist Socialist Industrial States.
  3. Third World – States who have not aligned with any of the above two spheres or simply called Non-aligned Countries.

Being, the leader of the non-aligned movements, India always described as the ‘Third world country’. It never means, India is poor.

By sharing the above information, I want to call out, being an economic giant “India should still be called as 3rd world country”.

India had and will have so many gains, by maintaining this ‘Non-aligned Movement’. India will still be called as 3rd world country in years to come.”

 

I think the beauty in the fact that that Quora page is even necessary kind of illustrates a big point in the song and in Drona’s transition. “First World” countries automatically think they are superior. It’s easy to call to mind our loving President’s “shithole countries” comments from a few months back (or weeks?, years? time doesn’t really operate like normal under this president).

Let’s let Drona’s lyrics wrap this whole thing up shall we?

“So tell me what you want what you really really want
A villa on the french riviera with a Yatch or a plane – whichever’s more expensive
Houses in New York, and London, and Paris
Lovers from places that you can’t imagine
Thinking of all this is making me tired ugh

The struggle is real

We can’t get enough
Of their shiny stuff
I guess I can’t remember
When I had
So much to have
And they make us laugh
With all their fake feuds fake news ”

 

-Caleb